Feb 12

Keep Going, Sincerely:”Still Standing”

Featuring Anita Hollander. Photos by Andrew Brilliant/Brilliant Pictures.

Presented by New Rep Theatre
Written and Performed by Anita Hollander

Feb. 9 – March 3, 2019
Mosesian Center for the Arts
Watertown, MA
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Critique by Kitty Drexel

(Watertown, MA) I cannot begin to explain what a revelation it is to watch Anita Hollander perform Still Standing. It is still unique for a disabled performer to play a disabled character or to just be themselves onstage. The standard for theatre productions are abled performers playing every role. Audiences are not accustomed to too much truth in their art. There was a time when I thought I’d never see people with experiences like mine grace the stage.  
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Feb 11

Humorous Teachings: Sketch Writing MasterClass with Kevin McDonald

McDonald’s headshot

Presented by Improv Boston
Sketches Thru Improv – the Kids in the Hall Way
February 2, 2019, 10AM – 5:30PM
40 Prospect St
Cambridge, Massachusetts
IB on Facebook

Review by Craig Idlebrook

(Cambridge, MA) Kevin McDonald has enough accolades under his belt as a writer and performer that one could have forgiven him if he had chosen to mail it in during his seminar on sketch comedy at Improv Boston. A founding member of the Kids in the Hall, McDonald has decades of experience in comedy writing and a resume that would earn him the right to lecture from on high to comedy newbies. Continue reading

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Jan 28

Here’s Your Coffee Ma’am: “Paul Bunyan and the Winter of the Blue Snow”

True love with dog. Photo by Alex Sandberg.

Presented by imaginary beasts & Charlestown Working Theater
Written by The Ensemble
Story conceived by Matthew Woods
Directed by Matthew Woods

Jan. 19 – Feb. 10, 2019
Charlestown Working Theater
442 Bunker Hill St
Charlestown, MA
imaginary beasts on Facebook

Critique by Kitty Drexel

(Charlestown, MA) Paul Bunyan and the Winter of the Blue Snow is about best friends and the lengths we go to love them. imaginary beasts treats us with another homegrown panto in the English tradition but with an American fringe flourish. Special effects are minimal but the appeal is high. The plot may wander but the panto’s generosity of spirit more than makes up for the meandering. Continue reading

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Dec 03

Castaway Caught in Colonialist Fantasy in “Shipwrecked!”

Presented by Moonbox Productions
Written by Donald Margulies
Original music composed and performed by Dan Rodriguez and the repertory cast
Directed by Allison Olivia Choat

Nov 25 – Dec 29
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) Halfway through Shipwrecked! An Entertainment, when Louis de Rougemont (Kevin Cirone)–a real person who claimed to have been stranded in the Pacific in his 1899 serial-turned-book–lives on an unspecified island in a carefree existence with an unspecified, idealized indigenous people who variously refer to him as “chief” or “god,” I thought I’d be writing a very different review. But the lively depiction of a “man-eating octopus” and “flying wombats” early in the show should have tipped me off. This is a narrative that pokes holes in itself, a comedy-drama, a man using a survivor’s unlikely colonialist narrative to build his self-worth, and a story about the stories we tell ourselves to feel better. Continue reading

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Dec 01

Salty Peanuts: “A Charlie Brown Christmas Live On Stage”

Image found via Facebook

Presented by Boch Center Schubert Theatre
Story by Charles M. Schultz
Music by Vince Guaraldi
Adapted by Eric Schaeffer

Dec. 1-2, 2018
265 Tremont, Boston, MA 02116
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Review by Diana Lu

(Boston, MA) The CBS television special A Charlie Brown Christmas, which premiered in 1965, has long been a holiday favorite of mine. Before I understood its sophisticate themes or even its dialogue, the adorable cartoons, slow jazz, and children’s voices were instinctively and irresistibly soothing. Decades later, Charlie Brown’s dark horse demeanor and romantic ideals still hold up as a paragon of optimism in a world that makes it so easy become disenchanted and give up our hopes and dreams.

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Nov 19

“WET: A DACAmented Journey.” A Lucid Dreamer Speaks.


Presented by ArtsEmerson
Produced by Cara Mía Theatre & Ignite/Arts Dallas
Written and Performed by Alex Alpharaoh
Directed by Brisa Areli Muñoz

November 8-25, 2018
Emerson Paramount Center
Boston, MA    02111
ArtsEmerson on Facebook

Review by Diana Lu

(Boston, MA) Alex Alpharaoh’s one-man show is a captivating fusion of poetry and play. Alpharaoh transforms from character to character, suspense to comic relief with shape-shifter ease, never missing a stanza as he leads the audience through his onstage persona, Anner’s, ceaseless real-life struggles as an undocumented person in the US. Even traveling to see his dying grandfather for the first and last time is a life-threatening ordeal. It’s not life-or-death, but life as you know it-or-an undiscovered country certainly feels like comparable stakes. Continue reading

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Nov 05

Unfunny and Racist: “FRIENDS: THE MUSICAL PARODY”

PLEASE NOTE: Not every actor in this photo was part of the show on October 26th. No updated press photos were available.

Produced by Right Angle Entertainment
Lowell Auditorium
Book and Lyrics – Bob & Tobly McSmith
Music & Music Arrangements – Assaf Gleizner
Director – Tim Drucker
Choreographer – Billy Griffin
Music Director – Tegan Miller
Geneneral Management – Jim Lanahan, Right Angle Entertainment

Viewed on October 26th, 2018

Review by Craig Idlebrook

(Lowell, MA) Look, I could write a couple of paragraphs to discuss the many shortcomings and few bright points about this musical parody of an insanely popular 90’s sitcom, but none of that matters. The production I saw of this play should be condemned for allowing one of the most racist moments I’ve seen on stage in decades.

Early in the play, the character of Ross is on a paleontology trip to China. To illustrate this with a minimal set change, they have him wear an Asian conical hat. We next see some kind of an assistant behind Ross also wearing an Asian conical hat. That assistant smiles broadly, folds his hands into his sleeves, and walks backwards in a quick shuffle, all while bowing slightly. It is a perfect example of a racist depiction of an Asian underling, the kind of grotesque caricature you expect from a mid-20th century Bugs Bunny cartoon, not a 21st century theatrical production.

I walked out at intermission. Maybe the play got better in the second act, but it certainly couldn’t have done anything to redeem itself.

Queen’s Note: The New England Theatre Geek supports Mr. Idlebrook’s decision to leave during the intermission of Friends: The Musical Parody. It is 2018. A majority white cast and creative crew should know and do better than to spread casual messages of hate and racism through yellowface. The New England Theatre Geek has pledged to promote tolerance and to shun hate. By walking out of this performance, Mr. Idlebrook was participating in this pledge.

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Oct 05

An Anglo-American Commentary: “Sherlock’s Last Case”

Rufus Collins, Mark Zeisler, and Malcolm Ingram in SHERLOCK’S LAST CASE. Photo: T. Charles Erickson

Presented by Huntington Theatre Company
Scenic Design by Hugh Landwehr
Written by Charles Marowitz
Directed by Maria Aitken

September 28 thru October 28, 2018
Huntington Avenue Theatre
264 Huntington Ave, Boston, MA 02115
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Written by Bishop C. Knight

(Avenue of the Arts, Boston)  What I appreciate about the Sherlock and Watson mysteries are the stories’ focus relationships.  Sherlock and Watson’s cases are often initiated by a client who needs help with a relative and, at least once before the mystery is solved, Sherlock or Watson expresses loving gratitude for the delightfully dotty Mrs. Hudson.  My favorite character is Dr John Hamish Watson, whom I adore for the same reasons I adore Tom Hagen in The Godfather saga.  Dr Watson is an intelligent, reliable, and logical gentleman with an understated wit.  He is quiet, loyal, short and handsome. I might have a crush on Doctor Watson… Continue reading

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Oct 05

Boldly “Being Earnest”

Photos: Nile Scott Studios

Presented by Greater Boston Stage Company
Direction and Choreography by Ilyse Robbins
Music by Paul Gordon and Jay Gruska

13 September to 7 October, 2018
Greater Boston Stage Company
395 Main St, Stoneham, MA 02180

Written by Bishop C. Knight

(Stoneham, Massachusetts) In September, I attended the East Coast Premiere of Being Earnest at the Greater Boston Stage Company (GBSC).  This comedy runs for another week ‒ featuring actress Ephie Aardema who performs internationally, as well as other accomplished actors.  GBCS’s adaptation is set in 1960s London, and the composers stayed true to Oscar Wilde’s play. Continue reading

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Oct 02

“Meet Fred,” No Strings Attached!


Presented by Puppet Showplace Theater
By Hijinx Theatre in association with Blind SumMiT
Directed by Ben Pettitt-Wade
Fred theme music by Jonathan Dunn
Puppetry dramaturgy by Tom Espina & Giulia Innocenti

Sept. 28-30, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
Puppet Showplace on Facebook
Hijinx on Facebook

Review by Diana Lu

(Boston, MA) In Meet Fred, three-man puppetry meets meta-theater meets sociopolitical satire meets disabilities awareness. All this was beautifully woven together with tight storytelling, sharp humor, and arresting visuals. The result is one of the most engaging, funny, and touching theater experiences you will ever have. Continue reading

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