May 25

“Mud Blue Sky”: A Comedy About Turbulent Lives

Photo by Marc J. Franklin

Photo by Marc J. Franklin

Presented by Bridge Repertory Theater of Boston
By Marisa Wegrzyn
Directed by Bridget Kathleen O’Leary

May 15-June 5, 2016
Deane Hall, Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
Bridge Repertory Theater on Facebook

Review by Travis Manni

(Boston, MA) I tend to get bored easily when watching comedic plays. They need to be clever but relatable, funny but with strokes of brutal honesty. Most times, shows fail to live up to my expectations, but I continue to see them because when one does I have an amazingly good time. Thankfully, Marisa Wegrzyn’s Mud Blue Sky was a perfect example of the latter. Continue reading

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May 11

More Meth-Girl, Less Romance Could Have Saved Apocalyptic Doom of “End of the World”

Photo credit: Drew Linehan Jacobs

Photo credit: Drew Linehan Jacobs

Presented by Boston Actors Theater
By Elizabeth DuPré
Directed by Drew Jacobs

May 6-21, 2016
Rehearsal Hall A at the Boston Center for the Arts
Boston, MA
Boston Actors Theater on Facebook

Review by Travis Manni

(Boston, MA) As a manager at a movie theatre, I see quite a lot of mediocre movies come and go rather quickly. I always feel a special type of sympathetic pity for the rom-coms that just don’t do the business studios had expected, and I have to say I felt a similar way after going to see the Boston Actors Theater premiere production of End of the World. Continue reading

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May 06

No Sir, You’re The Ho*: A GREAT WILDERNESS

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre. (Photo by Richard Hall/Silverline Images.)

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre.
(Photo by Richard Hall/Silverline Images.)

Presented by Zeitgeist Stage Company
Written by Samuel D. Hunter
Directed by David J. Miller

April 29 – May 21, 2016
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAI’ve never understood how some people can believe that it’s acceptable to be drastically unkind to others because “God told (them) to.” God is a terrible excuse for being a bad person. Morality structured around a potentially imagined creator that lives in the sky is not stabilized morality. Yet, plenty of people are beholden to this creator, if there is one, for their good behavior.  Continue reading

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Apr 20

“Unsafe” Provides Intense Drama, But I’m Still Unsure Why…

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Presented by Boston Public Works Theatre Company and Cotuit Cetner for the Arts
Plaza Theatre at the Boston Center for the Arts
Written & Directed by Jim Dalglish

April 15-30, 2016
Plaza Theatre
Boston Center for the Arts
Boston Public Works on Facebook

Review by Travis Manni

Trigger warning: sound sequences referencing the 9/11 attacks.

(Boston, MA) You ever have one of those moments when you spontaneously start crying and you’re not entirely sure why or where it came from? That’s how I felt after watching Unsafe, a self-proclaimed psychological thriller by playwright Jim Dalgish. Continue reading

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Apr 05

imaginary beasts’ “Alice in Wonderland”

alice

Created by the Manhattan Theatre Project
Based on the novel by Lewis Carroll
Presented by Imaginary Beasts
Directed by Matthew Woods

April 1 – 23, 2016
Boston Center for the Arts
539 Tremont Street, Boston
Imaginary Beasts on Facebook

Review by Danielle Rosvally

(Boston, MA) It is no small challenge to take on a piece with so much cultural baggage as Alice in Wonderland.  Audiences have seen, heard, and read this story over and over again from our childhoods unto the present day.  Alice is everywhere in so many forms that adding something new to the tale is a Herculean task.  Unfortunately, I don’t think that artistic director Matthew Woods quite had a handle on it. Continue reading

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Mar 07

Gallivanting Amongst the Cakes: CAKEWALK

Photo by Richard Hall/Silverline Images

Photo by Richard Hall/Silverline Images, contestants and their cakes

Presented by Zeitgeist Stage Company
Written by Colleen Curran
Directed by David J. Miller

Feb. 26 – March 19, 2016
Plaza Back Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MA) It is Independence Day 1984. The ladies of a small town in Vermont have won a place in the annual cakewalk competition and are patiently awaiting the critique of guest judge, Julia Child. First prize is a glamorous trip for two to Paris, France. Among the other prizes are a lifetime supply of flour and accolades from the citizenship for an entire year. Most of the gang looks forward to the friendly competition. Ruby Abel (Kelley Estes) is out for blood. Ready to slow down her paranoid manipulations are fellow contestants Martha (Aina Adler), Augusta (Maureen Adduci) and Leigh (Victoria George). Taylor (Matt Fagerberg) just wants to find the registration room. Each has their own secrets to keep and insecurities to air. A seemingly safe summer fair turns into a conundrum of colliding small town politics. 
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Feb 08

“Milk Like Sugar” Shuns Broad Strokes in Favor of Difficult Nuance

Presented by Huntington Theatre Company
Written by Kirsten Greenidge
Directed by M. Bevin O’Gara

Through Feb. 27, 2016
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Gillian Daniels

(Boston, MA) All the individual ingredients of a melodrama are here. Annie (Jasmine Carmichael) and her sassy, “bad girl” teenage friends Talisha (Shazi Raja) and Margie (Carolina Sanchez), flirt with boys based on their brand of cell phone, drink, get tattoos, and have recently made a pact to all get pregnant within a week so they can raise their children together. I was nervous Milk Like Sugar would be a morality play, a story of “teen girl must do x or else she’ll fall under the sway of y!” I should have known better. Playwright Kirsten Greenidge already blew me away with Luck of the Irish and her hand here is similarly deft. Continue reading

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Jan 12

Robots and Prostitutes Are People Too: CITIZENS OF THE EMPIRE

Photo credit: Jake Scaltreto, no fancy underpants needed here.

Photo credit: Jake Scaltreto, no fancy underpants needed here.

Presented by Boston Public Works
Written by Kevin Mullins
Directed by Lindsay Eagle

January 8-23, 2016
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
BPW on Facebook

My apologies to the cast and crew, the death of cultural icon and glam rock god David Bowie has hit me harder than anticipated. This review was delayed by my selfish human emotions.
-Kitty Drexel, Reviewer

“To err is human, but to really foul things up you need a computer.”
Paul R. Ehrlich

“To err is human. To blame someone else is politics.”
Hubert H. Humphrey

(Boston, MA) One of the reasons artists write about the future and/or the past is to show how human behavior remains the same regardless of the passage of time. Human hearts and heads tangle up in the same figurative knots no matter what century it is. Science and the evolution of reason only confuse matters. People will be people until they aren’t anymore. Continue reading

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Dec 07

“It’s Not About My Mother”: It’s About Fleetwood Mac

Photo credit: Nile Hawver

Photo credit: Nile Hawver

 

Presented by Fresh Ink Theatre
By Lizzie Milanovich
Directed by Cassandra Lovering

December 4-12, 2015
The Plaza Black Box Theatre at the Boston Center for the Arts
Fresh Ink Theatre on Facebook

Review by Travis Manni

(Boston, MA) Location, location, location. That was the thought that crossed my mind as I took a seat at the Plaza Black Box Theatre, and just from looking over the set the placement of It’s Not About My Mother was perfect. Not only does the show itself take place in a basement, the theatre is located in a similar setting, which was welcomingly orienting. Continue reading

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Nov 30

Uncompromised Cuteness: BAREFOOT IN THE PARK

Tom Shoemaker (Paul Bratter) and Marisa Gold (Corie Bratter); Photograph – Earl Christie Photography

Tom Shoemaker (Paul Bratter) and Marisa Gold (Corie Bratter); Photograph – Earl Christie Photography

Presented by Moonbox Productions
Written by Neil Simon
Directed by Allison Olivia Choat
Original music composed by Dan Rodriguez

Nov. 20 – Dec. 12, 2015
Plaza Theater
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

Ticket sales benefit Summer Search. Please visit their site and learn more.

(Boston, MA) At first blush, Neil Simon’s Barefoot in the Park appears to be a fluffy romcom with about as much depth as the Frog Pond during a late-August drought. Upon closer inspection, it could be perceived as a satire addressing the impossible expectations placed on 1960’s newly-wed couples. I know it’s a stretch. Bear with me for a second. Continue reading

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