Category Archives: Drama

Jul 29

Ritual, Community and Baring Your Soul with Strangers: “(Tr)auma Queen: Feeling Spilt Milk, OR a series of experimental poetry to escape the shape of doorframes, also known as, a ritual of lemons”

Posted on by

production poster found on FringePVD website. this poster is badass.

Presented by FringePVD and The Wilbury Theatre Group
By and Featuring Teddy Lytle and Bay McCulloch

July 21 – 23, 2022
The Waterfire Arts Center Back Lot
475 Valley St,
Providence, RI

45 minutes without intermission

Review by Nicole LaBresh

PROVIDENCE, RI – When I think of Fringe, at the forefront of the word salad it conjures is “vulnerability.” Fringe in particular brings out the most intensely personal, soul-baring works. It does so largely by allowing artists free reign to put on whatever show they want. It is, among other things, a festival of works from the heart.

For the uninitiated, the Fringe Festival is a theatre festival devoted to experimental or fringe theatre works. It got its start in Edinburgh, but now has chapters all over the world, including one in Providence presented by The Wilbury Theatre Group, now in its ninth year. At a Fringe, you will see works the likes of which you probably have never seen before and that you may never see again. The performances range from poetry to music, dance to clownery, and things that defy any categorization. After two years without a live Fringe Festival because of COVID-19, local artists have a ton of pent up expression ready to be unleashed. Continue reading →

Jul 27

Radical Hope and Radical Change: “The Hidden Territories of the Bacchae”

Posted on by

Photos by David Weiland & Graceson Abreu Nunez.

Presented by Double Edge Theatre
A response to The Bacchae by Euripides
Conceived, directred, and designed by Stacy Klein
Co-created and adapted with Milena Dabova, Jennifer Johnson, Travis Coe, and Carlos Uriona
Musical compositions and direction by Amanda Miller

Wed – Sun, July 20 – July 31 at 8pm, August 3 – 6 at 7:30pm
The Farm
948 Conway Road
Ashfield, MA 01330
Tickets

Review by Maegan Bergeron-Clearwood

ASHFIELD, Mass. — Driving along the twisted back roads to Ashfield, Massachusetts, my friend and I were in high, hopeful spirits. Double Edge Theatre, now in its 40th year, has crafted a foolproof yet ever-surprising mode of experiential performance. Season after season, it guides wide-eyed audiences through a labyrinth of natural scenic tableaus: dancers weave spiral paths through waist-high grasses; actors spin poetry from atop boulders, trees, ladders, canoes, and stilts; aerialists swoop across the rafters of the warm wooden barn. And, so my friend and I joyfully trekked 40-plus minutes to a remote stretch of farmland, expecting an evening of unexpected delights.

But the most delightfully unexpected element of The Hidden Territories of the Bacchae was not at the behest of the artistic team, but was instead a brilliant creative choice from Double Edge’s most important collaborator: the weather. About 40 minutes in, dark storm clouds started to impede our otherwise picturesque dusky tableau. Dionysus’ (played by both Travis Coe and Milena Dabova) braggartly claims of godlike power took on awe-inspiring meaning, and the performers leaned into the new subtext. We in the audience chuckled at the sky’s clever dramaturgical timing, but nervously so. We were not only at the mercy of the elements, but of our Double Edge guides, and we could only hope that our trust in them was not unfounded. Continue reading →

Jun 16

Liminal Spaces for Desettlement: “The Orchard”

Posted on by

The Making of THE ORCHARD Virtual Experience from Igor Golyak on Vimeo.

Presented by Arlekin Players Theatre & (zero-G) Lab
Conceived, adapted, and directed by Igor Golyak
Based on The Cherry Orchard by Anton Chekhov, as translated by Carol Rocamora 
With new material by Igor Golyak 
Robotics designed by Tom Sepe
Music composition by Jakov Jakoulov
Emerging technologies design by Adam Paikowsky
American Sign Language direction by Seth Gore
Translations by Carol Rocamora
Full creative crew credits are HERE
Featuring Jessica Hecht, Juliet Brett, Darya Denisova, Elise Kibler, John McGinty, Nael Nacer, Mark Nelson & Ilia Volok
Mikhail Baryshnikov as Anton Chekhov and Firs

June 16 – July 3, 2022
The Orchard is a hybrid piece of theater and can be seen in two formats:
Live & In-Person
Baryshnikov Arts Center, NYC
&
Virtual Experience, Online
(zero-G) Lab

The show runs just under 2 hours, with no intermission.

Review by Kitty Drexel

This review is of the virtual performance of The Orchard on Tuesday, June 14, 2022.

New York & Online — The Arlekin Players are no strangers to the digital theatre. Their productions of chekhovOS / an experimental game/, Witness, and State vs. Natasha Banina were wildly successful. chekhovOS / an experimental game/ and Witness were both live and audience-interactive in ways that the theatre community hadn’t seen before. These shows navigated the new frontier of digital theatre by showing artists and audiences what is possible. 

They were also super cool to watch.  Continue reading →

Apr 17

Stop Wasting Food: “BURGERZ”

Posted on by

Presented by ArtsEmerson
Written & performed by Travis Alabanza
Produced by Hackney Showroom
Directed by Sam Curtis Lindsay
Movement by Nando Messias
Dramaturgy by Nina Lyndon

April 13 – 23, 2022
Jackie Liebergott Black Box Theater
Boston, MA 
ArtsEmerson on Facebook

Review by Noe Kamelamela

Content warning:  gender-based violence and transphobia are discussed in this review and also in BURGERZ.

BOSTON, Mass. –In the time before the COVID pandemic started here in the States, the danger of being visibly queer felt risky and fun to me, heading to the strip mall eager to anger gender essentialists a bit like poking caged bears, a way to appease my past teenaged, quieter, closeted self. I was armed with keen attention to exits and entrances, always ready to leave. I would relate scenes to friends about children asking me what it was to be different.  Or people – rude people, very rude – being weird to me about what bathroom I went to, regardless of whatever I wore or which bathroom I used it was always wrong. Continue reading →

Apr 12

Women Gone Wild: “Beasts” at BPT

Posted on by

Clara Francesca, Caroline Emily Calkins; Photos by Stratton McCrady

Presented by Boston Playwrights’ Theatre
by Cayenne Douglass
Directed by Kelly Galvin
Fight choreography by Ryan Winkles
Online Playbill 

April 7-17, 2022
Boston Playwrights’ Theatre
949 Commonwealth Ave.
Boston, MA 02215

Review by Kitty Drexel

BOSTON — There is nothing more hardcore than birthing a baby (sorry BASE jumpers). It’s not “the most beautiful thing I’ve ever experienced” as my own father put it. Babies are metal AF. 

Just like many other XXXtreme tasks, delivering and rearing a baby doesn’t come naturally to many mothers. Maternal instincts require hard work: research, doctor visits, mommy groups, prenatal yoga, therapy, emotional and physical labor. Beasts by Cayenne Douglass explores the psyche of pregnancy. It takes a deep dive into what it means to be gestating a human parasite.  Continue reading →

Jan 25

Poverty is Expensive: Rattlestick’s “Addressless”

Posted on by

A screen grab from “Addressless.” The cast discusses their options.

Presented by Rattlestick Playwrights Theater
Community partnered with Urban Pathways, Community Access
Adapted from STEREO AKT‘s and Lifeboat Unit’s Hungarian production of Addressless.
Created & directed by Martin Boross
Written by Jonathan Payne
Script consultants: Hope Beaver, Cassie Desalines, Shams DaBaron aka “Da Homeless Hero”
Video editing by Matthew Russell
Graphics & animation by Maiko Kikuchi
Streaming technician: Keenan Hurley
Featuring: Joey Auzenne, Hope Beaver, Shams DaBaron a.k.a. “Da Homeless Hero,” & Bianca Norwood

Thursday, January 13 – Sunday, February 13, 2022
Presented over Zoom
Tickets
Digital Program
Rattlestick on Facebook

Content warnings: Addressless discusses at length issues faced by the unhoused community such addiction and sobriety, bigotry, sex trafficking, shame, government benefits programs, and other forms of abuse. This show can be intense. It may not be appropriate for children under 12. 

Critique by Kitty Drexel

ZOOM — Addressless is heart-breakingly honest digital theatre. If you’re looking for something to take you out of the monotony of COVID-living, creators Boross and Payne have a solution for you. Their two-hour, interactive, roleplaying theatre game is a reminder that life’s struggles don’t end just because there’s a pandemic at your door. 

This production begins like any other over Zoom: the host invites attendees in, we wait patiently for the show to start. Addressless is slightly different because it asks attendees to fill out a survey via a link in the chat. The survey asks participants personal questions about their identity, financial situation, and if they’ve ever been unhoused. Have you lived on the streets? For how long?  Continue reading →

Jan 18

Softness, Compliance, Forgiveness, Grace: The Lyric presents “Mr. Parent”

Posted on by

Maurice Emmanuel Parent in “Mr. Parent.” Photo by Mark S Howard.

Presented by Lyric Stage Company of Boston
Written by Melinda Lopez
Directed by Megan Sandberg-Zakian
Public education consultant – Neema Avashia
Original music and sound design by Arshan Gailus 
Featuring Maurice Emmanuel Parent

January 13 – February 6, 2022
14 Claredon St, 2nd Floor
Boston, MA 
The Lyric on Facebook
Homework for Audiences

Critique by Kitty Drexel

BOSTON — Theatreworks Hartford streamed a version of Mr. Parent in March 2021. The Lyric’s live, in-person production is a different beast from TheatreWorks Hartford. While both versions tell the same story, the current production of Mr. Parent at The Lyric evolved for the stage. 

Maurice Emmanuel Parent is compassionate, generous, kind, and funny as Hell in Mr. Parent. The play’s story begins in New York City. Parent is a wide-eyed theatre professional seeking his fortune on Broadway and beyond when his agent sends him to Boston to audition for Angels in America. He gets the gig.

A miserable union salary and 2006 Boston rent prices force Parent to find a second job. He becomes a cluster substitute teacher in a Boston public school. His cluster-job was a clusterfuck of joys and frustrations.  Continue reading →

Dec 15

No Room at the Inn: “Witness”

Posted on by

WITNESS: A new virtual documentary theater piece

A screen capture of the online platform.

Presented by Arlekin Players’ (Zero-G) Virtual Theater Lab
Conceived and directed by Igor Golyak
Written by Nana Grinstein with Blair Cadden & Igor Golyak
Scenography & Costume Design by Anna Fedorova
Virtual Design by Daniel Cormino
Sound Design by Viktor Semenov
Produced by Sara Stackhouse
Dramaturgy by Blair Cadden 
Featuring the Arlekin Acting Company

December 10, 2021 – January 23, 2023
Over the Arlekin (zero-G) virtual Theater Lab platform
and Zoom
Arlekin Players on Facebook
Playbill

Review by Kitty Drexel

“It doesn’t feel virtual; it feels real.” 

– Talkback moderator Inessa Rifkin, a founder of the Russian Jewish Community Foundation and a founder of the Russian School of Mathematics, after the December 13 performance of Witness.  

ONLINE/Zoom  — It’s almost Yule! Here’s a Christmas story: In May 1939, the MS St. Louis carried 937 passengers from Nazi-occupied Germany to Havana, Cuba. The Cuban government refused the ship. Its passengers remained onboard; the ship didn’t dock. Cuba had cancelled the immigration papers of the onboard immigrants without notifying them. 

The United States refused the ship too. The US had space to put the passengers but our politicians let money and immigration law stop them from welcoming the passengers. We made a 1976 secular movie about it called “Voyage of the Damned” with Faye Dunaway. How American of us. 

The Jewish passengers were finally allowed some succor when the ship returned to Europe that June.  254 of the passengers died in the Holocaust: 84 in Belgium; 84 in Holland, and 86 in France. There was no room at the inn or the stable with Mary and Joseph. 

Witness by Arlenkin Players is about the fluffy talent show that the passengers held to boost morale. Local New Englanders who are also immigrants play passengers on the boat. It’s about the stark tragedy that our country, a nation that says it welcomes immigrants at its front door on the East Coast, decided that Jewish immigrants fleeing for their very lives should go elsewhere. Popup text boxes invite us to learn about who the passengers were and if they survived the ship. It’s about the multigenerational fight against anti-Semitism in the US. The Arlekin Acting Company portrays Jewish characters from across the decades. Continue reading →

Dec 09

Feed Your Head: “White Rabbit Red Rabbit”

Posted on by


White Rabbit Red Rabbit
Presented by ArtsEmerson
Written by Nassim Soleimanpour/Iran
Performance viewed on Dec. 7, 7:30 PM
Dec. 7 – 12, 2021
Virtual Performance via Zoom
Program playbill
ArtsEmerson on Facebook 

ArtsEmerson Age Recommendation: 14+. We understand that certain types of content could trigger past traumatic experiences for some viewers. Please be aware that this production contains scenes discussing suicide.

ArtsEmerson Accessibility: White Rabbit Red Rabbit will feature live captions throughout the performance.

Review by Kitty Drexel

ZOOM — White Rabbit Red Rabbit is not a production to be enjoyed. It is to be endured. It behooves everyone with the means to watch to endure White Rabbit Red Rabbit. Continue reading →

Nov 19

And still those voices are calling from far away: “Zoo Motel”

Posted on by

Presented by ArtsEmerson
A play by Thaddeus Phillips
Cocreated and directed by Tatiana Mallarino
Designed by Steven Dufala
Magic by Steve Cuiffo
Night Clerk: Newton Buchanan

November 16—21, 2021
The final performances! A virtual event via Zoom
ArtsEmerson on Facebook

AE Production Program featuring leadership team bios, a synopsis of the performance, and the full list of staff, artist and creative team credits for the production.

Originally presented via Miami Light Project Sept. 28 – Oct. 25, 2020. It is the longest running theatre play on the world wide web.

Review by Kitty Drexel

Virtual Boston, Mass — New England Theatre Geek reviewed Zoo Motel on October 14, 2020. The Quarantine was a dark time that produced some dark writing. Our ridiculously written review can be read here.

We were interested in seeing Zoo Motel again to see if it had updated since its 2020 run. Its creators have taken this show to audiences all over the world: Stockholm, Madrid, Perth, London, and now Boston. We can say that Zoo Motel still inspires wonder and awe. Continue reading →