Jul 03

Beyond Brotherly Bickering to Mutual Respect: “619 Hendricks”

Victor Hugo Hart, Cristhian Mancinas-Garcia, and Juan Carlos Pinedo Rivera in “619 Hendricks.” Photo from Teatro Chelsea’s Facebook page.

Presented by Teatro Chelsea
Written by Josie Nericcio
Directed by Armando Rivera
Fight choreography by Matthew Dray

June 15-July 1, 2023
Chelsea Theatre Works
181 Winnisimmet Street
Chelsea, MA 02150

This play was a finalist in Teatro’s 3rd Annual A-Tipico Latinx New Play Festival.

Critique by Kitty Drexel

CHELSEA, Mass. — Teatro Chelsea’s production of Josie Nericcio’s 619 Hendricks ran at Chelsea Theatre Works through July 1. The run is over but maybe, if we ask nicely, it will play somewhere else soon. Massachusetts needs to celebrate more quality theatre like 619 Hendricks.

The general rule, when it comes to family or friends and money, is don’t lend. Give. That money is already gone and will never be paid back once it changes hands. Humans have a short memory for gratitude.  

In Laredo, Texas, two brothers mourn the death of their mother. Mama has left them her house in her will. The eldest, Nesto (Juan Carlos Pinedo Rivera), wants to sell right away to a big developer in town. Richie, a fancy Hollywood writer, (Cristhian Mancinas-Garcia) wants to wait. They stubbornly refuse to discuss why they feel this way. Their inability to talk leads to a war for the house and for their pride.  Continue reading

Mar 22

‘Ma Rainey’ Sings the Music of the Soul

Yvette Freeman and Corey Allen in August Wilson’s MA RAINEY’S BLACK BOTTOM. March 9 – April 8, 2012 at the BU Theatre. huntingtontheatre.org. Photo: T. Charles Erickson.

Ma Rainey’s Black Bottom by August Wilson, Huntington Theatre Company, 3/9/12-4/8/12, http://www.huntingtontheatre.org/season/production.aspx?id=10262&src=t.

Reviewed by Becca Kidwell

(Boston, MA) Music breathes and pulses as each note is played.  The blues provide a voice for the inexpressible feelings of the human experience.  The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist.  What happens when that soul is taken away?  Can the heart survive?

This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black BottomContinue reading