Kim Sykes,Paul Hecht, Lizbeth Mackay, actors
Eleanor Taylor, vocals Ellen Mandel, composer/piano
Review by Kitty Drexel
(New York, NY) Upstairs at the Cornelia St. Cafe is a posh restaurant with food that looks as delicious as it tastes. Downstairs is a performance nook with just enough space for a piano and a few actors to huddle together in performance. It isn’t glamorous but there is a full bar. This was a cozy setting to belatedly celebrate the birthday of Irish poet and scholar Seamus Heaney through song and poetry. Continue reading →
(NYC) If you have been in the vicinity of a kid under the age of 12 in the past six months, you probably know Idina Menzel, or at least her voice. She’s the star behind the Disney phenomenon Frozen. But if you’re a Broadway aficionado, you already knew her name and have been following her since she came on the scene as Rent’s Maureen Johnson in 1995. Or, perhaps you remember her best as Wicked’s original Elphaba. Continue reading →
Photo claimed from the Gold Dust Orphans facebook page.
Presented by The Gold Dust Orphans
Written and Conceived by Ryan Landry
Directed by James P. Byrne
April 18th – May 18th, 2014
The Ramrod Center for the Performing Arts MACHINE – 1254 Boylston Street, Boston.
Gold Dust Orphans on Facebook
Review by Kitty Drexel
(Boston) Mr. Ryan Landry excels at writing fast-paced, raunchy pantos. His shows are regularly engorged with punchy, LGBTQ+ inclusive, sexy humor unsuitable for family-minded audiences. Snow White is no exception. This beauty based on the classic Disney movie is sure to leave your mouth dry and your seat wet. Continue reading →
(Boston) imaginary beasts’ production of Lovers’ Quarrels is less concerned with emotional authenticity than the beauty of its artifice. The 17th century romantic comedy is not exactly a work of realism, and thankfully, is not treated as such. Its plot hinges on a girl who has been raised as a boy, Ascagne (Lynn R. Guerra), tricking a young man she likes, Valère (Will Jobs), into marriage by pretending to be her extremely feminine sister, Lucile (Erin Eva Butcher). imaginary beasts presents this material with all the seriousness it deserves, creating an innocent, funny romp through improbable obstacles. Continue reading →
Does Interference work as a play? No, but I’m not sure if it’s meant to cohere as the kind of story with a single start and finish. Liars and Believers have created an immersive experience with mixed results, one that works well enough when staged at a fantastic venue like the Oberon. Similarly to Lunar Labyrinth, though, the last effort I saw by Liars and Believers, Interference is a series of vignettes inspired by a single work. Here, the theater group takes its cues from Pablo Picasso’s 1937 painting, “Guernica.” Continue reading →
January 23 – February 2, 2014
Boston Center for the Arts 529 Tremont St
Bread and Puppet on Facebook
Review by Danielle Rosvally
(Boston) There aren’t many opportunities in your modern New England life to actually be a part of something that has deep, continuous, traditional roots. I don’t count Civil War Reenacting. Experiencing Bread and Puppet is an honest-to-goodness moment of oneness with theatre history, even if you don’t quite understand what’s going on in the performance. Continue reading →
presented by ImprovBoston
Written by James Ferguson
Directed by A. Vincent Ularich
Performances January 11, 18, 25 only – get ’em while they’re hot! 40 Prospect St
ImprovBoston on Facebook History 101 FB event Page
Review by Gillian Daniels
(Cambridge) Improbable and strange at the best of times, delving into the subject of history seems like an excellent move for a troupe over at ImprovBoston. Writer James Ferguson and director A. Vincent Ularich riff on notable, ancient, and over-the-top historical anecdotes. The skits vary between silly to stark, but the common thread running through all of them is far too loose to stitch the show together. Continue reading →
ATTENTION BOSTON PERFORMERS:: Riverside Theatre Works is currently seeking actors/singers/dancers for their Spring production of “Cabaret.” RTW on Facebook.
“Cabaret” will be directed by Kevin Mark Kline, choreographed by Matt Romero and will include musical direction by Danielle Clougher. This fully immersive and engaging new “take” on the classic musical begins rehearsals in mid-February 2014 and performs May 9-18, 2014 at Riverside Theatre Works in Hyde Park, MA.
Auditions will be held on Saturday November 30 at 7:30pm and Thursday December 5 at 8:30pm.
Those interested in auditioning should email Director Kevin Mark Kline at firstname.lastname@example.org to set up their audition appointment.
Singers should prepare two 16-32 bar selections from the musical theatre repertoire.
There will be a dance call for Emcee and Kit Kat Klub Boy-types. Please bring appropriate clothing. An accompanist will be provided. You may be asked to read sides from the musical.
(Somerville) Halloween can be a bit bizarre for those of us in our twenty-somethings. That weird age bracket when you’re not yet ready to give up the idea that this time of year should be about more than the hum-drum and ordinary; that perhaps there was something to the sugar-coated memories of your childhood walks around the neighborhood in the brisk autumn air wrapped in some crude approximation of a Jedi robe that came from a Party City bag; that perhaps, if you look hard enough, there’s something out there to do that’s not sit at a bar and commiserate with the other “adults” who are still trying hopelessly to deny the fact that they’re too old for free candy from strangers (no matter how good their home-made Hogwarts uniform looks). Continue reading →
Friday, October 4th, 7:30pm Johnny D’s
Johnny D’s Uptown on Facebook
World Music/CRASHarts on Facebook
Review by Gillian Daniels
(Somerville) The very American Johnny D’s Uptown can feel like an unlikely venue for World Music/CRASHArts. Taking the stage in turbans and garb from Northern India, Rhythm of Rajasthan prepares to play. The people at the bar look on with surprise. The patron next to me expresses hesitance, saying that he only came here this evening to catch the ball game on TV. Continue reading →