Apr 18

Geeks Read Books: Recent Plays from TCG

Reviews by Kitty Drexel

Theatre Communications Group (TCG) recently released plays, Evening at the Talk House by Wallace Shawn, Ripcord by David Lindsay-Abaire, and The Motherfucker with the Hat by Stephen Adley Guirgis. These books were offered in exchange for an objective, unbiased review. They were all pretty good. Two of the three will appeal more to Boston-area actors and theatre than the other. I’ll let you guess which ones are which.  Continue reading

Apr 18

“No Exit”: Raising Hell in a Somerville Basement

Photo by Teri Incampo

Presented by Exiled Theatre
By Jean-Paul Sartre
Adapted from the French by Paul Bowles
Directed by Katharine Jordan

April 14-30, 2017
Auspicious Phoenix: The Space Studio
438 Somerville Ave
Somerville, MA 02143
Exiled Theatre on Facebook, Twitter, and Instagram

Review by Travis Manni

(Somerville, MA) Walking past the Somerville Market Basket, down an alley to the right, I was unsure what to expect from Exiled Theatre’s production of Jean-Paul Sartre’s No Exit. To help set the mood, audience members were directed to “descend into Hell” (aka down a flight of stairs) into a basement space. Bulbs hung from the ceiling, and a modest but tasteful array of couches donned the scene—some were for the actors, some acted as seats for the audience. There was a great amount of effort to prepare the audience for what they were about to witness, and its effect made for a great welcoming. Continue reading

Apr 18

Life’s a Circus: “Barnum”

Shonna Cirone (Charity Barnum), Todd Yard (PT Barnum), Dan Prior (Ensemble) and company; Photograph by Earl Christie Photography.

Presented by MoonBox Productions
Music by Cy Coleman
Lyrics by Michael Stewart
Book by Mark Bramble
Directed and Choreographed by Rachel Bertone
Musical Direction by Dan Rodriguez
Circus Arts/Aerial Choreography by Ellen Waylonis

April 8th – April 30th
Roberts Studio Theatre, Boston Center for the Arts
527 Tremont Street
Moonbox on Facebook

Review by Danielle Rosvally

(Boston, MA) There’s hardly a figure in American History with a life more colorful than showman and notorious Humbug Phineas Taylor Barnum.  The exaggerations and theatrical tall-tales that are hallmark of Musical Theatre find no palette more suited than the true facts of P.T.’s exploits.  It’s therefore small wonder that these exploits became a musical in 1980 (titled, appropriately, Barnum).  What is astounding is the fact that Moonbox was able to match the schmaltz and pizzazz require to bring a true eighties style musical to light and life in full vibrant color at the BCA. Continue reading

Apr 14

Interrupted Lives: “Chill”

Kim Fischer, Maria Jung, Monica Giordano, and Danny Bryck. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Eleanor Burgess
Directed by Megan Sandburg-Zambian

March 22-April 16, 2017
Merrimack Repertory Theatre
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) Maybe you’ve been wondering what your teenaged Millennial child or grandchild was doing while hanging in a basement with friends, or perhaps you’re a nostalgic Millennial looking to recapture that just-before-graduation feeling. Either way, here is your chance, because “Chill” now playing at the Merrimack Repertory Theatre is the perfect opportunity. Continue reading

Apr 14

Harvard University presents FAR AWAY, April 26 – 30, 2017

The Theater, Dance & Media Concentration at Harvard University presents its spring production,
FAR AWAY

By Caryl Churchill
Directed by Annie Tippe

Cambridge, MA:  The newly formed Theater, Dance & Media Concentration at Harvard University launches its third production with Caryl Churchill’s FAR AWAY, directed by Annie Tippe.

Joan wakes up in the middle of the night and sees something she’s not meant to see.  She’s convinced to keep a secret that will forever alter the course of her life. Caryl Churchill’s brief and chilling Far Away paints a not so-far-away future where fear of “the other” rules supreme, and beauty, politics and violence strike an uneasy kinship. Equal parts humorous and horrifying, we are drawn into a fantastical world where even the birds and rivers are at war. Joan is left to ask herself: How do I know if I’m on the “right side”?

FAR AWAY performs April 26-30, in Farkas Hall in the heart of Harvard Square.  

Farkas Hall
12 Holyoke St, Cambridge, MA
Wednesday, Apr. 26, 7:30pm
Thursday, Apr. 27, 7:30pm
Friday, Apr. 28, 7:00pm
Saturday, Apr. 29, 7:30pm
Sunday, Apr. 30, 2pm
Tickets are $5 for students/seniors and $10 for general admission, and are available through

The Harvard Box Office 
12 Holyoke St, Cambridge, MA 02138
Phone:  617-496-2222
TTY:  617-495-1642
www.boxoffice.harvard.edu
For more information, please visit www.tdm.fas.harvard.edu Continue reading

Apr 13

“Everyman”: What’s God like? You’re God like

Image discovered on Apollinaire’s Facebook page.

Presented by Apollinaire Theatre Company
By Carol Ann Duffy
Directed by Dale J. Young

April 7 – May 6, 2017
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA 02150
Apollinaire on Facebook

Review by Polly Goss

(Chelsea, MA) Originally a 15th century Morality Play, British Poet Laureate Carol Ann Duffy’s rewriting of Everyman holds the mirror up to our 21st century consumer-driven society…and the view isn’t pretty. Everyman was an ambitious undertaking for the Apollinaire Theatre Company and at points the script demands a larger stage and company than the Chelsea Theatre Works provides. Continue reading

Apr 10

The Who & The What: Lifting the curtain on the gender-politics at the heart of a Pakistani-American family drama


Presented by Huntington Theatre Company
By Ayad Akhtar
Directed by M. Bevin O’Gara

March 31 – May 7 2017
South End Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA
Huntington on Facebook

Review by Polly Goss

(Boston, MA) The Who & The What is a heartfelt and moving portrayal of the inter-generational and cultural conflicts nestling within the heart of a Pakistani American family. The Who & The What is more than just a Muslim variation of the domestic tragicomedy, which has historically dominated depictions of the immigrant family on stage and screen. Pulitzer Prize winning author Ayad Akhtar asks some pervading questions about Islam, religious doctrine and gender politics that resonate with audiences of all different races and creeds. The play is a delight to watch, but Akhtar’s light hearted writing leaves the audiences asking some serious questions about the nature of family and faith. Continue reading

Apr 10

Humans or Animals in “Coyote on a Fence”

Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Bruce Graham
Directed by Daniel Bourque

March 31-April 15, 2017
First Church Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Company of Boston on Facebook

Review by Travis Manni

(Boston, MA) If characters are going to be trapped in a prison, they have to be compelling for the sake of a play. Thankfully, in Hub Theatre Company of Boston’s production of Daniel Bourque’s Coyote on a Fence, all the characters are quite fascinating to watch move around and exist in the world of jail cells. Continue reading

Apr 03

More Life for All, More Death for Some: “Golda’s Balcony”

Photo by Andrew Brilliant / Brilliant Pictures: Bobbie Steinbach.

Presented by New Rep Theatre
By William Gibson
Directed by Judy Braha

March 25-April 16, 2017
Mainstage Theatre at the Mosesian Arts Center for the Arts
321 Arsenal Street
Watertown, MA
NewRep on Facebook

Review by Polly Goss

(Watertown, MA) Golda’s Balcony tells the story of Israel’s creation through the eyes of one of its most influential authors, Golda Meir – the state’s first and only female Prime Minister. The play follows Golda from her idealistic youth standing on soapboxes in Milwaukee preaching Zionism, up until one fateful night in the Yom Kippur War in 1973. Continue reading

Mar 29

Larceny in Their Hearts: “TopDog/UnderDog”

Presented by Huntington Theatre Company
By Suzan-Lori Parks
Directed by Billy Porter

March 10 – April 9, 2017
Avenue of the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

Trigger warning – gunshots

(Boston, MA) Emasculation is something a man allows himself to feel. He can prevent emasculation by choosing not to feel that way. He can choose not to let society’s BS gender roles impact his self-definition of manhood. Flip the script: change how you think to change how you feel. Continue reading