“Now, there was a time/ when they used to say,
that behind ev’ry great man/ there had to be a great woman.
But oh, in these times of change/ you know that it’s no longer true.
So we’re comin’ out of the kitchen/ ’cause there’s something we forgot to say to you.
We say, Sisters are doin’ it for themselves”
-The Eurythmics with Aretha Franklin, “Sisters Are Doin’ It For Themselves”
(Cambridge, MA) It’s been a good few years for female scientists. Sally Ride came out posthumously in 2012. Hidden Figures rocked the box office in 2016/2017. Dorothy Vaughan, Mary Jackson, Katherine Goble/Johnson and the other human computers are finally receiving their due accolades. Women are entering STEM fields at increasing rates. Local company, Flat Earth Theatre produced Lauren Gunderson’s Silent Sky in March 2017. The Nora Theatre Company is playing The Women Who Mapped the Stars right now. There are many more successes, but it won’t be enough until women and other minorities receive the equal success as men.Continue reading →
(Cambridge, MA) The Laramie Project, by the Tectonic Theater Project, premiered in 2000. It is an amalgamation of over 200 interviews with the residents of Laramie, Wyoming, detailing the circumstances and consequences of the hate crime perpetrated against Matthew Shepard in 1998. Continue reading →
Presented by Arlekin Players Theatre Based on the novel by Mikhail Bulgakov
Original stage composition based on the novel written by Igor Golyak and Zhenya Brodskaya
English translation by Yana Minchenko
Composed by Jakov Jakoulov Directed by Igor Golyak
Choreographed by Victor Plotnikov
(Emerson College)A Dead Man’s Diary was a drama performed in Russian, and patrons could request an earplug device that provided English voiceover during the production. The play begins with our main character Sergei Maksudov writing a novel that is inspired by a dream of his native city and, upon completing this work, Maksudov shares his manuscript with various writers and critics. One of his readers prompts Maksudov to adapt the book to a play, and thus commences Maksudov’s meanderings through the world of theatre ‒ a sphere where he is scorned by the director of the Moscow Art Theater, Stanislavsky. At its core, Mikhail Bulgakov’s Theatrical Novel examines a writer’s sacred love for theatre.Continue reading →
ONE WEEK LEFT: March 26th @ 7:30pm; March 29th @ 8pm; March 30th @ 8pm; March 31st @ 8pm The Black Box at the Mosesian Center for the Arts, 321 Arsenal St., Watertown, Massachusetts 02472 From the MBTA — take the Red Line to Central Square in Cambridge; then take the 70 or the 70A bus.
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Review by Bishop C. Knight
(Watertown, MA) I could provide an enthusiastic review for every aspect of this play. I will start with a nod to costuming.Continue reading →
(Watertown, MA) Set in 1946 among the rumble of post-war Holland, The Bakelite Masterpiece immerses you in the days leading up to the trial of forger Han Van Meergeren. Awaiting trial for charges of conspiracy with the Nazis, Van Meergeren protests his innocence to the formidable Resistance Officer Geert Piller. Based on true events, this captivating moral drama gives voice to a nation struggling to rebuild itself as it emerges from the clutches of fascism.Continue reading →
(Boston, MA) The Humans is a play about fear and the ways we humans navigate them. Brigid(Daisy Egan) and Rich (Luis Vega) are hosting Thanksgiving in their first adult apartment in Manhattan. Sister Aimee (Therese Plaehn) has recently broken up with the love of her life. Parents, Deirdre (Pamela Reed) and Erik (Richard Thomas) have brought grandma Momo (Lauren Klein). Regardless of their troubles, everyone is determined to have a nice time. Continue reading →
(Boston, MA) It was a wintry evening in Boston’s Financial District and, as the audience moseyed into the lobby of an office building with wet snow piled upon our hats and coats, we found our seats to the soundtrack of bubbly theme songs from classic pre-1970s television and cinema. There were themes from Gilligan’s Island, Bewitched, and that kicky rendition of the Charleston dance song as featured in It’s A Wonderful Life (1940s).
Once seated and ready for the performance, patrons sat with our four actors lounging around the small stage space in short leopard-print bathrobes. Hm? Earlier in the week, I told a pal that I was going to see a play by John Kuntz, and their heads-up was “John Kuntz? His stuff is weird but wonderful!” And yes, very immediately, with the bouncy lyrics of “The Ballad of Gilligans Island” promising a fateful trip, I knew I was in for a theatrical adventure. Continue reading →
Trigger warnings: references to gun violence, references to animal abuse, references to violent behavior, references to suicide, stalking. NewRep/BCAP don’t include trigger warnings and they should.
(Boston, MA) The people who commit monstrous wrongs are still people. The man who murdered 17 in the recent Florida tragedy took an Uber to get to the school. After, he went to Walmart, bought a drink at Subway and ate at McDonald’s. He was arrested as he walked out on his own (a common occurrence for white shooters). In Ripe Frenzy, a similar tragedy is told from the perspective of a mother who lived through the event. It is possible to cherish a monster even as he commits horrendous acts. Continue reading →
(Boston, MA) The White Card is a conversation starter for those unused to discussing race at length. It’s for those who think we live in a post-racial society, the kind of person who resents the dialogue because there are “bigger problems” to fix. Other attributes include denying racism because they have imaginary Black friends, thinking “all lives matter,” and feeling threatened when any indication of their own culpability within society’s systemic racism. Those who have regular discussions on race, inequalities and the struggles for justice will have their work affirmed.Continue reading →
“Grant me chastity and constancy, but do not grant it yet.” Saint Augustine of Hippo
Review by Kitty Drexel
(Jamaica Plain, MA) OTP’s An Education in Prudence sold out its run. If you missed the readings, the workshops, or the performances, then the joke’s on you. Do yourself a favor and donate to OTP so they can create more important works. Prudence deserves, at the very least, a performance in Canterbury, CT. They’ll need our help to get there.Continue reading →