Mar 14

Loins of Pain: “The Rape of Lucretia”

The morning after. Lucretia (Kelley O’Connor, kneeling) and Bianca (Margaret Lattimore,). Photo by Liza Voll.

Presented by Boston Lyric Opera
Music by Benjamin Britten
Libretto by Ronald Duncan
After the play by Andre Obey
Music direction by David Angus
Stage direction by Sarna Lapine
Dramaturgy by John Conklin
Movement/intimacy direction by Yury Yanowsky

March 11 – 17, 2019
Artists for Humanity Epicenter
100 West 2nd Street
Boston, MA 02127
BLO on Facebook

Sung in English with English supertitles

Critique by Kitty Drexel

Trigger warnings: sexual violence

(Boston, MA) The Rape of Lucretia is about how a sexual assault turned into a war. It’s a timely message… But it’s always been a timely message. Women die at the hands of their abusers everyday. They will continue to do so until society values the lives of women as much as it does power. Boston Lyric Opera partners with Boston Area Rape Crisis Center and Casa Myrna to discuss Britten’s opera about rape and politics.   Continue reading

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Mar 09

“When Angels Fall”: El Greco Would Be Proud

When Angels Fall – Photo Credit: Georges Ridel

Presented by ArtsEmerson
Direction and Choreography by Raphaëlle Boitel
Artistic Collaboration, Set and Light Design by Tristan Baudoin
Original Soundtrack and Sound Design by Arthur Bison
Costumes by Lilou Hérin
Rigging, Machinery and Set Design by Nicolas Lourdelle

February 20 – 24, 2019
Emerson Cutler Majestic Theater
219 Tremont Street
Boston, MA 02116
ArtsEmerson on Facebook

Review by Diana Lu

(Boston, MA) When Angels Fall melds dance, aerial circus, slapstick humor, cinematic visual arts and more to weave a fantastical tale of fallen angels (or humans) trying to make sense of their harsh dystopian landscape and their places within (or without) it. As a synthesis of disparate disciplines, director and choreographer Raphaëlle Boitel has crafted a truly original new performance art, and this is a major artistic accomplishment in and of itself. 

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Feb 11

Portrait of an Actress and Her Art: “Bare Stage”

Photo by © Kippy Goldfarb/Carolle Photo – Kevin Cirone as Parker and Ashley Risteen as Kate

Presented by Festival Theater
Directed by A. Nora Long
Written by Michael Walker

February 8, 2019 – March 2, 2019
South End / BCA Plaza Theaters
Boston, MA 02116
Event on Facebook

Critique by Gillian Daniels

Content warning: nudity, vulnerable actresses with potentially slimy, powerful men.

(Boston, MA) Kate (Ashley Risteen) believes in art and is portrayed as nothing less than a serious artist in Bare Stage. She’s a passionate actress with a mission, and in her most recent role, she’s been asked to perform naked. You know, in front of her family, friends, boyfriend, everyone, in the town where she lives. In mainstream American pop culture, the prevailing attitude seems to be, “If everyone knows what they’re in for, sure, why not?” But the reality is more complex, not just in contemplating censorship but exploitation and art. Continue reading

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Jan 21

Excuses Are Not Explanations:”Haroun and the Sea of Stories”

Photo by Clive Grainger.

Presented by Boston Modern Orchestra Project
Composed by Charles Wuorinen
Libretto by James Fenton
Conducted and stage direction by Gil Rose, Artistic Director

January 19, 2019
Jordan Hall at the New England Conservatory
Boston, MA
BMOP on Facebook

Critique by Kitty Drexel

(Boston, MA) The opera Haroun and the Sea of Stories is based on Iranian author Salman Rushdie’s magical realism novel of the same title. This cast has an awful lot of white people in it for an allegorical opera set in the subcontinent of imaginary India. What an opera set in India about fictional Indians and their nonhuman, non-colonizer friends demands is actual Indians. Asian erasure is unacceptable in an art form bursting at the seams with underpaid, overeager POC* artists. Such casting means that disappointed POC audience members leave at intermission just like the lovely couple next to me quietly did on Saturday night. Opera is killing itself by failing to include the very people it seeks to serve with such casting decisions.    Continue reading

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Dec 10

Ethos of Old World fables: “A Story Beyond”

Presented by Liars & Believers
Written by Jason Slavick and Rachel Wiese
Music and Lyrics by Nathan Leigh
Directed by Jason Slavick and Faye Dupras

Dec 6 – Dec 22, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Liars & Believers on Facebook

Review by Diana Lu 

(Boston, MA) A Story Beyond is a reimagined fable inspired by various European folklores. This new musical tells the story of a young girl, Maya, who makes a dangerous and fantastical journey to figure out how to save her village from a dark cloud that threatens to turn everyone she loves into lead. Maya’s story is told through puppets, shadow puppets, mask theatre, and a two-person band. Other folk tales are interwoven with the main plot like a Spokane. Continue reading

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Dec 10

Identities on a Spectrum: “Winter People”

Photograph By Kalman Zabarsky; there wasn’t a cast photo available. Mondragon was left out of the reel altogether. Strange.  

Presented by Boston Playwrights’ Theatre
By Laura Neill
Directed by Avital Shira
Fight choreography by Jessica Scout Malone
Dramaturgy by Cayenne Douglass and Jordyn Stoessel

December 6-16, 2018
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading

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Dec 04

“Twelfth Night” Thrums with Life

L to R: Sarah Gazdowicz (OIivia), Charlotte Kinder (Viola); Photo Credit: Sharman Altshuler

Presented by Moonbox Productions
Written by William Shakespeare
Directed by Allison Olivia Choat

Nov 25 – Dec 29, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) There are productions of Shakespeare that are focused on reciting the text rather than acting it out. I understand the temptation. Maybe it’s the rhythm, maybe it’s the Bard’s reputation as, well, THE BARD, but sometimes theater groups seem to engage with Shakespeare’s comedy as a text to worship rather than a story to tell, even with a comedy like Twelfth Night. I’m happy to say Moonbox Production not only engages with the high emotions, cartoonish confusion, and whacky consequences of the comical cross-dressing romance but celebrates the story and its jokes with delight. Continue reading

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Dec 03

Castaway Caught in Colonialist Fantasy in “Shipwrecked!”

Presented by Moonbox Productions
Written by Donald Margulies
Original music composed and performed by Dan Rodriguez and the repertory cast
Directed by Allison Olivia Choat

Nov 25 – Dec 29
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) Halfway through Shipwrecked! An Entertainment, when Louis de Rougemont (Kevin Cirone)–a real person who claimed to have been stranded in the Pacific in his 1899 serial-turned-book–lives on an unspecified island in a carefree existence with an unspecified, idealized indigenous people who variously refer to him as “chief” or “god,” I thought I’d be writing a very different review. But the lively depiction of a “man-eating octopus” and “flying wombats” early in the show should have tipped me off. This is a narrative that pokes holes in itself, a comedy-drama, a man using a survivor’s unlikely colonialist narrative to build his self-worth, and a story about the stories we tell ourselves to feel better. Continue reading

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Dec 01

Salty Peanuts: “A Charlie Brown Christmas Live On Stage”

Image found via Facebook

Presented by Boch Center Schubert Theatre
Story by Charles M. Schultz
Music by Vince Guaraldi
Adapted by Eric Schaeffer

Dec. 1-2, 2018
265 Tremont, Boston, MA 02116
CB on Facebook

Review by Diana Lu

(Boston, MA) The CBS television special A Charlie Brown Christmas, which premiered in 1965, has long been a holiday favorite of mine. Before I understood its sophisticate themes or even its dialogue, the adorable cartoons, slow jazz, and children’s voices were instinctively and irresistibly soothing. Decades later, Charlie Brown’s dark horse demeanor and romantic ideals still hold up as a paragon of optimism in a world that makes it so easy become disenchanted and give up our hopes and dreams.

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Nov 19

Lived A Girl Trapped: “In the Forest, She Grew Fangs”

Photo by Tenneh Sillah. With Kira Compton and Branwyn Ritchie.

Presented by Also Known As Theatre
By Stephen Spotswood
Directed by Kelly Smith
Movement design by Jessica Stout Malone

Nov. 16 – Dec. 2, 2018
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
AKAT on Facebook

Critique by Kitty Drexel

(Boston, MA) In the Forest, She Grew Fangs twists the Little Red Riding Hood cautionary tale about the dangers of strange men into a different cautionary tale about the dangers of female mental health. Fans of horror theatre may find a lot to enjoy in this production. Intersectional feminists might not. ITFSGF explores the modern young woman’s psyche as she comes of age. It does so through the lens of bullying culture and a little light stabbing. Continue reading

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