Feb 27

Vouchers Will Not Save Our Schools: “Exit Strategy”

UPDATED on 2/28/17: Because holy crapping fudge DeVos is either a sincere idiot, or a racist ass (mostly likely, both). https://twitter.com/AdamHSays/status/836416602736312320

Photo by Joel Benjamin. With Robert Bonotto, Victoria George, Johnny Quinones, Jalani Dottin-coye and Matt Fagerberg.

Presented by Zeitgeist Stage Company
Written by Ike Holter
Directed by David Miller

Feb. 17- March 11, 2017
Plaza Theater
Boston Center for the Arts
539 Tremont St in Boston’s South End
Zeitgeist on Facebook

This production is made possible in part by The Bob Jolly Charitable Trust, which was established by the late Boston actor Bob Jolly to support local theater artists.

Review by Kitty Drexel

(Boston, MAExit Strategy opens with a quote for Betsy DeVos’s Senate Hearing on Jan. 17, 2017. DeVos is a rich, white women with no experience in public education and a strong preference for charter schools. She’s in love with vouchers. To her, “accountability” is just a 14 letter word. She is completely oblivious of the hard work public school teachers do every single damn day in order to teach their students. Her ignorance, arrogance and entitlement are the three donkeys of the educational system’s apocalypse. Our kids, especially the underprivileged, deserve better. Her philosophies are the kind that allow schools to crumble apart with children still in them. Continue reading

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Jun 06

Beyond the Bard: “Goodnight Desdemona (Good Morning Juliet)”

WRTDesJul

Photo back to front: Victoria George, Lily Odekirk, Marta Rainer* AEA*

Presented by Wellesley Repertory Theatre
Written by Ann-Marie MacDonald
Directed by Nora Hussey

May 26 – June 26
Ruth Nagel Jones Theatre
Wellesley, MA
WRT on Facebook

Review by Danielle Rosvally

(Wellesley, MA) Having just recently completed my own Doctorate in Shakespeare, I can relate deeply to the struggles of Constance Ledbelly, the heroine of Goodnight Desdemona (Good Morning Juliet).  To those who spend any amount of time studying Shakespeare’s works, the bard’s characters become constant companions; roommates, lovers, friends; nearly corporeal in their presence in our lives.  They haunt us; whispering echoes of themselves on loop day and night; and sometimes (if we are very lucky) revealing secrets of themselves only to us.  These secrets we prize at a worth beyond compare for they are the true goal of such study. Continue reading

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Mar 07

Gallivanting Amongst the Cakes: CAKEWALK

Photo by Richard Hall/Silverline Images

Photo by Richard Hall/Silverline Images, contestants and their cakes

Presented by Zeitgeist Stage Company
Written by Colleen Curran
Directed by David J. Miller

Feb. 26 – March 19, 2016
Plaza Back Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MA) It is Independence Day 1984. The ladies of a small town in Vermont have won a place in the annual cakewalk competition and are patiently awaiting the critique of guest judge, Julia Child. First prize is a glamorous trip for two to Paris, France. Among the other prizes are a lifetime supply of flour and accolades from the citizenship for an entire year. Most of the gang looks forward to the friendly competition. Ruby Abel (Kelley Estes) is out for blood. Ready to slow down her paranoid manipulations are fellow contestants Martha (Aina Adler), Augusta (Maureen Adduci) and Leigh (Victoria George). Taylor (Matt Fagerberg) just wants to find the registration room. Each has their own secrets to keep and insecurities to air. A seemingly safe summer fair turns into a conundrum of colliding small town politics. 
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