Oct 26

Some Restrictions May Apply: “Cirque of the Dead”

Photo is not representative of this year’s “Cirque of the Dead.” Still cool, though. 

Presented by the Boston Circus Guild with Circus 617
Written by Tim Ellis
Directed by Eileen Little
Dance Choreography by Mandy Hackman, Ellen Waylonis
Featuring: Alex Jackson, Ellen Waylonis, Jenna Ciotta, Mandy Hackman, Nana Okada, Rachel Barringer, Rin Judith, Tim Ellis, Tori Markwalder
The online playbill

Oct 24 – Oct 31, 2024
Arts at the Armory
Somerville, MA

Doors open 30 minutes before showtime. Runtime is about 90 minutes with a short intermission.
This show is 18+ only, due to graphic/disturbing content.

Review by Kitty Drexel

SOMERVILLE, Mass. — This year’s Cirque of the Dead chronicles the fictitious (or is it?) Cirque of the Dead Historical Society of the 1920s Somerville spiritualist movement. Watch as three psychic mediums materialize ectoplasm from their bodies and commune with the spirit realm to convince a team of Harvard professors (Go Crimson!) and one MIT adjunct (Go Tech!) of their gifts. Tim Ellis and Tori Markwalder emcee the event. How does this match up with the choreography of New Kids on the Block, N*Sync and the Backstreet Boys? Perhaps the boy bands are defenders against the dark arts? You’ll have to attend to find out! 

Supernatural phenomena abound as the occult battles rigid logic for truth equity amongst the masses. Patrons are welcome to dress up in their ookiest, spookiest costumes. The bar is open to distribute libations to 21+ living and nonliving attendees.   Continue reading

Oct 30

Frights for Our Times: “Cirque of the Dead”

Presented by Boston Circus Guild
Directed by Eileen Little
Creative Production and Costume Design by Ellen Waylonis
Script by Tim Ellis
Stage management by Zahra Garrett and Micaela Slotin
Lighting design by Brittany Trymbulak
Featuring Alex Jackson, Alex Oliva, Caroline Wright, Ellen Waylonis, Judith Ngari, Morgan Oldham, Rachel Barringer, Roger May, Tim Ellis

October 27 – October 31
Arts at the Armory
191 Highland Ave
Somerville MA, 02143

Review by Maegon Bergeron-Clearwood

SOMERVILLE, Mass. — There’s something about this show, I thought to myself, partway through the first act of Cirque of the Dead, that feels distinctly millennial. It wasn’t just the jokes about podcasting and politics – beneath every clever quip and gravity-defying flip, there was a vague existential dread lingering beneath the surface.

Sure enough, the true villain of Boston Circus Guild’s Halloween saga is not a demon that needs to be ritualistically trapped inside the vessel of a Barbie doll, but instead the crushing feeling of powerlessness that defines being a young-ish adult in 2023. And our greatest strength in this time of despair, it turns out, is teamwork (and, of course, Taylor Swift). Continue reading

May 22

Batman Burlesque Brings Out the Brave and the Bold

Presented by The Slaughterhouse Society

May 20 – May 25, 2018
The Oberon
2 Arrow Street
Cambridge, MA
The Slaughterhouse Society on Facebook

Review by Gillian Daniels

CONTENT WARNING: Psychosexual camp with some abuse and violence for good measure.

(Cambridge, MA) Maybe it’s the number of expertly dressed femme fatales and smart suited gentleman villains in the rogue gallery. Maybe it’s just the spandex. All the same, Batman’s unique blended history of pulp, humor, and darkness puts it at the same cross-section of camp and psychosexual horror in which Boston’s happily weird burlesque scene specializes. The Slaughterhouse Society makes sure burlesque and Batman are a match made in vaudeville variety show heaven. Continue reading

Oct 24

Malicious Intent to Thrill: CIRQUE OF THE DEAD

Presented by Boston Circus Guild
Directed by Creature aka Karin Webb

October 26 – October 31, 2017
The Oberon
2 Arrow Street
Cambridge, MA 02138
Cirque of the Dead on Facebook

Review by Gillian Daniels

CONTENT WARNING: Gory, sexy, bloody, violent, and meant to thrill.

(Cambridge, MA) Local comedian and artist Wes Hazzard is the MC and game master for an evening of aerial stunts and scantily clad performances. In between explicit clips from horror films and faux murders, Hazzard charms the audience with jokes and 1990’s references. He, and the ska-rythums of the fantastic Emperor Norton’s Stationary Marching Band, grounds the twisted, dark menagerie in charisma. Continue reading