Oct 21

Rage Against the Love Machine: ROMEO AND JULIET

http://www.actorsshakespeareproject.org/sites/default/files/gallery/Stratton_McCrady_201310010235.jpg?download=1

Stratton McCrady Photography 2013

Presented by Actors’ Shakespeare Project
By William Shakespeare
Co-directed by Bobbie Steinbach and Allyn Burrows

October 2nd – November 3rd, 2013
The Strand Theatre
Dorchester (Boston), MA
Actor’s Shakespeare Project on Facebook

Review by Craig Idlebrook

(Boston) We are so insane for love that we co-opt works of art that vilify love and turn them into romantic propaganda.  It happens with every generation.  I grew up with The Police song “Every Breath You Take” as the best love song of 1983, even though it was clearly about a stalker

Romeo and Juliet has become a stand-in for romance, so much so that Bugs Bunny and Pepe LePew could do the balcony scene and 4-year-olds would get the joke.  But while any college freshman with a dye job can enjoy the irony that this iconically romantic story could easily be considered a black comedy, few theatre companies can stage “R + J” productions that can cut through the “Will U Be Mine” ethos we smear on the play. Continue reading

Oct 14

Bad Behavior Porn: GOD OF CARNAGE

Photo by Meghan Moore

Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
By Yasmina Reza
Translated by Christopher Hampton
Directed by Kyle Fabel

September 19th – Oct. 13, 2013
The Nancy L. Donahue Theatre
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell) We are usually mired in the mundane of everyday, and we can’t see movement in our own internal characters. That’s why we tend to want some movement in the characters we see on stage. In a good play, a protagonist cannot be the same in the end as she was in the beginning; she must at least gain some scars from experience. The rare exception is a script that goes for the meditative study of a character, as if peeling back layers of a soul like an onion. To pull this off, the author must have deep sympathy for both the character and the human condition, and it’s a narrower road to tread. Continue reading

Oct 07

The Darkness Hides Gothic Metaphor: Angela Carter’s HAIRY TALES

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Photo credit: Roger Metcalf; Amy Meyer and Poornima Kirby as The Countess. The Countess is beside herself. See what I did there? No? Fine.

Presented by Imaginary Beasts
Angela Carter’s Hairy Tales: “Vampirella: Lady of the House of Love”, “The Company of Wolves”
Directed by Matthew Woods
Music composition & sound by Sam Beebe
Choreography by Kiki Samko

October 4 – 26, 2013
Thursdays at 7:30 pm (Vampirella & The Company of Wolves)
Fridays & Saturdays at 8:00 pm (Vampirella & The Company of Wolves)
Saturdays & Sundays at 4:00 pm (Puss in Boots)
Plaza Black Box Theatre at the Boston Center for the Arts
539 Tremont Street
Boston, MA
Imaginary Beasts on
Facebook

Review by Kitty Drexel

***Be aware that this is NOT a children’s show. Unless you enjoy subjecting your dear ones to brief nudity, incest, cannibalism, necrophilia and heaps of innuendo. You sick bastards.***

(Boston) Some of the reviews for Hairy Tales lead with how author Angela Carter isn’t popular in the US. Not entirely true. She’s famous in the UK, yes, but she’s also famous here. She’s famous among people who enjoy magical realism (and modern fairytales) and can’t abide trashy alternatives. Carter’s not as famous as Jane Austen or the Brontës but famous enough that her books are still published in the US. They can be found at your local library or on Amazon. They are delicious. Read them.

Vampires and werewolves are scalding hot right now. There are more spinoff’s, movies and TV programmes than there are heaving bosoms to enjoy them. Supernatural creatures are often* metaphors for sexual desire and fulfillment. Female sexual objectification sells and, when paired with the supernatural, its related media will be inhaled by the angsty. Thus, we have a dearth of offerings to present to the generations that haven’t read Dracula but have read the famous Mormon fanfic. In the case of  “The Company of Wolves” (TCOW) and “Vampirella,” objectification gets a rest and liberation takes the stage. There is still enough angst to go around.   Continue reading

Oct 02

Unfriendly Fire Consumes: “Burning”

http://www.bu.edu/bpt/files/2013/09/Burning_8.jpg

Photograph credit: Boston Playwrights’ Theatre

Presented by Boston Paywrights’ Theatre
Written by Ginger Lazarus
Directed by Steven Bogarty

September 27-October 20
Boston Playwrights’ Theatre
Boston, MA
BPT on Facebook

Special events for the current run at BPT:  Free screenings of the 2012 documentary The Invisible War on October 3 at 7:30 pm and 6 at 4:30pm.  IMPACT Boston will sponsor a panel including members of the military on October 13th after the 2pm performance.

Review by Noelani Kamelamela

(Boston) Boston Playwright’s Theatre brings local playwright Ginger Lazarus’ novel and moving treatment of Rostand’s Cyrano de Bergerac to the stage to serve many noble purposes.  Originally conceived as a queering of the classic, over three years of research went into a play based around a lesbian serving in the Don’t Ask Don’t Tell era.  Eventually, reprehensible behavior in the military surrounding sexual assault came to be a large feature as well.* Continue reading

Sep 30

Sinners, Saints, and Boston Roots in “Goodly Creatures”

Photo by Alex Aroyan; Smack talk shall not be tolerated.

Presented by Hub Theatre Company of Boston
By William Gibson
Directed by John Geoffrion

September 20 through October 6, 2013
First Church Boston
66 Marlborough St
Boston, MA 02116
Hub Theatre Co on Facebook

Review by Gillian Daniels

(Boston) Boston embraces the fact it has a long history, at least longer than most of the US.  It celebrates the pieces that are unique to Massachusetts’s development as a colony, the Revolutionary War, and the soldiers who die for a common cause.  Historical figure Anne Hutchinson has a memorial to her name in Quincy, Massachusetts, but what she symbolizes and what led to her place in history is difficult to build a fitting monument to. Continue reading

Sep 25

Lyndon B. Johnson Goes “All the Way”

Photo: Evgenia Eliseeva

Presented by A.R.T.
By Robert Schenkkan
Directed by Bill Rauch

September 13, 2013 – October 12, 2013
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook

Review by Gillian Daniels

(Cambridge) Too often, biographies of American presidents are stories wrought with blind patriotism.  Director Bill Rauch, however, has not shaped a play about patriotism but politics. Politics and morality may occupy the same place once in a while, but in Robert Schenkkan’s complex and vividly realized All the Way, ambition dilutes ideals quickly. Continue reading

Sep 24

ADA Approved for the Mainstream: TRIBES

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Photo: Craig Bailey/Perspective Photo; Erica Spyres and James Caverly conversating.

Presented by Speakeasy Stage Co.
by Nina Raine
directed by M. Bevin O’Gara

September 13 – October 12
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

There will be two ASL-interpreted performances:  Sunday, October 6 at 7PM and Friday, October 11 at 8PM.

Review by Kitty Drexel

(Southie) It is always a relief to see minorities portrayed by the Arts as their community deserves; with dignity, love and respect. We, the disabled, weren’t/aren’t always seen this way. It was (and still is) a commonly held belief of the Christian persuasion that people were born disabled as a punishment from God for sinning. This is despite Jesus saying that the disabled were walking, talking acts of God (John Chapter 9 verses 1-3). In specific, Christians used to believe that, since a deaf person couldn’t hear the word of God, they then couldn’t know God. Fast forward to modern day, the stigmas still exist even with the ADA protecting us. This is why it was so humbling to watch Speakeasy’s intelligent production of Tribes last Saturday. My hope is that this production is a sign that society is ready to welcome the disabled into the mainstream. Continue reading

Sep 23

Hot and Bothered Art: SEMINAR

Seminar Pictures

Liz Hayes* and Jordan Ahnquist*; Photo Credit: David Costa

Presented by Stoneham Theatre
by Theresa Rebeck
directed by Weylin Symes

Stoneham, MA
Sept. 12 – 29th, 2013

Stoneham Theatre on Facebook

Review by Craig Idlebrook

(Stoneham) You can create memorable characters on stage and just let them be who they are, and they can be like fun guests at a cocktail party, hilarious and aimless.  Or you can create wooden characters on stage and then let them come at least somewhat to life, which can win you points among theatergoers who are just happy not to fall asleep in the second act.  But it’s awfully difficult to create memorable characters and then let them struggle, flounder, and grow on stage.

Seminar at the Stoneham Theatre is that rare production that both piques our interest and takes us on a romp of a ride.  It’s as if the production set off to check all the boxes for the checklist of good theater. Continue reading

Sep 20

THEATRE@FIRST PRESENTS “THE BULLY PLAYS” TO BENEFIT TEEN EMPOWERMENT

THEATRE@FIRST PRESENTS THE BULLY PLAYS
Honoring National Anti-Bullying Awareness Month in Somerville
Portion of the proceeds to benefit the local anti-bullying work of Teen Empowerment
Directed by Jeanné Callinan

October 23-24 @ 7pm
The Somerville Theatre
Davis Square, Somerville, MA
Order tickets now via Vendini: http://goo.gl/ajZvO0
Theatre@First on Facebook

(Somerville) For first time director Jeannè Callinan, the hardest thing about her son being bullied was “the terrible feeling of being alone.” After members of her community rallied around her teenaged son and supported the family through their crisis, Callinan was compelled to let others know that they are not alone. On October 23rd and 24th at 7pm, Theatre@First presents The Bully Plays at the Somerville Theatre. Directed by Callinan as part of National Anti-Bullying Awareness Month, The Bully Plays will donate a portion of its proceeds to benefit the local anti-bullying work of Teen Empowerment (www.teenempowerment.org). Callinan is not the only production member turning negative experiences into positive engagement. Jason Hair-Wynn, an ensemble member who experienced bullying as a teenager, credits his family, specifically his mother and various local LGBT groups such as BAGLY for helping him in the face of harsh, anti-gay bullying that escalated into physical violence. A survivor of a hate crime in high school, he moved on to run workshops on making schools safer for all students. The ten one-acts chosen from the anthology The Bully Plays focus on kids within the American school system to force us to confront bullying as it happens: to our faces, behind our backs, across our social media, through our phones, and into our heads. Methods to combat aggression are brought to light on stage,often from a younger perspective than one would typically find in local community theatre.

The Bully Plays

Since 2003, Theatre@First has drawn on community talents and resources to offer thought-provoking entertainment, and to address issues of local concern through the universal language of theatre. This multi-faceted production encourages people to talk about difficult situations and come up with their own
strategies, perhaps by connecting to resources or simply by speaking with sympathetic listeners. Youth
activists from Teen Empowerment and a therapist will be available to talk after performances. Students,
teachers and parents are especially encouraged to attend. Group discounts are available for parties of six
or more by emailing groups AT theatreatfirst.org.

The Plays:
Alex by José Casas
Blu by Gloria Bond Clunie
The Bully Pulpit by Dwayne Hartford
Bully There Be by Lisa Dillman
Bystander Blues by Trish Lindberg
Conundrum by Brett Neveu
Downhill by Eric Coble
Final Testimony of Henry Sampson by Y York
Nobody Nose by Barry Kornhauser
“Send” by Linda Daugherty

Sep 02

Not the End of the Line for “T Plays V: Last Call”

Winning play: “SL1 12:32am,” Greer Rooney and Kevin LaVelle, Photo by Meg Taintor

Presented by Mill 6 Collaborative
Artistic directed by John Edward O’Brien
Co-managing directors: Irene Daly, Antoine A. Gagnon

Aug. 21-31, 2013
The Boston Playwright’s Theatre
Boston, MA
Mill 6 Collaborative on Facebook

Written by : Lisa Burdick, Patrick Gabridge, Emily Kaye Lazzaro, Alexa Mavromatis, Bob Murphy, Rick Park

Plays directed by: Barlow Adamson, Matt Chapuran, Mikey DiLoreto, Lindsay Eagle, Kathy Maloney, Kim Anton Myatt

Actors: Jake Athyal, Irene Daly, Jillian C. Couillard, Kelley Estes, Kevin LaVelle, Lonnie McAdoo, Mal Malme, Janelle Mills, Bob Mussett,Jason Myatt, Greer Rooney, Forrest Walter, Stephanie Yackovetsky

Review by Kitty Drexel

My apologies to the cast and crew of T Plays. I had intended to get this review out several days ago. Life interceded and prevented me from doing ago. Please accept this as compensation.

(Boston) The MBTA has its own special kind of magic that transcends beyond the brilliance of a puppy’s smile or the tragedy of a dropped ice cream cone. It affects us all, pedestrian, car-driver and commuter alike. It’s a wonder that local transit hasn’t inspired more art in Boston. That is where Mill 6 Collaborative steps in. This theatre troupe brought us six 1-act plays all inspired by the MBTA in its many forms. The playwrights pick a bus or T line out of a hat, ride the last trip of the evening and write a short play based on their experiences. They hand the show over to their assigned directors and actors who then churn out theatre for an audience three days later. The audience then votes* for their favorite. The play that wins gets to brag and return for the next round in 2014.  Continue reading