Oct 06

The Government Has No Jurisdiction in A Uterus: DRY LAND

Photo credit: Paul Fox

Photo credit: Paul Fox; Detergent should only be used to clean clothing, not a uterus.

Presented by Company One
Written by Ruby Rae Spiegel
Directed by Steven Bogart
Dramaturgy by Jessie Baxter

October 2 – 30, 2015
Plaza Theatre
Boston Center for the Arts
Boston, MA
C1 on Facebook

Review by Kitty Drexel

(Boston, MA) For as long as there have been uteruses, there have been abortions. For almost as long as there have been abortions, there have been people desiring to control the contents of a uterus that isn’t theirs. Everyone, regardless of gender, deserves to know the capability of their body. Everyone with a uterus deserves to choose what is best for that uterus whether that means ending or beginning a pregnancy. A uterus shouldn’t be political. It is privately owned. No one gets to make decisions about my body but me. I support Planned Parenthood because I believe that everyone else deserves that freedom too.   

Company One’s production of Dry Land is about the consequences of abstinence only education, institutionalized ignorance, and socialized body shaming. Amy (Stephanie Recio) is a pregnant teenager. She doesn’t give us any specifics but it’s implied that she had consensual sex with a boy. Unfortunately, Amy lives in Florida. This means a safe, regulated surgical abortion is impossible for her to acquire without a parent’s input because Florida believes a teenager 16 or older is old enough to engage in sexual congress with someone up to seven years their senior but not to make their own decisions regarding the consequences of that sexual activity*. Instead, Amy has engaged Ester (Eva Hughes) to be her confidante in self-administering an at-home abortion. They are acquaintances through the high school swim team. Continue reading

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Aug 05

It’s Only Torture if Organs Fail: “Why Torture is Wrong, and the People Who Love Them”

Photo Credit: Titanic Theatre Co’s Facebook page. The company is not afraid of icebergs or snuggles.

By Christopher Durang
Directed by Adam Zahler
Presented by Titanic Theatre Company

July 25-August 10, 2013
Arsenal Center for the Arts
Watertown, MA
Titanic Theatre Co Facebook Page

Review by Kitty Drexel

M for Mature. Actors occasionally appear in their underoos.

(Watertown) The attack on the two towers in NYC and the Pentagon on Sept. 11, 2001 changed the way the United States viewed itself forever. Before that day, many citizens viewed North America as the most powerful entity in the world. After 9/11, we recognized our vulnerability as a country. Almost everyone was looking for answers. There were many who turned to The Arts for catharsis. These same people reacted in anger when artists turned back to them for compassion. The Arts were supposed to provide answers. While coping with the same shock, we artists didn’t know what to do either.

It’s been 12 years since the attacks and the US is still divided. Our media has moved on to bigger and newer things. But our artists are still processing the events and asking questions. The media has given the American people plenty of reasons to explain why Taliban members attacked. Thank goodness for The Arts. Playwright Christopher Durang hasn’t given up on understanding the U.S.’s response to the attacks of 9/11. Rather than focus on the “badness” of Ossama Bin Laden*, Why Torture is Wrong, and the People Who Love Them ponders the American people’s decade-long reaction from the perspective of western, 20/20 hindsight. He peppers his absurdist play with Dadaism and panic. The script is a sweet bouquet of human experience and dramatic flair. Continue reading

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