Dec 02

Looocy, You Got Some ‘Splaining to Do: Heart & Dagger’s SWEENEY TODD

Promotional Art by Heart & Dagger

Promotional Art by Heart & Dagger

Presented by Heart & Dagger Productions
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Joey C. Pelletier
Music direction by Michael Amaral

Nov. 19 – Dec. 4, 2016
Stanford Calderwood Pavilion
Boston Center For The Arts
527 Tremont St
Boston, MA 02116
H&D on Facebook

Review by Kitty Drexel

(Boston, MAHeart & Dagger’s approach to Sweeney Todd: The Demon Barber of Fleet Street is highly unusual. It’s design harkens back to the original “Penny Deadfuls” in a way fancy pants professional productions don’t. It revels in its everyday horrors. It’s design brings creative license to the next level. Many strong, risky choices were made in this production. Most of them paid off. Unfortunately, some of the bigger ones did not. Continue reading

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Nov 30

Too Many Words: AMADEUS

Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading

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Nov 14

Freedom is Not an Inconvenience: HOW SOFT THE LINING

Photo credit: Paul Cantillon, Lidecphoto.com.

Photo credit: Paul Cantillon, Lidecphoto.com. Borders and Hayes sharing a tender moment. Remember folks: intersectional feminism or nothing at all. 

Presented by Bad Habit Productions
Written by Kirsten Greenidge
Directed by M. Bevin O’Gara
Dialect coaching by Steven E. Emanuelson
Dramaturgy by Phaedra Scott
Fight choreography by Margaret Clark
Nov. 5 – 20, 2016

Boston Center for the Arts
Boston, MA
Bad Habit on Facebook
Review by Kitty Drexel

(Boston, MA) How Soft the Lining is nearly a performance ready script. It isn’t there yet. There was a lot of good. There was some not so good too. It has a beautiful story that history nearly forgot thanks to history’s disregard for women’s stories. Thanks to Greenidge, we won’t forget. Continue reading

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Nov 02

Shakespeare…with Zombies: “Twelfth Night of the Living Dead”

Photo courtesy of Anthem's Facebook page

Photo courtesy of Anthem’s Facebook page

Presented by Anthem Theatre Company
Based on the work by William Shakespeare
Script by Brian MacInnis Smallwood
Directed by Bryn Boice

October 27 – November 5, 2016
Plaza Black Box Theatre at the Boston Center for the Arts
Boston, MA
Anthem on Facebook

Review by Craig Idlebrook

(Boston, MA) I’m going to make a case for why Twelfth Night of the Living Dead, a mashup of Shakespeare and zombie movies, rises above its original source material. And I’m making this case post-Halloween, so I’m not gripped with Salem festival-like fever. Continue reading

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Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

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Sep 29

Needs More Lesbian Kissing or No Dick is a Picnic: “Cleanliness, Godliness, and Madness: A User’s Guide”

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall. 

Presented by Sleeping Weazel
Written by Charlotte Meehan
Directed by Robbie McCauley

Sept. 15-24, 2016
Boston Center for the Arts
Plaza Black Box Theatre
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

My sincerest apologies to the good folks involved with Cleanliness, Godliness and Madness. I’ve been quite ill with what I can only describe as the Devil’s lurgy. I shall endeavor to disallow my human frailty in the face of illness to force my hand (quite literally) in this way ever again.

(Boston, MATo the lovers of button pushing, wildly liberal avant garde theatre, Cleanliness, Godliness and Madness: A User’s Guide (CGM) has closed. You missed a striking theatrical event. Attempts to remedy this miscalculation should be attempted. Continue reading

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Sep 20

Jordan Needs a Xanax and a Snuggle: “Significant Other”

vanessa-shower-with-nsfw-props

Photo Credit: Justin Saglio; Penises at the Hen Party. Penis. Penis. Penis.

Presented by SpeakEasy Stage Company
By Joshua Harmon
Directed by Paul Daigneault

Sept. 9 – Oct. 8, 2016
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MASignificant Other (SO) is Sondheim’s Company is the music were stripped, and Bobby was made both gay and genuinely likable. The percentage of justifiable choreography remains equal between the two shows. The set design is similarly simple. The scene transitions are more facile. All in all, based entirely on sympathetic characters alone, Significant Other is the more pleasant viewing choice. Whether this is true for you depends upon your own theatrical preferences. Continue reading

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Aug 10

A Massive Cuddle for the Ears and Eyes: A MAN OF NO IMPORTANCE

Photo credit: Earl Christie Photography, earlchristie.com.

Photo credit: Earl Christie Photography, earlchristie.com.

Presented by Bad Habit Productions
Book by Terrance McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Based on the 1994 film, “A Man of No Importance” by Suri Krishnamma
Directed by Daniel Morris
Music directed by Meghan MacFadden

August 6 – 28, 2016
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Bad Habit on Facebook

Review by Kitty Drexel

(Boston, MA) 1994’s “A Man of No Importance” is a difficult movie to find (legally). My library didn’t have a copy that wasn’t on VHS. Amazon won’t let one buy a copy for less than $95.00. eBay has laserdisc copies but who still uses a laserdisc player? My journey to view the source material before writing a review yielded no positive results. Albert Finney is an excellent actor. It must be a good movie to produce such a lovely musical. Bad Habit’s is a lovely musical. Sad face.    Continue reading

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Jul 18

Mommy Issues on Foreign Soil: BRENDAN

Photo credit: Josephine Anes;  Avery Bargar and Kiki Samko.

Photo credit: Josephine Anes; Avery Bargar and Kiki Samko, not so snugly.

Presented by Happy Medium Theatre Company
Written by Ronan Noone
Directed by Brett Marks and Victor L. Shopov

July 15-30, 2016
Boston Center for the Arts
539 Tremont St

Boston, MA 02116
Happy Medium on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this show way back when. I wasn’t cast. Only a self-serving, insecure butt-face would let something like that color their review.

(Boston, MABrendan marks the return of Happy Medium Theatre Company. Welcome back, guys; we’ve missed you. Please don’t ever leave us like that again. Continue reading

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Jul 18

Facing the Face: “Yellow Face”

Presented by the Office of War Information (Bureau of Theatre)
­­­­By David Henry Hwang
Directed by Cliff Odle

July 14 – 31st
Boston Center for the Arts
539 Tremont Street, Boston
Office of War Information on Facebook

Review by Danielle Rosvally

(Boston, MA) The Office of War Information surely makes a splash with their maiden production in the BCA, Yellow Face.  This unreliable memoir explores the implications of race (specifically Asian-Americanness) in the late twentieth century; expertly smudging the lines between reality and fiction.  Continue reading

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