Dec 07

Sanctioned Hate is Still Hate : Fiddler On the Roof

Photo by Andrew Brilliant / Brilliant Pictures; The cast of Fiddler on the Roof.

Photo by Andrew Brilliant / Brilliant Pictures; The cast of Fiddler on the Roof.

Presented by New Rep Theatre
Based on the stories of Sholem Aleichem
By special permission of Arnold Perl
Book by Joseph Stein
Music by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Austin Pendleton
Music direction by Wade Russo
Choreographed by Kelli Edwards

Dec. 2, 2016 – Jan. 1, 2016
Charles Mosesian Theater
The Dorothy and Charles Mosesian Center for the Arts
Watertown, MA
New Rep on Facebook

Trigger warning: Patriarchy, arranged marriage, lack of personhood

Review by Kitty Drexel

(Watertown, MA

New Rep’s Fiddler On the Roof is an extraordinary production… With one not inconsiderable snag. Largely, the performances in this show are spectacular. This production doesn’t make up for New Rep’s lackluster musicals but it certainly resets the standard for its productions. The cast and crew have delivered to us something very special with this Fiddler. Continue reading

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Dec 04

I Missed “The Wiz” for This: THE SNOW QUEEN

Photo by Andrew Brilliant / Brilliant Pictures.

L-R: Nick Sulfaro as Kai, Aimee Doherty as the Snow Queen, and Victoria Britt as Gerda. Photo by Andrew Brilliant / Brilliant Pictures.

Presented by New Rep Theatre
Book by Kirsten Brandt and Rick Lombardo
Music by Haddon Kime
Lyrics by Kirsten Brandt, Rick Lombardo, and Haddon Kime
Additional music, stage direction and choreography by Rick Lombardo
Associate choreographer: Kelli Edwards
Musical direction by Emily Intersimone

Nov. 28 – Dec. 20, 2015
Arsenal Center for the Arts
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) We critics want to write positive reviews. For the most part (I can’t speak for everyone), we enter a performance space sincerely hoping that the performance that follows will blow us out of the water with its exceptional talent, creativity, ingenuity and expression of the human condition. We want everyone to do well. Writing a negative review is a draining experience for a critic. The truth can be a bitter pill to swallow. Continue reading

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Oct 15

A Little Murder Between Friends: ASSASSINS

Photo by Andrew Brilliant/Brilliant Pictures 2014

Photo by Andrew Brilliant/Brilliant Pictures 2014

Presented by New Repertory Theatre
Music and lyrics by Stephen Sondheim
Book by John Weidman
Based on an idea by Charles Gilbert, Jr.
Directed by Jim Petosa
Musical direction by Matthew Stern
Choreography by Judith Chaffee

Oct. 4 – 26, 2014
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Please note: there is no intermission for this 2 hour musical.

Review by Kitty Drexel

(Watertown, MA) Society likes to label people who commit atrociously violent acts, Monsters. It is deeply important that we, the good folk of society, acknowledge that the Monsters who murder, harm, victimize, etc. aren’t depraved beasts transformed by mental illness into inhuman criminals. These Monsters are people who do monstrous things. So, if these Monsters are human just as we are human, then it follows that we must accept the possibility that we too are capable of monstrous acts. Continue reading

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May 12

You Carry What You Collect: ON THE VERGE

Photo snagged from New Rep website

Photo snagged from New Rep website

Presented by New Repertory Theatre
By Eric Overmyer
Directed by Jim Petosa

May 3 – 25, 2014
Arsenal Center for the Arts
Charles Mosesian Theater
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

(Watertown) It is deeply refreshing to see women amidst the revels of their maturity being embraced by playwrights as the medium for their works. There aren’t enough chewy roles for women past the age of ingenue naivete that embrace life beyond mother or spinsterhood. As an actress and feminist critic, it was a pleasure to watch On the Verge. Playwright Eric Overmyer has given Boston and its actors a gift and it is my hope that the community embraces it.

On the Verge is about three intrepid female explorers in search of adventure in Terra Incognita. While collecting data, photos and samples, our heroines spelunk and hack their way to new territory in space and time. The characters are based on actual accounts of Victorian-era lady explorers who defied the conventions of the time. They sought independence in the wilds beyond Westernized civilization and found it. Continue reading

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Dec 11

OMIGODUGUYS! : “Legally Blonde”

Photo Credit: AFD’s Facebook page; Cai Radleigh, Shannon Cheong and cast.

Presented by Arlington Friends of the Drama
Music and Lyrics by Laurcen O’Keefe and Neil Benjamin
Book by Heather Hach
Directed by James Tallach
Music Direction by Stephen Peters
Choreography by Theresa Melito

Dec. 6 – Dec. 22, 2013
Charles Mosesian Theater
22 Academy St. Arlington MA
AFD on Facebook

Disclaimer: Queen of the Geeks, Kitty Drexel is involved in this production. The following review takes this into consideration and was written and edited accordingly.

Review by Danielle Rosvally

(Arlington) Adaptation is an odd and fickle creature. In the rash of non-musical-movie to Broadway adaptations that have hit the theatre scene over the course of the last five or ten years, we’ve seen everything from Julie Taymore’s travesty (Spiderman: Turn off the Dark), to the possibly better-than-its-source Spamalot.

Legally Blonde is one that has a soft spot in my heart simply because Reese Witherspoon in her dayglow-pink skirted suits has always been something of an inspiration to me. Here’s a woman who’s hot, smart, and makes both work for her in her own way without conforming to society’s boxes. Legally Blonde was also the first film in my conscious memory that showed me a “popular girl” with a heart of gold. Elle Woods has never stood for changing people (unlike her predecessor Cher Horowitz), but rather helping the women around her see value in what they are. Really; who couldn’t use a little bend and snap now and again? Continue reading

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Dec 02

Charm Conquers All: CAMELOT

Photo credit: Andrew Brilliant/Brilliant Pictures

Photo credit: Andrew Brilliant/Brilliant Pictures

Presented by New Repertory Theatre
Books and lyrics by Alan Jay Lerner
Music by Frederick Lowe
Original production directed and staged by Moss Heart
Based on “The Once and Future King” by TH White
Directed and choreographed by Russell Garrett
Musical direction by David McGrory
Dance Captain – Maurice Emmanuel Parent
Fight Captain – Michael J Borges

Nov. 23 – Dec. 22, 2013
Charles Mosesian Theater
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

(Watertown) The Director’s Notes by Russell Garrett are excellent. An audience member desiring nostalgic information correlating Camelot to the anniversary of JFK’s assassination will be well pleased. For this purpose, I will not dwell on the JFK’s Camelot as Mr. Garrett has already done an excellent job of doing so in the programme. If you’d like to know more, see the show.

Considering the weight that the Kennedy Family carries in the US, one might expect Camelot to be a more serious show. Lerner and Lowe’s fluffy hit does examine some heavy issues but the majority of the script and lyrics are intended to entertain rather than educate. The sugary sweet production by New Rep does not fail in its mission to cheer Baby Boomers and to indoctrinate younger generations in classic musical theatre. Continue reading

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Apr 02

Properly and Honestly: MASTER CLASS

Amelia Broome as Maria Callas; Photo: Rob Lorino

Presented by New Repertory Theatre

A play with music by Terrence McNally
Directed by Antonio Ocampo-Guzman

Charles Mosesian Theater
Watertown, MA 02472
March 31 – April 21, 2013
New Rep Facebook Page

Review by Kitty Drexel

(Watertown) Amelia Broome doesn’t use a Greek accent in her portrayal as international treasure and opera superstar, Maria Callas. The audience doesn’t have the luxury of knowing why Broome chose not to use an accent. Broome’s performance is effective without one so the reasons don’t matter.

Master Class is a grand opportunity for non-Classical singers (plebes) to experience the horror and joy that is operatic study. It is a (relatively) cheap vocal coaching for its length and history wrapped in a convenient package. The dialogue is only slightly dramatized for the benefit of the audience. The majority of Callas’ lessons and helpful hints are comments that any voice teacher could and would give her student. The majority of these same lessons and hints are conveyed in a similar manner as well. Continue reading

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Jan 14

Incomplete Sweetness: MARRY ME A LITTLE

Photo by Andrew Brilliant/ Brilliant Pictures

Photo by Andrew Brilliant/ Brilliant Pictures

presented by New Repertory Theatre

songs by Stephen Sondheim
conceived and developed by Craig Lucas and Norman Rene
directed and choreographed by Ilyse Robbins
musical direction by David McGrory

Arsenal Center for the Arts
in the Charles Mosesian Theater
Watertown, MA
January 6th – January 27th, 2013
New Repertory Theatre Facebook Page

Review by Craig Idlebrook

(Watertown) As a songwriter, Stephen Sondheim is better than you.  He just is.

He mastered the art of straightforward musicals with West Side Story and he’s been toying with us ever since.  After figuring out what sappy audiences want in a love song, he’s been not giving it to them, choosing instead to dwell in the tensions and the ambiguities of our romantic natures in lovely, sonic dissonance. Continue reading

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