Jul 29

Won’t Nobody Know What You Want Unless You Tell Them: “The Meeting Tree”

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Beyoncé Martinez and Rachel Hall. Photo by Annielly Camargo.

Presented by Company One in collaboration with Front Porch Arts Collective
and the City of Boston Office of Arts and Culture
A new play by B. Elle Borders
Directed by Summer L. Williams
Dramaturgy by afrikah selah & Ilana M Brownstein
Music by Allyssa Jones

July 18 – August 9, 2025
The Strand Theatre 
543 Columbia Rd
Dorchester, MA 02125

Critique by Kitty Drexel

“Until we know who we are and where we’ve been, we cannot know where we’re going.” 
– B. Elle Borders in “Stories As Conduit: An Interview with The Meeting Tree Playwright B. Elle Borders” by afrikah selah.  

DORCHESTER, Mass. — Elle Borders’ The Meeting Tree is a collaboration between Company One and the Front Porch Arts Collective. These two companies have such similar missions of community building that this joint production is bound to succeed. The play runs through August 9 at Dorchester’s Strand Theatre. 

The Meeting Tree tells the story of Black lawyer Sofia Langton (Anjie Parker, is here to kick ass and take names. She’s all out of names.), who describes herself as pregnant, haunted, and feeling crazy enough to disrupt the peace of Alison Browning (Sarah Elizabeth Bedard), a white environmentalist currently occupying the Alabama farm where Sofia’s ancestors were once enslaved. Sofia is determined to find proof that the farm was left to her grandmother, Dixie Mae Montclair (Beyoncé Martinez), and to mend the wound that fractured her family tree before Sofia brings her unborn baby into the world.  Continue reading →

Jul 23

The Whole Universe is in His Hands: “Kufre n’ Quay”

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Levi Mngomezulu. Photo credit Annielly Camargo.

Presented by Boston Arts Academy with advisory support from The Huntington and in collaboration with Wheelock Family Theatre 
By Mfoniso Udofia
Directed by John Oluwole ADEkoje
Choreography by Shaumba- Yandje Dibinga

July 10 – 26, 2025
Boston Arts Academy Main Stage Theatre
174 Ipswich St. 
Boston, MA 02215

Critique by Kitty Drexel

An explanation: We use the word kid, child, kids or children to describe a young person under the age of 18. You might feel grown; you may even act grown, but you are not yet grown.

BOSTON — Kufre n’ Quay is the fifth play in Mfoniso Udofia’s cycle of nine plays, the Ufot Family Cycle. It follows the events of Udofia’s fourth play, Her Portmanteau, which is about the reunion of matriarch Abasiama Ufot with her two adult daughters: First-born Iniabasi Ekpeyong, born in the U.S. and raised in Nigeria, and Abasiama’s second daughter, Adiaha Ufot, raised in Massachusetts and living in New York City. Her Portmanteau meets the stark differences between Nigerian and American family politics. The NETG critique is HERE. 

Continue reading →

Jul 13

Uneven Grandeur: “Evita”

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The cast of “Evita.”

Presented by Reagle Music Theatre of Greater Boston
Lyrics by Tim Rice 
Music by Andrew Lloyd Webber
Direction and choreography – Rachel Bertone
Musical Direction – Dan Rodriguez
Scenic Design – Cameron McEachearn
Lighting Design and Production Design –  Baron Pugh
Costume and Wig Design – Ellie De Lucia
Sound Design – Sebastian Nixon

Online Playbill

July 11 – 20, 2025
Robinson Theatre
617 Lexington Street
Waltham, MA 02452

Critique by Craig Idlebrook

2 hours, 15 minutes with a 15-minute intermission

WALTHAM, Mass. — The musical Evita is having a moment. It is an interesting time for a resurgence of a play about a populist Argentine icon, when the world appears buffeted by the populist and authoritarian actions of some world leaders. 

The play, which started its Broadway run in 1979, is seeing a viral resurgence, thanks to a Rachel Zegler-led production in London that has taken some of its act outside the theater for the masses to enjoy. One would think that Eva Perón, the titular Argentine historical figure, would have appreciated the streetside stagecraft.  Continue reading →

Jul 06

Notes After Creation: The Theater Offensive’s Queer [Re]Public Festival

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Presented by The Theater Offensive 
In partnership with Double Edge Theatre and Think Outside the Vox
June 26-29, 2025
Arrow Street Arts
2 Arrow Street
Cambridge, MA 02138

Critique by Kitty Drexel

CAMBRIDGE, Mass. — The Theater Offensive’s inaugural Queer [Re]Public Festival was a glorious presentation of queer, trans and BIPOC joy. At which, artists Victoria Lynn Awkward, Annalise “River” Guidry, and Cheyenne Wyzzard-Jones convened and performed the fruits of their 22-month-long Emergent Artist and True Colors Residencies. By doing so, the residents transformed Arrow Street Arts into a community space where artists offered art to their audience, we received it and offered it back again. 

I was fortunate to attend Awkward’s dance composition In The Space Between in the main theater and a reading of Wyzzard-Jones’ The Messenger in the studio. My reactions to those works are below. I was unable to see Guidry’s Theater of Union or attend The Audacity of Being Yourself conversation with Durand Bernarr, Victoria Awkward and Diovanna Frazier. It is my sincere hope for the artists involved that they received everything they wanted and needed from their work.  Continue reading →

Jul 02

What to Expect When You’re Not Expecting: “Mox Nox” & “GUTS”

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Moonbox Productions’ Boston New Works Festival (BNWF)
Presented by Moonbox Productions
June 26 – 29, 2025
Multiple Spaces at the Boston Center for the Arts.
539 Tremont St
Boston, MA 02116 

Critique by Kitty Drexel

BOSTON — Last week, Moonbox Productions produced its Boston New Works Festival with seven original plays and musicals at the Boston Center of the Arts in the South End. It was the final weekend of Pride, the Supreme Court issued its final opinions before its summer recess*, the Bezos’ married in Venice, baseballers baseballed, and The Theater Offensive hosted another festival across the river in Cambridge. With the various and sundry events occurring across our city and the nation, I hope everyone attended events that brought them joy and a modicum of peace. 

This year’s BNWF featured fully realized productions and semi-staged readings from local playwrights, crew and actors. I attended two productions: Mox Nox by Patrick Gabridge and Guts by Rachel Greene. These are two vastly different plays in subject and creative temperament. Mox Nox is a finished work (if such things exist). Guts remains a play in progress. Both show Boston audiences what is possible and point to our collective future as a community.   Continue reading →

Jun 19

Travesty to Atonement and Back Again in 13 Lessons: “Our Class”

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The Cast of “Our Class.” Photo by Pavel Antonov.

Presented by Arlekin Players Theatre
By Tadeusz Słobodzianek 
Adapted by Norman Allen
Directed by Igor Golyak
Scenic & Prop Design by Jan Pappelbaum
Costume Design by Sasha Ageeva
Lighting Design by Jeff Adelberg
Sound Design by Ben Williams
Music composed by Anna Drubich
Projection Design by Eric Dunlap & Igor Golyak with Andreea Mincic
Chalk Drawings Design by Andreea Mincic
Choreography by Or Schraiber
Dramaturgy by Dr. Rachel Merrill Moss
Stage violence and intimacy choreography by Leana Gardella (2024 New York production)
Featuring: Gigi Watson, Gene Ravvin, Kirill Rubtsov, Deborah Martin, Jeremy Beazlie, Zach Fike Hodges, Chulpan Khamatova, Richard Topol, Ilia Volok, Ryan Czerwonko

June 18 – June 22, 2025
Calderwood Pavilion
Boston Center for the Arts
527 Tremont Street
Boston, MA 02116

Duration: 2 hours 50 minutes with one intermission

Suitable for ages 16+

Critique by Kitty Drexel

BOSTON — Our Class is about the slow radicalization of Polish catholics against their Jewish friends and neighbors in the years before and during the Holocaust (1918-2021). It is violent, angry, and expertly crafted by the Arlekin Players. While the historical events depicted and themes explored look similar to ongoing news events, Our Class is about the 1940s Russian occupation of Poland and not current international crises: the christian nationalization of the United States and retreat from its status as a world superpower, Russia’s war on Ukraine, or even Israel’s bombing of Iran. Performances at the Boston Center for the Arts Calderwood Pavilion run through June 22.  

Off of 2024’s award-winning production of The Dybbuk, Arlekin presents another triumph in Our Class. This production worked out its technical and stagecraft kinks in New York during its run at the Brooklyn Academy of Music, because, from its horizontal staging to its multidisciplinary incorporation of projection and live-camera video, it is spotless. Its Boston run brings new cast members and new opportunities for accolades.  Continue reading →

Jun 17

Queer pride through historical reimagining: “Bull in a China Shop”

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Karen Dervin as Dean Welsh and Linnea Lyerly as Woolley; Photo by Brian Higgins.

Presented by The Treehouse Collective
By Bryna Turner
Directed by Lisa Tierney
Lighting design by Dan Clawson
Set design by Britt Ambruson
Featuring: Linnea Lyerly, Heidi White, Karen Dervin, Anneke Salvadori, Hannah Young, Lena Vani

Abbott Memorial Theatre at Hovey Players
9 Spring Street
Waltham, MA 02451
June 13 – 29, 2025

Accessibility Note: There are a total of 13 steps to get downstairs to the theatre, with no elevator access.  

Review by Maegan Bergeron-Clearwood

WALTHAM – The most radical element of Bull in a China Shop is emblemized by its earliest visuals. Two women in early 20th century garb lounge on a bed together, tangled in each other’s arms. Everything is perfectly mundane: they discuss personal and professional dreams; they quarrel; they kiss. And they do explain their queerness to the audience. They simply exist in their historical moment, no excuses necessary.

Bull in a China Shop by Bryna Turner isn’t a perfect play, but it fits neatly into The Treehouse Collective’s ethos. Their seasons largely feature contemporary works that give voice to ahead-of-their-time trailblazers (particularly women and queer folks, although I hope their team will add some more racial diversity to their season selection in the future) whose stories have otherwise been silenced by the patriarchal, heteronormative archival machine. Continue reading →

Jun 16

The Best Summer of Your Life: The Nova Show presents “Camp Camp”o

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The Nova Show poster

Presented by Nova Comedy Collective
Hosted by David Thomas
Directed by Michael Trainor
Video by Ryan Dalley
Creator and showrunner: Kayleigh Kane
Featuring: Gwen Coburn, Colleen Donahue, Nick Perron, Kristina Feliciano, John Serpico, Erin Lee, Anthony Zonfrelli, Sumeet Sarin, Hannah Breen, Kylie Rolincik. 
Guest performers: drag performer Stabitha Christie, rapping comedy duo Magically Delicious, and standup comedian Will Smalley.
Chill tunes provided by D.J. TJ Reynolds and Todd Brunel on the saxophone

June 14, 2025
The Rockwell
Davis Square
255 Elm Street
Somerville, MA 02144

Online Playbill 
Eventbrite Page

Critique by Kitty Drexel

SOMERVILLE, Mass. — June 14 was a busy day. “No Kings” protesters gathered peacefully in downtown Boston while the Pride for the People parade marched from Copley Square to the Common. For some, it was a long day of fighting fascist tyranny while celebrating another year of queer survival. After a rainy Saturday of marching, dancing and rebelling, an evening of libations and laughter watching Nova Comedy Collective’s “Camp Camp” in the warm belly of The Rockwell’s black box theater hit the spot.   

The Rockwell has become home to members of the local improv, comedy and standup community after Improv Boston, a People’s Republic of Camberville favorite for comedic relief, ceased its operations in 2023. The Nova Comedy Collective is one of the resident organizations that rose from Improv Boston’s ashes. NCC is here to deliver comedy in its many forms to weekend matinees, early evening and late night crowds (schedule pending) over a cold adult beverage while farting into a folding chair of suspicious stability. Continue reading →

Jun 11

Nothing we can do, A total eclipse of the sun*: “Little Shop of Horrors”

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Photo by Nile Scott Studios

Presented by Greater Boston Stage Company
Book and Lyrics by Howard Ashman
Music by Alan Menken
Directed by Ilana Ransom Toeplitz
Music Directed by Bethany Aiken
Choreographed by Chris Shin
Stage Managed by Shauwna Dias Grillo

June 6 – 29, 2025
GBSC
395 Main Street
Stoneham, MA 02180

Critique by Kitty Drexel

Run Time: Little Shop of Horrors runs approximately 2 hours including the intermission.

STONEHAM, Mass. — My apologies to the cast, crew and staff of Greater Boston Stage Company’s Little Shop of Horrors for the delay in getting this critique out. I’ve been selfishly disturbed by the chaos ripping through Los Angeles manufactured by the Fascists-in-Chief to distract us from the beastly, bulbous tax and spending legislation sitting in the U.S. Senate. Actual, factual L.A. takes precedence over fantastical L.A. no matter how awesome your show is.

GBSC’s Little Shop of Horrors has commonality with Richard O’Brien’s Rocky Horror Show. It has pervy aliens, stiff romantic tension, a soupçon of domestic violence, and solid bangers to get your booty in motion. The biggest difference between the two shows remains costuming: Little Shop’s cast wears its weather- and situation-appropriate clothing by Chelsea Kerl (who could easily have costumed both shows from the same closet) for the duration of the production. While Audrey II starts and stays naked, her tandem actors keep their trousers on. So, negligee notwithstanding, if you like one show, you’ll like the other.  Continue reading →

Jun 10

A harmonious masterpiece that’s worth the trek: “Topdog/Underdog”

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Presented by Lanes Coven Theater Company
By Suzan-Lori Parks
Directed by Kadeem Ali Harris
Featuring Akilah A. Walker and Adrianna Mitchell

Windhover Performing Arts Center
257R Granite Street
Rockport, MA 01966
May 30 – June 15, 2025

Review by Maegan Bergeron-Clearwood

ROCKPORT, Mass. — Lanes Coven Theater Company sets up shop at Windhover Performing Arts Center, a picturesque campus of indoor and outdoor workspaces in Cape Ann, nestled away at the end of a trail of winding, seaside roads. The company’s current production of Topdog/Underdog is being staged in the Chapel, a tall, barn-like structure that reverberates from whatever elements are roiling outside, with just enough room for 50 or so intrepid audience members who are in on a secret: there’s some damn good theatre in the corners of New England if you’re willing to make the trek. Continue reading →