Feb 10

New England Theatre Geek is a Fiscally Sponsored Project with Fractured Atlas!

Dear Readers of the New England Theatre Geek,

We are excited to announce that the New England Theatre Geek is now a fiscally sponsored project of Fractured Atlas! Donations made to the New England Theatre Geek are now tax-deductible.  

We’ve raised $869.00 so far with Fractured Atlas toward our yearly goal of $2,000. We are reaching out to ask you to consider making a donation to our project. 

The New England Theatre Geek has existed under the direction of Queen Geek Kitty Drexel for nine years. During that time, Kitty has acted as editor-in-chief, and lead change within the critique and reviewing communities through arts activism while proving constructive criticism to the New England theatre community. She with staff journalists Gillian Daniels, Noe Kamelamela, Diana Lu, and Afrikah Smith are dedicated to covering the arts at a high standard within the frame of a larger cultural shift. 

Journalists deserve to be paid for their work. New England Theatre Geek joined Fractured Atlas in order to pay its writers for their work. The journalists of the New England Theatre Geek have provided thoughtful, honest critique without pandering to theatres, their donors, or popular opinion on a voluntary, unpaid basis since the blog’s inception in 2010. Each donation received will ensure that the Geeks are paid for their contributions to the New England theatre landscape. 

Journalists deserve to be paid a respectable living wage. Each Geek writer currently makes only $40 per 500-word article posted on the blog. This amount is an honorarium that doesn’t properly compensate writers for their time, research, or expenses. Your donation to the New England Theatre Geek will increase the honorarium paid to writers.

There are two ways to donate:

  1. You can donate by credit card online at the link below: https://fundraising.fracturedatlas.org/new-england-theatre-geek-articles-reviews-critiques-and-interviews/general_support
  1. If you prefer, you can also donate by check. Please email blognetheatregeek at gmail.com for more information. 

The New England Theatre Geek is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of the New England Theatre Geek must be made payable to “Fractured Atlas” and are tax‐deductible to the extent permitted by law.

If you cannot make a donation, please share the New England Theatre Geek with your community! Strong readership numbers assist in our goal to reach a wider audience. Please follow us on our social media platforms on Instagram, Facebook, and Twitter

Thank you in advance for your generous support.

Sincerely,

Kitty Drexel
Queen Geek
The New England Theatre Geek
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P.S. Please wash your hands, keep six feet away and stay home. The arts need you. You are necessary.

Feb 04

The Horrors of Knocking: “No One at the Door”

No One at the Door” would be Odysseus’s catchphrase if he was a mailman.

Presented by Theatre of the Electric Mouth
written by Lyubomir Parushev
Directed by Molly Cohen
Sound by Zach Trebino
Video by Steve Barroga
Featuring Samantha Turret as Sam and Tom Vinson as Jack

Available on YouTube on Feb. 15, 2021
Theatre of the Electric Mouth on Facebook

Review by Kitty Drexel

*Knock, knock*
Who’s there?
The Void.

YOUTUBE — “Where do you want to get dinner?” is a question that defines many modern relationships (like mine). In the case of Jack and Sam, domestic bliss is interrupted by a rapping, rapping at their chamber door. Sam asks Jack to answer the door. Jack can’t do anything right. Continue reading

Jan 28

“Remaking America”: What does that look like?

Presented by Company One Theatre
Plays written by Inda Craig-Galván, Francisca Da Silveira, and Idris Goodwin
Directed by Pascale Florestal, India Nicole Burton, Sarah Shin
Dramaturgy by Elena Morris, Jessica Scout Malone, Ilana M. Brownstein
Featuring Adrian Peguero, Ireon Roach, Mal Malme, Micah Rosegrant and Regine Vital
For participant bios, action steps, and additional resources, visit our website at https://companyone.org/remaking-america

Tuesday, 26 January 2021
Available on YOUTUBE 
Company One Theatre Facebook page

Review by Afrikah Smith

YOUTUBE — Using their platform to bring awareness to issues that impact Bostonians amid the coronavirus, Company One presented Remaking America: An Inaugural Message to the New Administration on January 26.

A night filled with art and conversation, C1 presented three commissioned short plays by Surge Lab playwrights, Inda Craig-Galván, Francisca Da Silveira, and Idris Goodwin; all who focused their plays on issues on access to housing, mental health, and education. An address to the new Biden-Harris administration, it is with the utmost importance that they acknowledge these issues affected by the pandemic and recent events. Continue reading

Jan 28

Lying, Believing, and Hoping “Beyond A Winter’s Day”

Presented by Liars & Believers and Moonbox Productions
Written by Rachel Wiese (To Bed To Bed & Vasalisa the Blessed) and Jesse Garlick (Malka and the Behema)
Directed by Jason Slavick
Costume Design by Kendra Bell
Featuring Music by Veronica Barron, Singer Mali, and Carols Odria
Video Editing by Sam Powell
Zoom Mastery by Cynthia Hu

January 15 – March 27, 2021
Facebook
Website

Review by Gillian Daniels

ZOOM – In winter, spring is a fairy tale. That sounds pretty ridiculous, what with empirical data suggesting, yes, the northern hemisphere will tilt once again toward the sun. If you, like me, are on the East Coast in January, though, it’s going to be a while, and what with the current horror of a plague ravaging the country, this winter is particularly bleak. The usual comforts of gathering indoors with friends and family are not as available to us as they have been in the past. So, why not unite with one another through the power of sharing stories? Continue reading

Jan 26

Jan. 22 Weekend Roundup: “The Race” & “Shrike”

The Race presented by the Wilbury Theatre Group
By Mark Binder
Directed by Brien Lang
Original music by Nikita Zabinski
Featuring Jim O’Brien, Rodney Eric López, and Jennifer Mischley
January 15 -31, 2021
Performances via Zoom
Tickets

Shrike 
Written by Erin Lerch
Directed by Josh Glenn-Kayden
Sunday, January 24 and Sunday, February 7 at 2PM
Performances via Zoom
Tickets

Review by Kitty Drexel

ZOOM — Over the weekend, we took in two New England productions. The Wilbury Theatre Group presents an interactive mindbender: The Race runs now through January 31. Fresh Ink Theatre presents readings for feedback of Shrike. Its next performance is on Sunday, February 7 at 2PM.  

Geek staff writer Gillian Daniels previously wrote about The Race HERE. Her response is accurate, thoughtful. There is not much more to add since Daniels’ review captures the experience so well. Folx that enjoyed Arlekin Players Theatre’s State vs. Natasha Banina will enjoy The Race. Continue reading

Jan 12

Lose Your American Appetite for War: “Disclaimer” at Under the Radar 2021

Ahmadinejad in the stage version of “Disclaimer.” Photography by Maria Baranova.

Presented by the The Public Theater 
The Under the Radar Festival
Written by Tara Ahmadinejad
Created by Piehole
Co-directed by Tara Ahmadinejad and Jeff Wood
Dramaturgy by Heidi Davis
Performed by Tara Ahmadinejad with Hassan Nazari-Robati with special guests
Other credits

January 11 – January 17, 2021
Via the Public Theater YouTube channel
Public Theater on Facebook

My sincere apologies to The Public and to Piehole for this review’s tardiness. Personal tragedy prevented me from completing my review in a timely manner. 

Review by Kitty Drexel

Disclaimer: This LIVE in-Zoom event contains propaganda, vague promises of Persian food, minimally invasive audience participation, and (gasp) MURDER.

ZOOM — Piehole’s Disclaimer is a new work only in that it has never been performed over Zoom. It lived onstage last year for the 2020 Under the Radar Festival in New York City. It was workshopped in 2019.

Disclaimer is a live-cooking tutorial over Zoom. Chef Nargis (Tara Ahmadinejad) and Sous chef “juuls are cuul” Hassan (Hassan Nazari-Robati) teach their audience to make Sabzi Polo, a yummy sounding Iranian rice dish made with butter, dried fenugreek leaves, garlic, saffron, and other ingredients. Our chef tells us about Iranian family life, culture, and plunges down a rabbithole of Iranian/US politics as she cooks. 

The cooking doesn’t go as intended. Chef Nargis is distracted by the state of Iran’s tenuous relationship with the US despite Hassan’s gentle yet insistent redirecting back to the recipe. Nargis is worried that the US will go to war with Iran. It is never the politicians who make war who suffer. No, it is the people of the land who pay the price when demagogues play King Continue reading

Jan 11

We Love to Hear It: “the motown project”

Alicia Hall Moran

Via the Under the Radar Festival 2021
Conceived, arranged, and performed by Alicia Hall Moran
Presented by Joe’s Pub
Part of Joe’s Pub New York Voices Commission
Executive Producer: Thomas O. Kriegsmann / ArKtype
Featuring:  Thomas Flippin (guitar), Steven Herring (vocals), Barrington Lee (vocals), Jason Moran (piano), and Reggie Washington (bass) in collaboration with choreographer Amy Hall Garner

Production Program 
January 8 – 17, 2021
The Public Theater YouTube Channel
Public Theater on Facebook

Critique by Kitty Drexel

YouTube — Opera singers can sing anything.

Twelve years ago I took an audition course at London’s ArtsEd summer school as part of my then year-long transition from singing opera to musical theatre. On the first day, like with so any courses of its ilk, the instructors had the students sing for each other. I sang a Kurt Weill piece to show off my legit voice with the intention of following up with a mixed belt/character piece should the instructors request it.  Continue reading

Jan 09

Into the Grey Space: “Capsule” at the Under the Radar Festival

Presented by the Public Theater
A part of the Under the Radar Festival 
By Whitney White and Peter Mark Kendall 
Directed and Produced by Taibi Magar & Tyler Dobrowsky
Original text and music, Whitney White and Peter Mark Kendall
Director of photography: Jess Coles
Editing by Josiah Davis, Lowell Thomas
Sound design by Broken Chord, Lee Kinney

January 6, 7:00PM – January 17, 11:59 PM EST
The Public Theater on YouTube
New York, NY 10003
Public Theater on Facebook

Review by Kitty Drexel

YouTube – The emotional violence inherent in White & Kendall’s pandemic-diary, fringe film Capusule reminds me of the car crash scene from 1975’s Mahagony. Diana Ross and Anthony Perkins (of Psycho fame) star in this movie about haute fashion, modeling and the heart’s desires. Perkins, a narcissistic photographer with mommy-issues, crashes a cherry red convertible into a construction site with the incomparable Ross and he in it. She, our hero, eventually leaves Perkins and her promising career for a politician played by Billy Dee Williams. The writing in this movie is not clever. 

Continue reading

Dec 28

Williamstown Theatre Festival Releases “Animals” & “Chonburi International Hotel & Butterfly Club” on Audible.com


Williamstown Theatre Festival 
Facebook: www.facebook.com/wtfestival
Insta: www.instagram.com/wtfestival
Twitter: www.twitter.com/wtfest

Audible/theater titles
Facebook: www.facebook.com/audibletheater
Insta: www.instagram.com/audibletheater
Twitter: www.twitter.com/audibletheater

Reviews by Kitty Drexel

AUDIBLE — Williamstown Theatre Festival and Audible present Animals by Stacy Osei-Kuffour beginning on December 17. Chonburi International Hotel & Butterfly Club by Shakina Nayfack is available starting tomorrow, December 29. We were given access to both early in order to write these reviews. 

Thank you to the Williamstown Theatre Festival for the advanced access!
Happy New Year, everyone! We’ll see you in 2021.

Best,
Kitty Drexel, the Queen Geek


Written by Stacy Osei-Kuffour 
Directed by Whitney White
sound design by Fan Zhang
Assistant direction by Tyler Thomas
Featuring: Madeline Brewer (Coleen), Jason Butler Harner (Henry), William Jackson Harper
(Yaw/Jason), and Aja Naomi King (Lydia)

Summary: Lydia (Aja Naomi King) and Henry (Jason Butler Harner) and their dinner guests Colleen & Yaw/Jason (Madeline Brewer and William Jackson Harper) are having a contentious evening. They’re constantly arguing about minor details, fragile egos are consistently bruised, and the wine bottle remains uncorked. Unspoken insecurities and dark secrets are revealed after Henry proposes to Lydia. Animals attempts to examine why marriage and relationships bring out the best and worst in people. This play has themes of race, class, gender, cancel culture, identity, and familial bondage. Continue reading

Dec 27

An Interview with Liars & Believers About Their Upcoming Project, “Beyond A Winter’s Day”


“To Bed To Bed” & Vasalisa The Blessed” written by Rachel Wiese
“Malka and the Behema” written by Jesse Garlick
Directed by Jason Slavick
Costume design by Kendra Bell
Puppet design by Faye Dupras
Shadow puppet design by Rebecca Lehrhoff
Mask design by Becca Jewett
Video editing by Sam Powell
Original music by Carlos Odria
Featuring: Rachel Wiese, Rebecca Lehrhoff, Glen Moore, Jesse Garlick, Cynthia Hu, Carlos Odria, Singer Mali

More information about their upcoming performances in January will be available via the LAB website: https://www.liarsandbelievers.com/show/beyondawintersday/

Interview by Kitty Drexel

EMAIL — The good, creative folks at Liars & Believers held two preview workshops of their upcoming production Beyond a Winter’s Day on December 17 and 20. They generously answered some questions over email about their work, the pandemic, and their hopes for the New Year. Please keep reading for responses. 

Thank you Jason, Jesse, Glen, Cynthia, Rebecca, and Rachel! We look forward to Beyond A Winter’s Day in January. We hope all of your New Year wishes are liberated into being with bright joy, cheer and grace.

———————-

Queen Geek: Please talk about your role in the show.  

Jason – I’m Jason Slavick, the Artistic Director of Liars & Believers, and the director of the show. I provide the guiding vision for the whole project and I shape each individual element. I’m much like a conductor in an orchestra. The individual artists play their parts, but I shape the tempo, the tone, and the overall feel. I try to create opportunities for the other artists to express themselves. And I try to help them do their best work. My biggest job is to make sure you in the audience feel engaged and understand what’s going on.

Jesse- I’m Jesse Garlick, an artistic associate with Liars & Believers as well as being the company’s director of education. I wrote Malka and the Behema as well as performing with the puppets in the piece. I also perform in the final piece, To Bed To Bed, as Rabbit. And lastly I play Stanislov in the interstitial pieces.   

Glen- I’m Glen Moore an artistic associate with Liars & Believers. I helped to devise and build content for the original production of “A Story Beyond” which was the inspiration for this online version. In this zoom production I play the storyteller Fargus, perform puppetry in the story Malka and the Beheyma, and lastly I don the mask of Bear in the story To Bed To Bed. 

Cynthia – I’m Cynthia I am the zoom master of the show. I control all the tech behind what you see and make sure “the magic” happens on time. Outside of the show I’m an actor and I’m pursuing my MFA in acting at The Actors Studio Drama School.

Rebecca- I’m Rebecca Lehrhoff, an Artistic Associate with Liars & Believers. I’ve worked with the company since 2014. I helped devise the content for both “Beyond A Winter’s Day” as well as the original 2018 production the show is inspired by, “A Story beyond.” In addition to playing Mishka and the mole, I designed, created and performed (along with Rachel Wiese) the shadow puppetry for Vassilisa the Blessed.

Rachel- And I’m Rachel Wiese, an Artistic Associate with LAB. I worked on writing and devising the original “A Story Beyond” and performed as Isabel in that production. For Beyond a Winter’s Day, I again portrayed Isabel as well as Condor and puppeteered (along with Becca) Vasalisa the Blessed. I wrote Vasalisa the Blessed and To Bed, To Bed. I had lots of fun scouting the location for To Bed, To Bed which we shot on Worcester Trust Land near my home in Worcester, MA.  Continue reading