Apr 13

Streamed Content to Prevent COVID-19 Brain Drain: Only Happy When It Rains Edition

Dearest Readers;

Here’s the latest installment of news from the world wide interweb-tubes regarding theatre local, national and international offerings.

The outpouring of offerings from our community is overwhelming. There is now more opportunities to interact than we ever expected. We’re grateful to all of you.

Don’t suffer the madness of sheltering in place. Enjoy the madness instead!

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks

And now my eyes are leaking.

Apollinaire Theatre Company – Apollinaire Play Lab Families announces that it will be hosting free virtual theater and games classes taught on Zoom./ Nos da mucho gusto informarles que vamos a ofrecer una serie de clases gratuitas en línea en teatro y juegos para niños on Zoom. 

  1. Acting and Games, Ages 4-8 • Wed. & Fri. 2:00-2:45PM/ Actuación y Juegos, 4-8 años • Miér. & Viernes 2:00PM-2:45PM
  2. Acting and Games, Ages 9-16 • Wed. & Fri. 3:00PM-3:45PM/ Actuación y Juegos, 9-16 años • Miér. & Viernes 3:00PM-3:45PM

Apollinaire is still offering its Thursday – Sunday readings for adults, Apollinaire at Home

ArtsEmerson – ArtsEmerson’s Together Apart will give audiences access to offer high-quality archival videos and unique opportunities to hear from the artists behind them. This series will also include two town hall conversations with artistic director David Dower and executive director David C. Howse. 

  1. APR 13–26 Sequence 8
  2. APR 17 @ 12pm Town Hall #1 with “The Davids”
  3. APR 23 @ TBA Conversation with Gypsy Snider
  4. APR 27–MAY 10 Torrey Pines
  5. MAY 01 @ 6pm Town Hall #2 with “The Davids”
  6. MAY 07 @ TBA Conversation with Clyde Petersen
  7. MAY 11–24 See You Yesterday
  8. MAY 21 @ TBA Conversation with Global Arts Corps

Boston Underground Film Festival BUFF-o-Stream – A collection of feature films from previous editions of BUFF, from BUFF alumni, and/or films in the spirit of BUFF, streaming on a platform near you. (Looks to be horror. If that’s your thing, you do you and enjoy! I’m not willing to investigate more because I’m not a fan of horror. -Kitty)

Fresh Ink Theatre – Fresh Ink announces the Homesick Play Project.  “Homesick Play Project is a virtual space for new play development filling the vacuum of opportunity created by the COVID-19 crisis. Homesick produces virtual, pop-up readings and performances of new work at all stages of development through digital, in-process workshops and performances of plays, providing a platform to cultivate an audience, feedback, and artistic fellowship.” Go to THIS Google doc to sign up. 

HowlRound – HowlRound has new streaming content coming to the site! 

  1. Monday 13 April 2020 – Tlaloc Rivas presents Latinx Superfriends Playwriting Hour livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv beginning Monday 13 April 2020 at 3pm EDT (New York) / 2 p.m. CDT (Chicago) / 1 p.m. MDT (Denver) / 12 p.m. PDT (Los Angeles).
  2. Tuesday 14 April 2020 – Playwright Lauren Gunderson presents a conversation Dramaturgs + Playwrights – Lauren and Martine Greene-Rogers talk livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 14 April 2020 at 12 p.m. PDT (San Francisco, UTC-7) / 2 p.m. CDT (Chicago, UTC-5) / 3 p.m. EDT (New York, UTC-4).
  3. Friday 17 April 2020  – Playwright Lauren Gunderson presents a conversation Directors + Playwrights – Lauren talks with Evren Odcikin livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 2 p.m. PDT (San Francisco, UTC-7) / 4 p.m. CDT (Chicago, UTC-5) / 5 p.m. EDT (New York, UTC-4).
  4. Thursday 16 April 2020 – Playwright Lauren Gunderson presents a conversation Theatre Journalist + Playwright – Lauren talks with Diep Tran livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Thursday 16 April 2020 at 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).
  5. Friday 17 April 2020 – La MaMa and CultureHub present Downtown Variety livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 5 p.m. PDT (San Francisco, UTC-7) / 7 p.m. CDT (Chicago, UTC-5) / 8 p.m. EDT (New York, UTC-4).

ImprovBoston has online content: Mainstage, Family Show and “The ImprovBoston Baking Challenge with Gwen Coburn & Julie Snyder.” Please go to IB Live! for scheduling and content info. 

IB is also offering online classes! The Online Electives site offers sketch, improv and standup options. 

Juventas New Music Ensemble at Online/Virtual Space – Stay Home with Juventas: 11 Wednesdays Evenings, 10 Musicians Who Love You, Hope, Light and Beauty in a difficult time. Juventas musicians invite you to join us Wednesday evenings for live-streamed solo performances from our homes. Go to THIS WEBSITE at 8PM on Wednesday evening to attend a concert. 

Museum of Fine Arts, Boston (MFA) at Online/Virtual Space –  Discover Basquiat and the Hip-Hop Generation online: View a slideshow and listen to the accompanying playlist at mfaboston.org. Starting Saturday, April 4, the MFA will take a week-long deep dive into the artworks and history of Basquiat and his post-graffiti peers, guided by exhibition co-curators Liz Munsell and Greg Tate.

Puppet Showplace Theater – Puppet Showplace tells us that its puppeteers have moved creative content online to connect with kids and families during closures. Visit their Take Action! Emergency Fund page to find out how you can help sustain the organization. 

  1. TREEPLES – Resident Artist Sarah Nolen’s award-winning short film is a live-action adventure that celebrates bravery and friendship. View the film and go behind the scenes at Treeples.org.
  2. Try This at Home! – The Gottabees are creating and sharing fun videos with music, puppetry, and theater games that families can do together. Check out their website, follow them on social media, or sign up for their e-mail list
  3. WonderSpark Puppets – Free streaming content on Facebook Live with options to donate or purchase merchandise. Crafts (4pm Weekdays / 10am Weekends EST). Live Puppet Show (Fridays 11am EST) 
  4. Paper Heart Projects – Brad Shur of Paper Heart Puppets has launched a series of puppet craft videos making creative use of minimal supplies.
  5. Chat with Audrey Duck – Audrey Duck, as seen on Mr. Rogers’ Neighborhood, is available to Skype-chat with kids (age 3-8). Audrey and her puppeteer Susan Linn will be available Mon, Wed & Fri between 4 and 5 pm EST. Email Audreydduck@gmail.com to set up a 10 minute slot.
  6. Make-A-Monkey Craft – Make your own monkey with this fun finger puppet activity inspired by resident teaching artist Honey Goodenough’s “Sock Monkey Circus.” Print the template, color in your monkey, cut out the figure, hole-punch the circles, and use your fingers for legs.   
  7. Visit the Center for Puppetry Arts Atlanta’s Center for Puppetry Arts is offering  FREE curriculum-based workshops and digital learning interactive puppet shows. Visit their website for the upcoming schedule of events.

The Wilbury Theatre Group – The Wilbury Group announces new events to be streamed through May 6.

  1. Wednesday, April 15 at 7pm, Twelve Installations by Gray Horan
  2. Sunday, April 19 at 7pm, A Painting (and Murder!) by Numbers by Darcie Dennigan & Brien Lang
  3. Friday, April 24 at 7pm, The My Way Murders by Brien Lang
  4. Sunday, April 26 at 7pm, a.dick.ted by Teddy Lytle
  5. Wednesday, April 29 at 7pm, Isolation Mutations with Darcie Dennigan
  6. Wednesday, May 6 at 7pm, Tear It Up: a night of breaks, fissures, and imperfections with Darcie Dennigan

Outside of New England: 

NPR has an ongoing list from all over the internet covering concerts, readings and performances all over the globe for everyone in your age group

New York Times: Virtual Tour of Theaters

Jan 24

“The Shadow Whose Prey The Hunter Becomes”

Presented by ArtsEmerson
Created by Back to Back Theatre, Australia
Authored by Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben
Directed by Bruce Gladwin
Composed by Luke Howard Trio – Daniel Farrugia, Luke Howard, Jonathon Zion
Performed by Michael Chan, Simon Laherty, Sarah Mainwaring, Scott Price

Jan. 23–26, 2020
Emerson Paramount Center’s Jackie Liebergott Black Box
559 Washington Street
Boston, MA 02111
ArtsEmerson on Facebook 

Critique by Kitty Drexel

Boston, MA —  One of the ignoble truths of living as a disabled person is that people stare. People stare at us because we’re different. They stare because they can. Performance is one way that disabled people wrestle back control. We get to choose when people stare at us. It is liberating.

In Back to Back Theatre’s The Shadow Whose Prey The Hunter Becomes, the disabled cast wants you to stare so they can stare back. And when they do, they do not flinch. I’d wager good money that Thursday night’s audience has never had their gaze turned back on them. Witnessing this was deliciously rewarding. Continue reading

Nov 09

African Traditions and European Expectations: “The Magic Flute”

Presented by ArtsEmerson
Performed by the Isango Ensemble

Based on the opera by Wolfgang Amadeus Mozart and libretto in German by Emanuel Schikaneder

Adapted and directed by Mark Dornford-May
Music Arranged by Pauline Malefane and Mandisi Dyantyis

November 6 – 10, 2019
Open Caption Performance: Sun, November 10, 2PM
Emerson Cutler Majestic Theatre
Boston, MA

The Magic Flute is performed in English, Xhosa, Zulu and Tswana

Review by Kitty Drexel 

(Boston, MA) This weekend the Isango Ensemble returns to Boston for a weekend of performances of The Magic Flute. It is an exceptional performance of a classic, beloved opera. They overhaul Mozart’s composition by obliterating the standards of white, European traditions. Their production instead incorporates indigenous African performance traditions of dance, music, and storytelling. It’s a pleasant culture shock to the senses.  Continue reading

May 03

“/peh-LO-tah/” a futbol framed freedom suite


Presented by ArtsEmerson
Created by Marc Bamuthi Joseph/The Living Word Project
Performed by The Living Word Project
Choreography by Stacey Printz
Composed by Tommy Shepherd
Directed by Michael John Garcés

May 1 – 5, 2019
Emerson Paramount Center
Boston, MA
ArtsEmerson on Facebook

Review by Noe Kamelamela

(Boston, MA) Arts Emerson is presenting what could be the last five performances of /peh-LO-tah/ in its current incarnation this week.  After years of performances, the exploration of futbol and America which fuses dance, spoken word, song, and projected video into a semi-cohesive whole ends its tour.  A Black American Man tells his life story through his love affairs with the game. His expanding awareness of the world fills the space as he tells his tale. Soccer fans may also engage with spoken word and musical interludes featuring other ensemble members. Continue reading

Apr 29

“American Moor”: The Black Man And The Play

Presented by ArtsEmerson
Written and Performed by Keith Hamilton Cobb
Directed by Kim Weild
Lighting Design by Alan C. Edwards

April 10 – 21, 2019
Emerson Paramount Theatre
Boston, MA
ArtsEmerson on Facebook

Critique by Diana Lu

(Boston, MA) American Moor is a masterpiece of a one-man show. Written and performed by accomplished actor Keith Hamilton Cobb, the 90 minute monologue portrays the interior narrative of an overqualified black actor as he goes through yet another disheartening audition to play Shakespeare’s Othello for yet another clueless white Director (Josh Tyson). The descriptive prowess of Cobb’s blow-by-blow detail plays out like The Old Man and the Sea. His impressive acting chops create some of the most intense, emotionally raw, and true to life moments I’ve ever seen on any stage, including The Globe Theater in London.
Continue reading

Mar 15

Eat the Rich: the National Theatre’s “An Inspector Calls”


Presented by ArtsEmerson
By The National Theatre of Great Britain
Written by JB Priestly
Directed by Stephen Daldry
Music by Stephen Warbeck
Fight direction by Terry King

March 14 – 24, 2019
Emerson Cutler Majestic Theatre
Boston, MA
ArtsEmerson on Facebook

Critique by Kitty Drexel

(Boston, MA) An Inspector Calls forces its audience to confront issues of socio-economic depravity as symbolized by the neglectful behaviors of one upper middle-class English family. It’s arrival in Boston coincides with the news of an elaborate college admissions scam. The rich, powerful and entitled have been flaunting their capacity to harm for centuries. An Inspector Calls is not for the politically avoidant. Continue reading

Nov 19

“WET: A DACAmented Journey.” A Lucid Dreamer Speaks.


Presented by ArtsEmerson
Produced by Cara Mía Theatre & Ignite/Arts Dallas
Written and Performed by Alex Alpharaoh
Directed by Brisa Areli Muñoz

November 8-25, 2018
Emerson Paramount Center
Boston, MA    02111
ArtsEmerson on Facebook

Review by Diana Lu

(Boston, MA) Alex Alpharaoh’s one-man show is a captivating fusion of poetry and play. Alpharaoh transforms from character to character, suspense to comic relief with shape-shifter ease, never missing a stanza as he leads the audience through his onstage persona, Anner’s, ceaseless real-life struggles as an undocumented person in the US. Even traveling to see his dying grandfather for the first and last time is a life-threatening ordeal. It’s not life-or-death, but life as you know it-or-an undiscovered country certainly feels like comparable stakes. Continue reading

Jun 25

BeBe Winans was “Born for This”

Presented by ArtsEmerson
Original Music and lyrics by BeBe Winans
Book by Charles Randolph-Wright, BeBe Winans and Lisa D’Amour
Directed by Charles Randolph-Wright
Choreographed by Warren Adams
Orchestrations, Arrangements, & Music Direction by Steven Jamail
Starring Milton Craig Nealy, Kirsten Wyatt, Phillip Brandon, Matthew Griffin, and Donald Webber, Jr.

June 15 through July 15, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

(Downtown Boston, MA)  Born for This was the musical biography of soul gospel musician Benjamin “Bebe” Winans, a Detroit native who began his career releasing albums with his sister Priscilla “CeCe” Winans from 1984 through 1996.  In 1989, BeBe won a Grammy for Best Male Soul Gospel Performance. In 1997, he signed with Atlantic Records and released his first of seven solo albums. That same year, BeBe delivered the international hit “I Wanna Be The Only One,” which featured British soul trio Eternal and topped the UK Singles chart in May 1997.  Throughout his career, Bebe has collaborated other Grammy award winning R&B vocalists – such as Stephanie Mills, Whitney Houston, and Stevie Wonder.
Continue reading

May 08

A Majestic “Migration”


Presented by Step Afrika!
Produced by 
ArtsEmerson
Choreographed by Jakari Sherman, Jackie Semela, Paul Woodruff
Percussionists: Artis Olds, Jakari Sherman, Andrew Vinson

May 3 through 6, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

“One of the most important functions of jazz has been to encourage a hope for freedom, for people living in situations of intolerance or struggle.”  –Herbie Hancock, jazz pianist and bandleader

(Boston, Massachusetts)  I could feel the crackling energy of the show, even before it started.  I could anticipate that it’d be a layered and textured theatrical experience that engaged the audience, even before dancers and musicians arrived on stage.  I am a person who is always listening to music. Likewise, I’m a patron who yearns for a show’s soundtrack to play both before and after the performance, as well as during its intermission.  The recording of African drum music, peppered with the rattling of gourds and the rhythmic clapping of hands, was vitalizing and encouraged a social atmosphere before the show began. Most patrons were out of seats, strolling around, greeting each other, standing in small circles having spirited conversations, smiling while sipping drinks; it was the pre-party I always wished for. Continue reading

Mar 05

Driving Mr. Daisy: “The White Card”

Karen Pittman and Daniel Gerroll in The White Card. Photo: Gretjen Helene Photography; Charlotte manages Charles’ microaggressions.

Presented by ArtsEmerson with the American Repertory Theatre
By Claudia Rankin
Directed by Diane Paulus
Dramaturgy by P. Carl

Feb. 24 – April 1, 2018
Emerson Paramount Center
Robert J. Orchard Stage
Boston, MA
ArtsEmerson on Facebook

Reviews by Kitty Drexel and Noelani Kamelamela

(Boston, MA) The White Card is a conversation starter for those unused to discussing race at length. It’s for those who think we live in a post-racial society, the kind of person who resents the dialogue because there are “bigger problems” to fix. Other attributes include denying racism because they have imaginary Black friends, thinking “all lives matter,” and feeling threatened when any indication of their own culpability within society’s systemic racism. Those who have regular discussions on race, inequalities and the struggles for justice will have their work affirmed. Continue reading