Tag Archives: 9/11

May 07

“black odyssey boston”: Greek Myth Meshes Beautifully with African Diaspora

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Brandon G. Green & Johnny Lee Davenport. Photo: Nile Scott Studios.

Presented by by The Front Porch Arts Collective & Underground Railway Theater
Written by Marcus Gardley
Directed by Benny Sato Ambush
Choreographed by Melissa Alexis
Music Directed by Alyssa Jones

April 25 – May 19, 2019
Central Square Theatre
450 Massachusetts Avenue
Cambridge, MA 02139
black odyssey boston on Facebook

Review by Gillian Daniels

(Cambridge, MA) Brandon G. Green is Ulysses Malcolm Lincoln, a soldier who’s unmoored. Not just unmoored on the sea, but unmoored in time, place, and personhood. We follow him on a journey as episodic as The Odyssey with as much raw, mythic power. The classic epic has been broken down and rebuilt with a mosaic of African diaspora culture. black odyssey boston is truly an epic in that it is three hours of fantastical and strange adventures. It finds its way home, however, not when it tries to piece together every popular touchstone it can lay its hands on, but when it focuses on the human relationships of its characters. Continue reading →

Apr 14

Interrupted Lives: “Chill”

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Kim Fischer, Maria Jung, Monica Giordano, and Danny Bryck. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Eleanor Burgess
Directed by Megan Sandburg-Zambian

March 22-April 16, 2017
Merrimack Repertory Theatre
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) Maybe you’ve been wondering what your teenaged Millennial child or grandchild was doing while hanging in a basement with friends, or perhaps you’re a nostalgic Millennial looking to recapture that just-before-graduation feeling. Either way, here is your chance, because “Chill” now playing at the Merrimack Repertory Theatre is the perfect opportunity. Continue reading →

Apr 20

“Unsafe” Provides Intense Drama, But I’m Still Unsure Why…

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Presented by Boston Public Works Theatre Company and Cotuit Cetner for the Arts
Plaza Theatre at the Boston Center for the Arts
Written & Directed by Jim Dalglish

April 15-30, 2016
Plaza Theatre
Boston Center for the Arts
Boston Public Works on Facebook

Review by Travis Manni

Trigger warning: sound sequences referencing the 9/11 attacks.

(Boston, MA) You ever have one of those moments when you spontaneously start crying and you’re not entirely sure why or where it came from? That’s how I felt after watching Unsafe, a self-proclaimed psychological thriller by playwright Jim Dalgish. Continue reading →

Aug 05

It’s Only Torture if Organs Fail: “Why Torture is Wrong, and the People Who Love Them”

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Photo Credit: Titanic Theatre Co’s Facebook page. The company is not afraid of icebergs or snuggles.

By Christopher Durang
Directed by Adam Zahler
Presented by Titanic Theatre Company

July 25-August 10, 2013
Arsenal Center for the Arts
Watertown, MA
Titanic Theatre Co Facebook Page

Review by Kitty Drexel

M for Mature. Actors occasionally appear in their underoos.

(Watertown) The attack on the two towers in NYC and the Pentagon on Sept. 11, 2001 changed the way the United States viewed itself forever. Before that day, many citizens viewed North America as the most powerful entity in the world. After 9/11, we recognized our vulnerability as a country. Almost everyone was looking for answers. There were many who turned to The Arts for catharsis. These same people reacted in anger when artists turned back to them for compassion. The Arts were supposed to provide answers. While coping with the same shock, we artists didn’t know what to do either.

It’s been 12 years since the attacks and the US is still divided. Our media has moved on to bigger and newer things. But our artists are still processing the events and asking questions. The media has given the American people plenty of reasons to explain why Taliban members attacked. Thank goodness for The Arts. Playwright Christopher Durang hasn’t given up on understanding the U.S.’s response to the attacks of 9/11. Rather than focus on the “badness” of Ossama Bin Laden*, Why Torture is Wrong, and the People Who Love Them ponders the American people’s decade-long reaction from the perspective of western, 20/20 hindsight. He peppers his absurdist play with Dadaism and panic. The script is a sweet bouquet of human experience and dramatic flair. Continue reading →

Jul 22

1001: Do we make the stories or do the stories make us?

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1001 by Jason Grote, Company One, Boston Center for the Arts, 7/15/11- 8/13/11,  http://www.companyone.org/Season12/1001/synopsis.shtml.

Reviewed by Becca Kidwell

Clockwise from left: Ruby Rose Fox, Ben Gracia, Hampton Fluker, Lonnie McAdoo, Lauren Eicher, Nael Nacer

Scheherazade is back with new tales to tell. Based on 1001 Arabian Nights, Jason Grote takes the ancient tales and reworks them within a twenty-first century context.  The frame story and first inner story remain close to the time and arrangement of the original tales, but the further Scheherazade takes us in, the closer we get to our own reality.  Stories make up a large part of our lives from the fairy tales of childhood to the novels of our adulthood.  Is it what we bring to them that gives them life or what they bring to us that give us life? Company One’s 1001 attempts to answer these questions. Continue reading →