Jun 25

The Emperor Has No Clothes: ‘Masquerade’ Was a Smug, Misogynistic Mess


Presented by Cherry Orchard Festival
Produced by Vakhtangov State Academic Theatre of Russia
Based on the ‘verse drama’ by Mikhail Lermontov
Directed by Rimas Tuminas
Set Design by Adomas Yatsovskis
Costumes by Maxim Obrezkov
English Subtitles by Ivan Samokhin

June 18—19, 2019
Emerson Cutler Majestic Theatre
Boston, MA 02116
Cherry Orchard Festival on Facebook

Critique by Diana Lu

(Boston, Mass.) My program calls Masquerade a “verse drama.” That’s about the most pretentious thing I’ve ever seen. Even Shakespeare just wrote “plays.” Other reviewers keep comparing this 19thcentury Russian romantic play to Shakespeare’s Othello. I’m sure writer Mikhail Lermontov filched his basic plot points from The Bard, but the similarities end there. Continue reading

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Apr 29

“American Moor”: The Black Man And The Play

Presented by ArtsEmerson
Written and Performed by Keith Hamilton Cobb
Directed by Kim Weild
Lighting Design by Alan C. Edwards

April 10 – 21, 2019
Emerson Paramount Theatre
Boston, MA
ArtsEmerson on Facebook

Critique by Diana Lu

(Boston, MA) American Moor is a masterpiece of a one-man show. Written and performed by accomplished actor Keith Hamilton Cobb, the 90 minute monologue portrays the interior narrative of an overqualified black actor as he goes through yet another disheartening audition to play Shakespeare’s Othello for yet another clueless white Director (Josh Tyson). The descriptive prowess of Cobb’s blow-by-blow detail plays out like The Old Man and the Sea. His impressive acting chops create some of the most intense, emotionally raw, and true to life moments I’ve ever seen on any stage, including The Globe Theater in London.
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Jun 06

Beyond the Bard: “Goodnight Desdemona (Good Morning Juliet)”

WRTDesJul

Photo back to front: Victoria George, Lily Odekirk, Marta Rainer* AEA*

Presented by Wellesley Repertory Theatre
Written by Ann-Marie MacDonald
Directed by Nora Hussey

May 26 – June 26
Ruth Nagel Jones Theatre
Wellesley, MA
WRT on Facebook

Review by Danielle Rosvally

(Wellesley, MA) Having just recently completed my own Doctorate in Shakespeare, I can relate deeply to the struggles of Constance Ledbelly, the heroine of Goodnight Desdemona (Good Morning Juliet).  To those who spend any amount of time studying Shakespeare’s works, the bard’s characters become constant companions; roommates, lovers, friends; nearly corporeal in their presence in our lives.  They haunt us; whispering echoes of themselves on loop day and night; and sometimes (if we are very lucky) revealing secrets of themselves only to us.  These secrets we prize at a worth beyond compare for they are the true goal of such study. Continue reading

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