May 02

Not Your Peaches ‘N Cream, Minority Vagina: C1’s “peerless”

Khloe Alice Lin as L, James Wechsler as D, and Kim Klasner as M in peerless (credit_Paul Fox). It will not be okay.

 

Presented by Company One Theatre and the Boston Public Library
Written by Jiehae Park
Based on Shakespeare’s Macbeth
Directed by Steven Bogart
Dramaturgy by Haley Fluke
Choreography by Beverly Diaz

April 27 – May 27, 2017
Rabb Hall, Central Library in Copley Square
Boston, MA
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Review by Kitty Drexel

“The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements.”
– Lady Macbeth, Mackers, Shakespeare

(Boston, MA) Baby Boomers have ruined the economy for millennials. My own well-intentioned parents asked me when I’m going to buy a house. My wife and I could only laugh. Then we cried. We cried a lot. It’s not going to happen. We have too much student loan debt. Houses in Somerville are no longer things the middle-class can afford.  Continue reading

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Dec 02

Charm Conquers All: CAMELOT

Photo credit: Andrew Brilliant/Brilliant Pictures

Photo credit: Andrew Brilliant/Brilliant Pictures

Presented by New Repertory Theatre
Books and lyrics by Alan Jay Lerner
Music by Frederick Lowe
Original production directed and staged by Moss Heart
Based on “The Once and Future King” by TH White
Directed and choreographed by Russell Garrett
Musical direction by David McGrory
Dance Captain – Maurice Emmanuel Parent
Fight Captain – Michael J Borges

Nov. 23 – Dec. 22, 2013
Charles Mosesian Theater
Arsenal Center for the Arts
Watertown, MA
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(Watertown) The Director’s Notes by Russell Garrett are excellent. An audience member desiring nostalgic information correlating Camelot to the anniversary of JFK’s assassination will be well pleased. For this purpose, I will not dwell on the JFK’s Camelot as Mr. Garrett has already done an excellent job of doing so in the programme. If you’d like to know more, see the show.

Considering the weight that the Kennedy Family carries in the US, one might expect Camelot to be a more serious show. Lerner and Lowe’s fluffy hit does examine some heavy issues but the majority of the script and lyrics are intended to entertain rather than educate. The sugary sweet production by New Rep does not fail in its mission to cheer Baby Boomers and to indoctrinate younger generations in classic musical theatre. Continue reading

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