(New York, NY) Charles R. Drew Prep School for Boys is a christian organization founded on the mission to turn black boys into strong, ethical men… So long as the boys obey authority without question, these boys will grow into men who will do as they are told. This is how Charles R. Drew is expected to run. The reality is quite different. Continue reading →
Occasionally, we Geeks receive helpful feedback from collaborators. In the interest of transparency, the juiciest tidbits are shared because we believe that constructive feedback can inspire growth of all artists. As per our reviewing policy, we believe that passive aggressive notes don’t.
For your reading pleasure, a recent submission without preamble.
———- Forwarded message ———-
From: Hank <Hank_@RhymeswithMyricSmage.com>
Date: Wed, Jan 27, 2016 at 10:09 AM
Subject: RE: Schmondheim on Schmondheim press pass
To: T-Dizzle<t-dizzle at gmail.com>
Just FYI, you’re the ONLY non-rave review.
Sorry you didn’t enjoy.
———- End forwarded message ———–
See? Helpful! And we’ve all learned a new lesson about the status quo.
With love unbounded,
Your Queen, Kitty No feelings were harmed in the typing of this post.
Directed by Spiro Veloudos
Musical Direction by Jonathan Goldberg
Choreography by Ilyse Robbins
January 15-February 21, 2016
Lyric Stage on Facebook
Review by Travis Manni
(Boston, MA) Stephen Sondheim is a widely cherished American lyricist and composer of countless musicals. His resume is both expansive and impressive, so a man named James Lapine decided to create a biographical show that incorporated musical numbers interspersed with videos of Sondheim talking about his life and influences, and it was ok I guess. Continue reading →
(Cambridge, MA) Nice Fish pairs the poetry of Louis Jenkins and self-aware post post-modern theatre on the frozen waters of a Minnesota lake. It is a small, white cast with one woman (Kayli Carter taking one for the team) about the humdrum comings and goings of ice fishers and their community. We are invited to experience the quiet contemplations of Erik (Jim Lichtscheidl) and Ron (Mark Rylance) on their technology-assisted jaunt into the wilderness. It’s a story of Man versus Nature versus Man’s Nature. In the end, the winner is always Nature. Continue reading →
(Boston, MA) Fresh Ink Theatre has the sole mission of allowing playwrights to shape their craft through the production and workshop processes to produce art that is professional and refreshing. I was excited to see The Housekeeper because of this mission, and I was not disappointed. Continue reading →
(Cambridge, MA) ImprovBoston does an admirable job of keeping the art of live improvisation well… alive. I love the constantly rotating repertory onstage at IB, and I’ve almost never been disappointed with the offerings I’ve seen at this venue. Perhaps best of all: IB makes certain that all levels of improvisers get a chance at the spotlight as they produce student showcases frequently mixed in with their professional troupes. Nice work, IB. Nice work. Continue reading →
(Lowell, MA) Earnestness may be the most difficult emotion to pull off in theater well. Attempts generally fall short and become bludgeoning lectures, wooden morality plays, or both. That’s what makes The White Chip, playing at Merrimack Repertory Theatre, such a theatrical revelation. Not only does it deliver a powerful, needed message on why so many fail at addiction recovery, but it is a riveting play that is a joy to watch, as playwright Sean Daniels manages to add just the right amount of humor and perspective to keep the audience hooked. Continue reading →
Presented by Puppet Showplace Theater through their Incubator program
Sponsored by the Jim Henson Foundation and the Bob Jolly Charitable Trust
Created and performed by Brad Shur
Music and sound consultants: Matt McLaren, Brendan Burns
(Brookline Village, MA) The pre-show of Cardboard Explosion consists of resident-artist, Brad Shur, encouraging his child audience to use their imaginations constructively. He asked them if they knew what shapes would be made if he cut a cardboard square in a diagonal line. They responded enthusiastically: triangles. He then asked them what these triangles could be used for, halving them again and again, on the body of a puppet. Via the use of raised hands and waiting to be called upon, various answers from the mundane to the abnormal were called out. Using his wits, kindness, and gentle sincerity, Shur convinced his child and adult audience alike that he was safe, despite the scissors, and trustworthy with burgeoning young minds. Continue reading →
(Boston, MA) Playing fast and loose with both Oz canon and popular culture, imaginary beasts returns to the marvelous lands and characters L. Frank Baum created to amuse and entertain children at the turn of the century in Winter Panto 2016: The Wonderful Wizard of Oz. People unfamiliar with the pantomime tradition should not come expecting a regular play, or the musical version of the show, or even a rundown of all of Baum’s Oz books. Rather, it’s a rollicking variety of scenes that parodies both the source and contemporary mores.Continue reading →