
Photo by Benjamin Rose Photography.
Presented by Actors’ Shakespeare Project
By Gordon Greenberg & Steve Rosen
Directed by Christopher V. Edwards
Featuring: Thalia Gerloff, Doug Lockwood, Paul Melendy, Nicholas Papayoanou, Bobbie Steinbach
October 9 to November 1, 2026
The Dorothy and Charles Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
Run time: 100 minutes, no intermission
Critique by Diana Lu
WATERTOWN, Mass. — The 1995 Mel Brooks film Dracula: Dead and Loving It was a childhood favorite of mine, so Greenberg and Rosen had big shoes to fill. I’m happy to report that Actors’ Shakespeare Project’s Dracula: A Comedy of Terrors exceeded even my most petulant-nostalgic expectations. It is witty and fresh. It is feminist and gay. Watching it gave me a sense of safety, clarity, and expansion, and I wondered how much more theatre could challenge us to, as the playbill put it, “be dangerous and alive.”
A sharp and hilarious sendup of Bram Stoker’s classic vampire tale, Dracula ACOT begins with fussy and faint hearted (i.e. stereotypically Victorian) real estate broker, Jonathan Harker (Paul Melendy), traveling to Transylvania to close a lucrative deal and enhance his career prospects before wedding his childhood sweetheart—who is waaaaaay out of his league. In Dracula’s castle, Harker’s photo of fiancée Lucy Westfeldt (Thalia Gerloff), a feminist firebrand with an extremely attractive neck, immediately becomes the vampire’s obsession. This leads our orientalist trope villain to infiltrate England to seek her out, leaving a trail of death, disease, madness, and queerness in his quest to sate his lust, bloodlust, and dopamine receptors. Continue reading
