Sep 25

Stop Staring At Me Bob Goulet: THE BOYS IN THE BAND

Photo by Joel Benjamin

Photo by Joel Benjamin

Presented by Zeitgeist Stage Company
By Mart Crowley
Directed by David J. Miller

September 11th – October 3rd, 2015
Plaza Black Box Theater at the
Boston Center for the Arts
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAIn performance, sometimes it is more important to get a pivotal work onstage than it is to do it perfectly. Zeitgeist’s production of The Boys in the Band is flawed. Its flaws are less important than bringing this historically game-changing play to the stage for new generations to contemplate. Just as it is more important to treat the LGBTQ+ community with the respect and dignity we deserve than to be polite. Continue reading

Share with Your Audience
Aug 11

Some Dudes Will Put Their Dicks In Anything: “The Goat or, Who Is Sylvia?”

Photo credit: Paul Cantillon, Lidec Photo

Photo credit: Paul Cantillon, Lidec Photo

Presented by Bad Habit Productions, Inc.
Written by Edward Albee
Directed by Daniel Morris

Aug. 8-23, 2015
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Facebook

Review by Kitty Drexel

Trigger warnings: Rape (the play), F-bombs (the review)

(Boston, MA) WARNING: Spoilers ahead. The effort necessary to tiptoe around the main plot point of The Goat is so cumbersome that I’m not even going to bother trying.

The Goat or Who Is Sylvia? is about rape. It is about reconciling a sinner with their sin. It is about betrayal. It is not about the moralities of romantic love. Continue reading

Share with Your Audience
Jul 09

Team-Work at Play: An Open-Rehearsal Review of COLOSSAL

­­

Photo by Mona Maruyama

Photo by Mona Maruyama

Presented by Company One
An NNPN Rolling World Premier­­
Play by Andrew Hinderaker
Directed by Summer L. Williams

July 17 – August 15, 2015
Roberts Studio Theater at the BCA
527 Tremont St, Boston, MA
Company One on Facebook

Review by Danielle Rosvally

(Boston, MA) Last night, I had the opportunity to watch from the sidelines what promises to shape up into one of the more exciting theatre offerings that Boston has on tap this summer.  Company One hosted an open rehearsal of their summer blockbuster Colossal and the show (from what I saw last night) has great promise! Continue reading

Share with Your Audience
Jun 09

Who Doesn’t Like Penis Stuff? : THREE

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Presented by Boston Public Works Theatre Company
By Emily Kaye Lazzaro
Directed by A. Nora Long

June 5 – 20, 2015
Boston Center for the Arts
Plaza Black Box
Boston, MA
BPW on Facebook

Review by Kitty Drexel

(Boston, MA) Hollywood characterizes women like they’re mysterious flowers incapable of raunch or, conversely, like unsexy raunch-machines that repel penises. Theatre is kinder to us by generally allowing us our humanity, albeit a fragile one that must be guarded… unless characterizing us as a Strong Female Character who is impervious to nurturing. The unjust stereotypes abound. Why can’t we be complicated people who attempted to appropriately abide the status quo while farting into a void? This is who we are. You know, just like dudes.    Continue reading

Share with Your Audience
May 30

Don’t Trust the Process: THE SUBMISSION

Photo via Zeitgeist Facebook page

Presented by Zeitgeist Stage Co.
by Jeff Talbott
Directed by David J. Miller

May 5 – 30, 2015
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MA) Let me preface this review with the following: It is near impossible to have a frank discussion about institutional oppression and personal culpability/responsibility without becoming defensive or offended. If you are a white person who hasn’t closely examined your personal involvement as either an actual or potential racist, it is highly likely that you engage in racist behavior and don’t even know it. If you think it’s OK to affect a lisp and ridicule gay people because you “have gay friends,” you’re likely a homophobe. If you treat either gay people and/or people of color as not “normal,” you’re probably one, the other, or both. Casual racism/homophobia isn’t a POC/LGBTQ+ issue. It’s a failing of the white/hetero, cis members of society convinced that the fight against oppression ends when it becomes inconvenient to fight. It is possible to consider yourself a good person and still be rotten with racism or homophobia. Continue reading

Share with Your Audience
Apr 13

Daniil Kharms Continues to Charm in imaginary beasts’ Betty Bam!

Photo credit: Roger Metcalf

Photo credit: Roger Metcalf

Presented by imaginary beasts
Directed by Matthew Woods, Joey C. Pelletier, and Michael Underhill
Written by Daniil Kharms
Translation by Zoya Derman
Adapted by The Ensemble

April 10 – May 2, 2015
At the Plaza Black Box Theatre
at the Boston Center for the Arts
539 Tremont Street, Boston MA
imaginary beasts on Facebook

Review by Gillian Daniels

(Boston, MA) The innovative and evocative imaginary beasts continue with their year-long exploration of Stalinist-era author, Daniil Kharms, with Betty Bam! Their last attack on his material, KNOCK!, was a condensed affair, a multi-character and multi-story primer on Kharms’ bleak humor and deeply unsettling monologues. The actors took pratfalls and grafted the absurdist theater onto a sort of vaudeville act. In Betty Bam!, the visual nods remain in the early-twentieth century, but the aesthetic switches to black and white film, page-boy cuts, and a set styled into a cartoon explosion. The five actresses who depict Betty Bam’s fractured identity (Beth Pearson, Amy Meyer, Molly Kimmerling, Sarah Gazdowicz, and Kiki Samko) are each a live action Betty Boop caught in an explosion of a different sort, one that takes the guise of an interruption into their life: the police, Ivan (Cameron Cronin) and Pytor (William Schuller). As with KNOCK!, the police are an oppressive force, one here to take Betty to an unknown fate. The action of taking her away makes up the entirety of the plot. Continue reading

Share with Your Audience
Apr 10

Enjoyably Odd and Oddly Enjoyable: ORLANDO

Photo credit: Bad Habit Productions

Photo credit: Bad Habit Productions

Presented by Bad Habit Productions
Virgina Woolf’s Orlando
Adapted by Sarah Ruhl
Directed by Daniel Morris

April 4-April 19, 2014
Deane Hall at the Boston Center for the Arts
Boston, MA
Bad Habit on Facebook

Review by Noelani Kamelamela

(Boston, MA) Identity and discovery are heavily explored in Virginia Woolf’s Orlando, a work that spans continents, time, and gender.  Initially written as a joke of a biography for a fellow artist in the early 20th century, this more recent adaptation puts Woolf’s language forward while sacrificing character development.  This complex creation scratches the surface of a meaty, subtle series of discussions even the novel Orlando could not fully deliver. Continue reading

Share with Your Audience
Mar 24

Major and Minor Details: BIG FISH

Photo credit: Craig Bailey/Perspective Photo

Photo credit: Craig Bailey/Perspective Photo

Presented by SpeakEasy Stage Co.
Book by John August
Music & Lyrics by Andrew Lippa
Based on the Novel by Daniel Wallace and the Columbia Motion Picture Written by John August
Directed by Paul Daigneault
Assistant Director Alex Lonati
Musical Direction by Matthew Stern
Choreography by Larry Sousa

MAR 13 – APR 11, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
527 Tremont St.
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) I did not enjoy Big Fish. I did enjoy SpeakEasy’s production. The performances from the cast were, as always, exemplary but the script has many problems. Follow along as I list the major issues and make the conscious decision not to detail the minor ones. Continue reading

Share with Your Audience
Jan 24

Beasts drop many tales into a well and frog them out: KERPLOP!


Presented by imaginary beasts
Written and Directed by Matthew Woods

January 17-February 7, 2015
BCA Plaza Black Box Black Box Theatre
Boston, MA
imaginary beasts on Facebook

Review by Noelani Kamelamela

(Boston, MA)  imaginary beasts have produced a pleasant reminder of spring.  A silly and colorful confection, Kerplop!  is anchored by the ensemble’s commitment to the lighter side of theatre in a convoluted story based somewhat on The Frog Prince as well as other, possibly lesser known tales. Continue reading

Share with Your Audience
Jan 20

A Resounding Meh: A FUTURE PERFECT

Photo credit: Craig Bailey/Perspective Photo

Photo credit: Craig Bailey/Perspective Photo. Beers were harmed in the making of this play.

Presented by SpeakEasy Stage Co.
Written by Ken Urban
Directed by M. Bevin O’Gara

Jan. 9 – Feb. 7, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Inside every adult there is an 18 year old wondering what the Hell just happened. It feels like just yesterday you were a shy teenager prepping for college. You blink and there you are, 38 and wondering how you got into this mess. It’s a surprise to discover that we’re the adults now, the guys in charge. We’re the very people we protested against in our teens and 20’s and now we have to pretend it’s OK. While the initial money/freedom is nice, the rest feels like strange and unusual punishment for our childhood sins. Adulthood blows. Continue reading

Share with Your Audience