Category Archives: Drama

Feb 01

Come Cough: “Stand Up If You’re Here Tonight”

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Jim Ortlieb; photo by Nile Hawver

Presented by The Huntington 
A new play by John Kolvenbach
Featuring Jim Ortlieb and Melisa Pereya

January 20 – March 23, 2024
Huntington Theatre
Maso Studio 
264 Huntington Ave
Boston, MA

Seating is general admission. Arrive early!

Article by Kitty Drexel

BOSTON, Mass. — Stand Up If You’re Here Tonight, by John Kovenback, is running through March 23 at The Huntington and stars Jim Ortlieb as Man. It’s now playing in the Maso Studion at The Huntington’s 264 Huntington Ave space in Boston. Melisa Pereya plays a featured role.  

Attendees, please note: Maso Studio is reached by walking past the front doors of The Hunting, walking down a back alley, and through a backdoor of the building. The alley may have a car in it. The pavement is rough. If you need accessible access, please contact The Huntington staff for more information. Continue reading →

Jan 31

To Believe Things Still Make Sense: “A Case for the Existence of God”

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Hinson and Grant. Nile Scott Studios photo.

Presented by SpeakEasy Stage Company
Written by Samuel D Hunter
Directed by Melinda Lopez
Intimacy choreography by Ted Hewlett
Featuring De’Lon Grant as Keith and Jesse Hinson as Ryan

Jan 26 – Feb 17, 2024
Calderwood Pavilion
Boston Center for the Arts
Boston, MA 02116

Approx. 90 minutes with no intermission

Critique by Kitty Drexel

BOSTON, Mass. — A Case for the Existence of God is the story of two lonely men in small-town Idaho finding friendship in a mortgage brokerage. Keith (De’Lon Grant) and Ryan (Jesse Hinson) meet at their daughters’ daycare. Keith is a Black, culturally astute broker. Ryan is a white, blue-collar factory worker with a heart of gold and coffers of dust who needs a mortgage. 

They bond over the struggles of single fatherhood. Keith is fostering Willa and hopes to adopt her. Ryan wants to buy a plot of land on what used to be his great-grandad’s original plot so he can leave it to baby daughter Crista. What begins as a grueling process of jumping through bank hoops becomes a true friendship between men who have more in common than they don’t.  Continue reading →

Jan 30

Maybe the real cryptids were the trauma bonds we made along the way: “The Interrobangers”

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(L-R) Jenine Florence Jacinto, Anderson Stinson III, Jay Connolly, Schanaya Barrows (Photo by Erin Crowley)

Presented by Company One Theatre in partnership with the Boston Public Library and The Theater Offensive
Written by M. Sloth Levine
Directed by Josh Glenn-Kayden
Dramaturgy by Regine Vital

January 26 – February 24, 2024
Rabb Hall
Boston Public Library, Central Branch
Boston, MA 02116

FREE with Pay-What-You-Want tickets

Content Warning: substance use, swearing, references to child abuse, abduction, and trauma. 

Production has sequences with flashing lights.

Critique by Kitty Drexel

“An interrobang [in-TER-eh-bang] is a nonstandard double punctuation mark that combines the functions and glyphs of an exclamation mark (!) and a question mark (?) into one form: ‽. It indicates a sentence that is both a question and an exclamation, expressing surprise or disbelief.”

“What Is an Interrobang?! Definition and Examples” by Kelly Konya:  https://www.grammarly.com/. Last updated on January 3, 2024. 

BOSTON, Mass. — The Interrobangers is a queer play for the queer community. It does not adhere to the traditional European, three-act play format. Traditional narratives don’t include us, so they don’t apply to us. 

Welcome, allies. Fasten your seatbelts. It’s going to be a bumpy night. Continue reading →

Jan 18

Standing Up as Her Best Self: “Trouble in Mind”

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Patrice Jean-Baptiste, James Turner, Kadahj Bennett, Allison Beauregard, MaConnia Chesser, Bill Mootos, and Davron S. Monroe in Trouble in Mind. Photo by Nile Hawver Nile Scott Shots.

Presented by Lyric Stage Boston
By Alice Childress
Directed by Dawn M. Simmons
Featuring Barlow Adamson, Patrice Jean-Baptiste, Allison Beauregard, Kadahj Bennett, McConnia Chesser, Davron Monroe, Bill Mootos, James Turner, and Robert Walsh

January 12 – February 4, 2024
Lyric Stage Company theatre
140 Clarendon Street
2nd Floor
Boston, MA 02116

Running Time: 2 hours and 20 minutes, including a 15-minute intermission.  

Masks are strongly recommended in the theater. 

Critique by Kitty Drexel

Content warning: Overt racism, sexism, identity, class, micro and macro-aggressions, implied casting couch situation, mansplaining

“Psalm 23”
23 – The Lord is my shepherd; I shall not want.
2 He maketh me to lie down in green pastures: he leadeth me beside the still waters.
3 He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.
4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.
5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.
6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord forever.
The King James Bible

BOSTON, Mass. — Trouble in Mind at the Lyric Stage in Boston is about the making of a play within a play. It is a well-constructed production. Exceedingly well acted. Beautifully curated. It hurt my heart to watch. 

Theatre has the unfortunate job of telling stories that must be told so we remember the ongoing pain of others. Trouble in Mind reminds us that it isn’t enough to be nice and to mean well. To make the world a better place for everyone, we must be diligent against the forces that would oppress us. We don’t get to pat ourselves on the back for watching this one. Continue reading →

Jan 15

Read, Played, and Broken Into Pieces: “Northside Hollow” at the BCA

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Photo by Edward Boches. Pollock (left) and Kropf (right) in “Northside Hollow.”

Presented by Harbor Stage Company
Written and directed by Jonathan Fielding and Brenda Withers
Featuring Robert Kropf, Alex Pollock, Stacy Fischer, Joe Kenehan

Jan 11 –  20, 2024
Boston Center for the Arts
BCA Plaza Black Box Theatre
539 Tremont Street
Boston, MA 

The digital playbill

Performed with no intermission.

Review by Kitty Drexel

BOSTON, Mass. — Harbor Stage Company presents Northside Hollow by Jonathan Fielding and Brenda Withers. It was previously performed on the Cape in 2015. The 2024 production is damn fine theatre. 

Continue reading →

Dec 01

Times When Even the Rain Smells Confusing: “The Heart Sellers”

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Jenna Agbayani and Judy Song; photo T Charles Erickson.

Presented by The Huntington
By Lloyd Suh
Directed by May Adrales
Sound Design and Original Music by Fabian Obispo
Dramaturgy by Christine Mok
Dialect coaching by Joy Lanceta Coronel
Starring Jenna Agbayani and Judy Song
Featuring Matt Goldstein as the Radio DJ voiceover

Tuesday, November 21 – Saturday, December 23, 2023
Calderwood Pavilion at the BCA 
527 Tremont St.
Boston, MA 02116

Review by Kitty Drexel

BOSTON — The Huntington presents The Heart Sellers by Lloyd Suh at the Calderwood Pavilion at the BCA now through December 23. It is directed by May Adrales with original music by Fabian Obispo. It stars Jenna Agbayani and Judy Song and features Matt Goldstein as the Radio DJ. 

It is Thanksgiving 1973. Pres. Richard Nixon told the Associated Press that he wasn’t a crook. Henry Kissinger started his term as Secretary of State. A Charlie Brown Thanksgiving premiered on CBS. Millions of families celebrate the holiday with loved ones over turkey and congested driving conditions. 

We meet new friends Luna (Jenna Agbayani) and Jane (Judy Song) as they sit together for the first time. Their husbands are working during the holiday at the same hospital in different departments. Luna saw Jane in the grocery store, recognized a kindred spirit, and invited her over to cook Luna’s first turkey.  Continue reading →

Oct 30

We Had A Girl (And a Whole Gothic Genre) Before You

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Annie Barbour as Weenie; photo by Nile Scott Studios.

Presented by Greater Boston Stage Company
Written by Trevor Schmidt
Directed by Weylin Symes
Production Stage Management by E.D. Fitzgerald
Scene Design by Katy Monthei
Starring Annie Barbour

OCT 20 – NOV 5, 2023
395 Main Street
​Stoneham, MA 02180
Facebook

Critique by Gillian Daniels

STONEHAM, Mass. – We Had A Girl Before You takes all the ingredients of Gothic literature, mashes them into a paste, and uses the resulting substance as mortar to lay the bricks of a whole new rambling, haunted house. That rambling house is brought to life wonderfully by Production Stage Manager E.D. Fitzgerald and Scenic Designer Kathy Monthei. The manor evoked here becomes increasingly eerie through the talents of Sound Designer David Remedios. All the elements paired with the story culminate in a symphony of dread and, as a Gothic fan, I adored it.

Edwina “Weenie” Trout (Annie Barbour) is a spinster who’s just acquired a new job at an isolated manor. Barbour’s talent carries the show, but how could it not? She’s the only actress on stage. This can be hard to remember as she seamlessly embodies the other characters our heroine encounters, from a saucy barmaid to her rich, mysterious employer. The latter’s introduction is where the story really begins to build a sense of dread. Her new master, emotionally distant and alluring, gives us a Mr. Rochester from Jane Eyre on steroids. Of course, Weenie is scared and enamored of him. Continue reading →

Sep 18

Witness History Repeating: “Prayer for the French Republic”

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The cast of “Prayer for the French Republic.” Photo by T Charles Erickson.

Presented by The Huntington
By Joshua Harmon
Directed by Loretta Greco
Featuring: Amy Resnick, Nael Nacer, Tony Estrella, Joshua Chessin-Yudin, Talia Sulla, Carly Zien
Lighting Design by Christopher Akerlind
Scenic Design by Andrew Boyce
Dramaturgy by Charles Haugland

September 7-October 8, 2023
264 Huntington Ave
Boston MA

Review by Maegan Bergeron-Clearwood

Content advisory: This production contains vivid descriptions and discussions of antisemitism, violence and death related to the Holocaust, hate crimes, and sexual violence. It also contains one instance of blood.

BOSTON, Mass. — A classic adage: if you ask two Jews a question, you’ll get three opinions. Joshua Harmon’s Prayer for the French Republic features so many Jewish characters – secular and religious, Sephardic and Ashkenazi, patrilineal and matrilineal, Zionist and antizionist (and everywhere in between) – most of whom are relatives living under the same roof. Opinions are too numerous to count. Naturally, the play is three hours long.

The play is massive in other ways as well, bouncing between 2016 and 1944 and featuring 11 characters played by 10 actors. Harmon traces the legacy of the Salomon family, who have been living a comfortable middle-class life in Paris for decades, only to find themselves grappling with the same terrifying questions that their great-grandparents (and many Jewish ancestors before them) once faced: Are we safe here anymore? Is it time to flee? Continue reading →

Aug 10

You’re Welcome to Walk (Concrete Info TBD): Little Amal Walks Across America

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The Walk Productions in association with Handspring Puppet Company
Presented by ArtsEmerson, American Repertory Theatre, Company One, the Institute of Contemporary Art, The City of Boston, and many others. 

September 7 – 9, 2023
Dewey Square, Boston — 4:00 PM
Chinatown Gate, Boston — 4:30 PM
Length: Two Hours

BOSTON, Mass. — On September 7, 2023 at 4 PM – 6 PM, Little Amal will begin her journey of 6,000 miles across the United States in Boston as part of the largest free public festival ever created bearing messages of compassion, empathy, and hope. She remains in Boston through September 9.

The “Walk with Amal” website says that Little Amal’s name means “hope” in Arabic. She is a 12-foot puppet of a 10-year-old Syrian refugee child.

Her urgent message is simple: “Don’t forget about us.”

Little Amal’s journeys across the world carry a message of hope for all displaced people and children separated from their families. She has traveled across 13 countries and met more than a million people.

Everyone is welcome to walk with Amal. Continue reading →

Jun 30

Breadth without Depth: “The Lehman Trilogy”

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Photo by T. Charles Erickson.

Presented by The Huntington
By Stefano Massini
Adapted by Ben Power
Directed by Carey Perloff
Featuring Joshua David Robinson, Steven Skybell, Mayer Lehman
Music performed by Joe LaRocca
Dramaturgy by Julie Felise Dubiner

June 29 – July 23, 2023
264 Huntington Ave.
Boston, MA 02115

Critique by Maegan Bergeron-Clearwood

Update: This article previously credited Carey Perloff as the former artistic director of the incorrect institution. Perloff was the AD of American Conservatory Theater.

BOSTON, Mass. — If the playbill for The Lehman Trilogy is any indication, The Huntington artistic team knows that are dealing with a flawed, if renowned, play. The three-and-a-half-hour epic has a developmental history of international proportions: Italian playwright Stefano Massini’s play about Jewish-American bankers was adapted by British playwright Ben Power, then enjoyed critical acclaim on the West End before transferring to Broadway and winning the 2022 Tony Award for Best Play.

The production was a critical darling, but never without its skeptics. Think-pieces abound have accused the play of a) pandering in antisemitic tropes and b) sidestepping the centrality of slavery in the Lehman brothers’ (and more broadly, capitalism’s) rise to power. Continue reading →