Mar 06

Laughing Together to Confront Suicide Stigma: “Every Brilliant Thing”

Krstansky with audience members. Those happy faces tell you all you need to know. Maggie Hall Photography

Presented by SpeakEasy Stage Company
By Duncan MacMillan
With Jonny Donahoe
Directed by Marianna Bassham
Featuring Adrianne Krstansky

March 21 – 31, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Every Brilliant Thing is a story about a woman’s appreciation for living as told through a long list of joys. Audience participation is nearly mandatory. Adrianne Krstansky is so welcoming that volunteering is fun. The Calderwood Pavilion is a safer space for an hour.   Continue reading

Share with Your Audience
Mar 05

Driving Mr. Daisy: “The White Card”

Karen Pittman and Daniel Gerroll in The White Card. Photo: Gretjen Helene Photography; Charlotte manages Charles’ microaggressions.

Presented by ArtsEmerson with the American Repertory Theatre
By Claudia Rankin
Directed by Diane Paulus
Dramaturgy by P. Carl

Feb. 24 – April 1, 2018
Emerson Paramount Center
Robert J. Orchard Stage
Boston, MA
ArtsEmerson on Facebook

Reviews by Kitty Drexel and Noelani Kamelamela

(Boston, MA) The White Card is a conversation starter for those unused to discussing race at length. It’s for those who think we live in a post-racial society, the kind of person who resents the dialogue because there are “bigger problems” to fix. Other attributes include denying racism because they have imaginary Black friends, thinking “all lives matter,” and feeling threatened when any indication of their own culpability within society’s systemic racism. Those who have regular discussions on race, inequalities and the struggles for justice will have their work affirmed. Continue reading

Share with Your Audience
Feb 12

See the Movie First: Disney’s “Beauty and the Beast”

Presented by Wheelock Family Theatre
Book by Linda Woolverton
Music by Alan Menken
Lyrics by Howard Ashman & Tim Rice
Directed by Jane Staab
Music direction by Steven Bergman
Choreography by Laurel Conrad

Feb. 2 – March 4, 2018
Feb. 25 & March 2, ASL and audio-described
Wheelock College; Boston Campus
200 The Riverway
Boston, MA 02215
WFT on Facebook

Review by Kitty Drexel

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” ― attributed to Margaret Atwood.

(Boston, MA) Disney’s Beauty and the Beast (DBatB) is beloved in all its forms. The 2017 film with Emma Watson, Dan Stevens, Luke Evans, Emma Thompson, and a vastly underutilized Audra McDonald, is a charming retelling with updates to make it more palatable for contemporary audiences. The 1994 musical adaptation of the 1991 film is not. The original Disney movie was notable for its strides in animation technology, but not for its intersectionally feminist portrayal of accepting others for their differences. Unfortunately for Wheelock Family Theatre, this problematic musical hasn’t received the update treatment. In some ways, it’s worse that the 1991 film. Continue reading

Share with Your Audience
Apr 14

Interrupted Lives: “Chill”

Kim Fischer, Maria Jung, Monica Giordano, and Danny Bryck. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Eleanor Burgess
Directed by Megan Sandburg-Zambian

March 22-April 16, 2017
Merrimack Repertory Theatre
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) Maybe you’ve been wondering what your teenaged Millennial child or grandchild was doing while hanging in a basement with friends, or perhaps you’re a nostalgic Millennial looking to recapture that just-before-graduation feeling. Either way, here is your chance, because “Chill” now playing at the Merrimack Repertory Theatre is the perfect opportunity. Continue reading

Share with Your Audience
Apr 10

The Who & The What: Lifting the curtain on the gender-politics at the heart of a Pakistani-American family drama


Presented by Huntington Theatre Company
By Ayad Akhtar
Directed by M. Bevin O’Gara

March 31 – May 7 2017
South End Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA
Huntington on Facebook

Review by Polly Goss

(Boston, MA) The Who & The What is a heartfelt and moving portrayal of the inter-generational and cultural conflicts nestling within the heart of a Pakistani American family. The Who & The What is more than just a Muslim variation of the domestic tragicomedy, which has historically dominated depictions of the immigrant family on stage and screen. Pulitzer Prize winning author Ayad Akhtar asks some pervading questions about Islam, religious doctrine and gender politics that resonate with audiences of all different races and creeds. The play is a delight to watch, but Akhtar’s light hearted writing leaves the audiences asking some serious questions about the nature of family and faith. Continue reading

Share with Your Audience
Apr 10

Humans or Animals in “Coyote on a Fence”

Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Bruce Graham
Directed by Daniel Bourque

March 31-April 15, 2017
First Church Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Company of Boston on Facebook

Review by Travis Manni

(Boston, MA) If characters are going to be trapped in a prison, they have to be compelling for the sake of a play. Thankfully, in Hub Theatre Company of Boston’s production of Daniel Bourque’s Coyote on a Fence, all the characters are quite fascinating to watch move around and exist in the world of jail cells. Continue reading

Share with Your Audience
Apr 03

More Life for All, More Death for Some: “Golda’s Balcony”

Photo by Andrew Brilliant / Brilliant Pictures: Bobbie Steinbach.

Presented by New Rep Theatre
By William Gibson
Directed by Judy Braha

March 25-April 16, 2017
Mainstage Theatre at the Mosesian Arts Center for the Arts
321 Arsenal Street
Watertown, MA
NewRep on Facebook

Review by Polly Goss

(Watertown, MA) Golda’s Balcony tells the story of Israel’s creation through the eyes of one of its most influential authors, Golda Meir – the state’s first and only female Prime Minister. The play follows Golda from her idealistic youth standing on soapboxes in Milwaukee preaching Zionism, up until one fateful night in the Yom Kippur War in 1973. Continue reading

Share with Your Audience
Mar 29

Larceny in Their Hearts: “TopDog/UnderDog”

Presented by Huntington Theatre Company
By Suzan-Lori Parks
Directed by Billy Porter

March 10 – April 9, 2017
Avenue of the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

Trigger warning – gunshots

(Boston, MA) Emasculation is something a man allows himself to feel. He can prevent emasculation by choosing not to feel that way. He can choose not to let society’s BS gender roles impact his self-definition of manhood. Flip the script: change how you think to change how you feel. Continue reading

Share with Your Audience
Mar 27

Hope Is Not Dead at 24: “The Little Dog Laughed”


Presented by
Take Your Pick Productions
By Douglas Carter Beane
Directed by Cassandra Lovering

March 24 – April 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Trigger warning – brief but not inconsiderable penis

Review by Kitty Drexel

Hey diddle diddle,
The cat and the fiddle,
The cow jumped over the moon,
The little dog laughed to see such sport,
And the dish ran away with the spoon.”
-an English nursery rhyme.

(Boston, MA) The Little Dog Laughed spins heteronormative Hollywood on its ass. It unmasks the romantic comedy paradigm and reveals the festering truths wriggling underneath the surface of lies. It does so sweetly, calmly, but so honestly.   Continue reading

Share with Your Audience
Mar 27

“Sinners (The English Teacher)”: You can’t cross the same river twice

Photo by CHARLES MCATEER

Presented by: Greensboro Arts Alliance & Residency/The Mirror Theater, Ltd. in collaboration with New Repertory Theatre and Boston Center for American Performance
By Joshua Sobol
Directed by Brian Cox

March 23 – April 2, 2017
Theatre Lab@855
855 Commonwealth Avenue
Boston, MA
New Rep on Facebook

Review by Polly Goss

(Boston, MA)“Sinners” tells the story of the condemned English professor Layla (Nicole Ansari), as she awaits execution by stoning for having had an affair with her student, Nur (Ben Getz). The unnamed theocracy in which the story takes place has clear parallels to modern day Saudi Arabia. However, Layla’s characterization relies heavily on the Old Testament view of femininity, women are the dangerous corruptors of man’s innocence; Layla is a modern day Eve, Jezebel or Delilah. Cox’s artful direction places this tragic love story within a broader feminist framework, as we see a passionate woman literally crushed by the forces of patriarchy. Continue reading

Share with Your Audience