Aug 21

Flat Earth Sends “Rocket Man” to the Moon

Photo via Flat Earth Theatre Facebook page. Awesome sauce.

presented by Flat Earth Theatre
By Steven Dietz
Directed by Lindsay Eagle

August 16 – 24, 2013
Arsenal Center for the Arts
321 Arsenal Street
Watertown, MA

Flat Earth Theatre on Facebook

Review by Gillian Daniels

(Watertown) The center of Rocket Man is the unraveling life of middle-aged divorcee, Donny (Robin Gabrielli), an unsteady center for an unassuming story.  Flat Earth Theatre has certainly taken on a tough show to pull off well.  Newly single and struggling to maintain his relationship with his teenage daughter, Trisha (Mariagrazia LaFauci), Donny is having a slow-moving breakdown.  He fights back with fantasies of traveling to space and going to another reality where time travels backward and his wife, Rita (Korinne T. Ritchey), is still with him. Continue reading

Aug 05

It’s Only Torture if Organs Fail: “Why Torture is Wrong, and the People Who Love Them”

Photo Credit: Titanic Theatre Co’s Facebook page. The company is not afraid of icebergs or snuggles.

By Christopher Durang
Directed by Adam Zahler
Presented by Titanic Theatre Company

July 25-August 10, 2013
Arsenal Center for the Arts
Watertown, MA
Titanic Theatre Co Facebook Page

Review by Kitty Drexel

M for Mature. Actors occasionally appear in their underoos.

(Watertown) The attack on the two towers in NYC and the Pentagon on Sept. 11, 2001 changed the way the United States viewed itself forever. Before that day, many citizens viewed North America as the most powerful entity in the world. After 9/11, we recognized our vulnerability as a country. Almost everyone was looking for answers. There were many who turned to The Arts for catharsis. These same people reacted in anger when artists turned back to them for compassion. The Arts were supposed to provide answers. While coping with the same shock, we artists didn’t know what to do either.

It’s been 12 years since the attacks and the US is still divided. Our media has moved on to bigger and newer things. But our artists are still processing the events and asking questions. The media has given the American people plenty of reasons to explain why Taliban members attacked. Thank goodness for The Arts. Playwright Christopher Durang hasn’t given up on understanding the U.S.’s response to the attacks of 9/11. Rather than focus on the “badness” of Ossama Bin Laden*, Why Torture is Wrong, and the People Who Love Them ponders the American people’s decade-long reaction from the perspective of western, 20/20 hindsight. He peppers his absurdist play with Dadaism and panic. The script is a sweet bouquet of human experience and dramatic flair. Continue reading

Jul 26

Caucasian Chalk Circle: King Solomon’s Revenge?

Photo Credit: Apollinaire Theatre Co Facebook Page

Presented by Apollinaire Theatre Company
by Bertolt Brecht
Directed by Danielle Fauteux Jacques

Mary O’ Malley Park
Chelsea, MA
July 10th – July 27th, 2013
Apollinaire Theatre Co Facebook Page

Review by Craig Idlebrook and Kate Longberg-Lew

(Chelsea) Having grown up Catholic, I can spy a morality play when I see it.  We used to do some painfully bad skits in church class on the subject of good and evil…think a “very special” episode of Family Ties, without the acting.  It felt good, almost ritualistically cleansing, to present a moral world to an audience.  Continue reading

Jul 26

It’s Like A Jungle . . . Sometimes: HOW WE GOT ON

© Craig Bailey/Perspective Photo

Presented by Company One
by Idris Goodwin
Directed by Summer L. Williams

July 19-August 17
Boston Center for the Arts
Boston, MA
Company One Facebook Page

Review by Noe Kamelamela

(Boston) Company One has spent over a decade in Boston bringing theater to bear on a list of problems, which is nearly as long as their list of awards.  Their latest is a vibrant production that lays down a phat beat for diversity.  The audience I sat in was the most visibly excited and diverse audience I’ve experienced all year, possibly due to one of its key topics:  hip-hop. Continue reading

Jul 24

Ladies Pondering Lives, Fashion in “Love, Loss, and What I Wore”

Presented by Hub Theatre Company of Boston
by Nora & Delia Ephron
based on the book by Ilene Beckerman
directed by Paula Plum

July 19 – August 3, 2013
The First Church in Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Co of Boston Facebook Page

Review by Gillian Daniels

(Boston) Until recently, I scorned “chick lit” and “chick flicks,” resenting the idea that light, fluffy fare was meant for women alone.  I’ve begun to wonder, however, if the label has been stuck on books and films having to do with women because of how the material is approached or because it’s about women, period.  It’s an insulting, dismissive label and it would be a little too easy to slap it on Love, Loss, and What I Wore. Continue reading

Jul 15

The Theory of Everything Explained: “Supergravity and the Eleventh Dimension”

Photo Credit: Paul Cantillon, LIDEC Photo

Presented by Vagabond Theatre Group
By Heather Houston
Directed by James Peter Sotis

July 11 – 20, 2013
The Factory Theatre
Boston, MA
Vagabond Theatre Group Facebook Page

Review by Kitty Drexel

(Boston) Einstein’s Law of Thermodynamics states that “energy cannot be created or destroyed, it can only be changed from one form to another.” This quote from a beloved theoretical physicist describes the natural state of constant flux in the world around us. This quote is often bastardized by Religion* to explain the existence of God, a Super-creator from whence all the energy of life flows. God must exist, they paraphrase, because the energy to create the universe must have come from somewhere… It must have come from God! Ladies and Gentlemen, God and Science can sit at the same table but this isn’t the room they sit in. Continue reading

Jun 30

When a Cigar is Everything: A STREETCAR NAMED DESIRE

presented by Wax Wings Productions
by Tennessee Williams
Directed by Vicki Schairer

@ the Factory Theatre
Boston, MA
June 27th – July 7th, 2013
Wax Wings Facebook Page

Review by Craig Idlebrook

(Boston) Over time, A Streetcar Named Desire has become like that favorite album you skip over in shuffle to keep special. Oft quoted but performed less and less, it sits on the shelf of American theatre and gathers dust and pious weight until some community theatre takes it down and puts on an ill-advised, chest-beating version down in a church basement. That’s partly because it can seem such a dated portrait of overt sexual politics, something that would fit Michelle Bachman’s view of marriage and gay cures, perhaps, but with little relevance in a blue state. Continue reading

Jun 26

Nickel Mines Strong: THE AMISH PROJECT

With Emma Johnson, Mackenzie Dreese, Karin Nilo and Becky Bass at Cambridge YMCA Theater. Photo Credit: Circuit Theatre Co

Presented by Circuit Theatre Company
The Amish Project by Jessica Dickey
Directed by Alexandra Keegan

June 21-27
Cambridge YMCA Theater
Cambridge, MA
Circuit Theatre Co Facebook Page

Review by Noelani Kamelamela

(Cambridge) In its third year, the Circuit Theatre Company has already established itself as a small theatre company willing to take risks.  Their recent IRNE nominations and current production attest to their boldness and artistic integrity.  Circuit Theatre’s The Amish Project is the kind of show which can be interpreted in multiple ways. Continue reading

Jun 10

Wistful, Warm and Inconclusive: SELECTED SHORTS ON TOUR: SPRINGTIME, SEX & BASEBALL

A National Public Radio Production
Hosted by the Huntington Theatre Company

Avenue of the Arts
BU Theatre
June 8th, 2013
Huntington Theatre Co Facebook Page

Review by Craig Idlebrook

Short review: It was great.  You missed it.  Support your public radio.

(Boston) Kidding, kidding, but really what else is there to say?  Take four well-crafted short stories of love, baseball and awkwardness, mix in three superb actors and stir.  Watching the touring production of Selected Shorts is a powerful reminder that we are creatures of narrative.  Whole societies are shaped by storytelling, be it a creation myth or an endearing belief of what a well-regulated militia looks like.  People die for stories, people become president by telling stories.  Without stories we might as well climb back up into the trees (unless you believe in the Christian creation story….see?). Continue reading

Jun 10

And the Green Grass Grows All Around: RAPTURE, BLISTER, BURN

photo: T. Charles Erickson

presented by Huntington Theatre Company
by Gina Gionfriddo
directed by Peter DuBois

South End Calderwood Pavilion
Boston Center for the Arts
Boston, MA
May 24th – June 22nd, 2013
Huntington Theatre Facebook Page

Review by Craig Idlebrook

A bunch of middle-aged folks had an academic argument about feminism and a great play broke out! Rapture, Blister, Burn, an insightful and barbed comedy about post-feminist uncertainty, is the rare play that immerses itself in theory and still makes us care. Continue reading