May 02

Not Your Peaches ‘N Cream, Minority Vagina: C1’s “peerless”

Khloe Alice Lin as L, James Wechsler as D, and Kim Klasner as M in peerless (credit_Paul Fox). It will not be okay.

 

Presented by Company One Theatre and the Boston Public Library
Written by Jiehae Park
Based on Shakespeare’s Macbeth
Directed by Steven Bogart
Dramaturgy by Haley Fluke
Choreography by Beverly Diaz

April 27 – May 27, 2017
Rabb Hall, Central Library in Copley Square
Boston, MA
C1 on Facebook
BPL on Facebook

Review by Kitty Drexel

“The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements.”
– Lady Macbeth, Mackers, Shakespeare

(Boston, MA) Baby Boomers have ruined the economy for millennials. My own well-intentioned parents asked me when I’m going to buy a house. My wife and I could only laugh. Then we cried. We cried a lot. It’s not going to happen. We have too much student loan debt. Houses in Somerville are no longer things the middle-class can afford.  Continue reading

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Jul 29

Everyone’s Invited to “The T Party”

Playing through August 13, 2016. Photos by Paul Fox

Playing through August 13, 2016. Photos by Paul Fox

Presented by Company One
Written and Directed by Natsu Onoda Power (with contributions by Jade Sylvan)

July 15 – August 13, 2016
Nancy and Edward Roberts Studio Theatre, Boston Center for the Arts
Boston, MA
Company One on Facebook
Review by Gillian Daniels

(Boston, MAThe T Party is colorful potpourri of a show: bright, engaging, and eclectic in design. The skit format gives a wide range of stories based under the LGBTQ (QUILTBAG?) umbrella usually, but not always, focused on gender. Natsu Onoda’s anecdotes come in a wide range, some as feel good as a ‘90’s prom in the style of Lisa Frank that opens the show. Others are  more awkward, like a Craigslist meet up between a cis male identified crossdresser and a trans Filipina escort. The scope is broad and looks to simultaneously create community and intimacy. Without focus on an individual narrative, the tone shifts between joy and sadness wildly, suddenly, as if the two emotions weren’t separate at all, but a continuum of the same experience. Continue reading

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Oct 06

The Government Has No Jurisdiction in A Uterus: DRY LAND

Photo credit: Paul Fox

Photo credit: Paul Fox; Detergent should only be used to clean clothing, not a uterus.

Presented by Company One
Written by Ruby Rae Spiegel
Directed by Steven Bogart
Dramaturgy by Jessie Baxter

October 2 – 30, 2015
Plaza Theatre
Boston Center for the Arts
Boston, MA
C1 on Facebook

Review by Kitty Drexel

(Boston, MA) For as long as there have been uteruses, there have been abortions. For almost as long as there have been abortions, there have been people desiring to control the contents of a uterus that isn’t theirs. Everyone, regardless of gender, deserves to know the capability of their body. Everyone with a uterus deserves to choose what is best for that uterus whether that means ending or beginning a pregnancy. A uterus shouldn’t be political. It is privately owned. No one gets to make decisions about my body but me. I support Planned Parenthood because I believe that everyone else deserves that freedom too.   

Company One’s production of Dry Land is about the consequences of abstinence only education, institutionalized ignorance, and socialized body shaming. Amy (Stephanie Recio) is a pregnant teenager. She doesn’t give us any specifics but it’s implied that she had consensual sex with a boy. Unfortunately, Amy lives in Florida. This means a safe, regulated surgical abortion is impossible for her to acquire without a parent’s input because Florida believes a teenager 16 or older is old enough to engage in sexual congress with someone up to seven years their senior but not to make their own decisions regarding the consequences of that sexual activity*. Instead, Amy has engaged Ester (Eva Hughes) to be her confidante in self-administering an at-home abortion. They are acquaintances through the high school swim team. Continue reading

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