Presented by ArtsEmerson Written & performed by Travis Alabanza Produced by Hackney Showroom Directed by Sam Curtis Lindsay Movement by Nando Messias Dramaturgy by Nina Lyndon
April 13 – 23, 2022 Jackie Liebergott Black Box Theater Boston, MA ArtsEmerson on Facebook
Review by Noe Kamelamela
Content warning: gender-based violence and transphobia are discussed in this review and also in BURGERZ.
BOSTON, Mass. –In the time before the COVID pandemic started here in the States, the danger of being visibly queer felt risky and fun to me, heading to the strip mall eager to anger gender essentialists a bit like poking caged bears, a way to appease my past teenaged, quieter, closeted self. I was armed with keen attention to exits and entrances, always ready to leave. I would relate scenes to friends about children asking me what it was to be different. Or people – rude people, very rude – being weird to me about what bathroom I went to, regardless of whatever I wore or which bathroom I used it was always wrong.Continue reading →
The New England Theatre Geek asserts that Black Lives Matter, BIPOC Lives Matter, Immigrant Lives Matter.
These lives matter now that it’s popular and convenient for white communities to pledge that they matter. These lives will continue to matter to us when it’s inconvenient and the Black Lives Matter movement is no longer popular in mainstream journalism. The New England Theatre Geek pledges to widen its activism and remain vigilant.
Racism isn’t something white people with comfortable lifestyles can solve in a few months during quarantine when we’re all at home anyway with a couple of Twitter posts and a simple website banner (that a Black person made anyway). Racism is systemic; it is aggressive; it is subverted. Deconstructing systemic racism requires equally aggressive, daily practice, and vigilance. We pledge ourselves to this daily practice.
It’s a list. It’s a start that should lead to one’s own personal research.
Most news resources – It is very popular right now for media sites to offer resources. If you find a reliable site that you trust, bookmark it, sign up for its newsletter. Read that newsletter. It’s only by making anti-racist changes a conscious, personal, daily practice that can we ever hope to eradicate racism one day.
Racism is an inherent system that affects everyone existing in society. Perpetuating racism isn’t conscious or explicit; it isn’t rational. You can’t choose to live outside of racism. You can be a “good/nice person” and be racist. Racism is a social reality for all.
White people, you will mess up. You will say and do racist things accidentally. Don’t get defensive. Messing up doesn’t make you a bad person. It makes you a person. Thank the person of color who corrects you (if you’re lucky enough to have a relationship with someone who will) and keep educating yourself.
Don’t ask Black people to explain race/racism to you. That’s not their job. Not even if they’re your friends/colleagues. Attend a training or workshop. Contact your HR. Read a book. Google it. Read the room.
You can have conversations about race/racism with your Black friends if your relationship is conducive to that dialogue. Ask for consent first. If you don’t know why it’s important to ask for consent, you are not ready to have this conversation with your Black friend/s.
Do have conversations with other white people about whiteness/race. Our skin has a color; it affects the world around us. We need the conversational practice.
Don’t try to be the “cool white person.” BIPOC will not see you that way.
White people love to think that racism is something that only exists in history, that it isn’t something we do now. Racism evolves as people do.
Race might not be real but racism is. It will take your entire life to deconstruct your inherent beliefs about white supremacy. Keep going.
New Focus Recordings presents John Aylward’s Angelus
Conducted by Jean-Philippe Wurtz
Release Date: April 24, 2020
Genres: Classical, Contemporary Chamber Music
Text translations and adaptations by John Aylward.
Performed by Ecce Ensemble: Nina Guo, voice; Emi Ferguson, flutes; Hassan Anderson, oboe; Barret Ham, clarinets; Pala Garcia, violin; John Popham, cello; Sam Budish, percussion
Disclaimer: Classical music is #whiteculture. While reading this critique please consider the impact white culture has on Black and Brown bodies. Right now is an excellent time for we white artists to figure out how to even the playing field. Black lives still matter during times of peace.
Critique by Kitty Drexel
Digital Recording/Streaming — On the cover of Ecce Ensemble’s recording of Angelus is a reprinting of Paul Klee’s Angelus Novus. A glorified stick figure in beige and mulled yellow, this humanoid seraph bares conical, gapped teeth at observers that look ready to snap. Its wings are elongated fingers with nail beds. Its feet are stunted three-pronged talons. Klee’s angel is no sentimental rendering of a chubby baby in sheets. It is more Biblical destroyer than Anne Geddes. This image prepares the listener for the ethereal violence of Aylward’s work. Continue reading →
Black Lives Matter to the New England Theatre Geeks. They matter to us through violent protests and during times of relative peace.
We Geeks are unapologetically supportive of the BLM Movement’s need to resist in the ways they deem best. Even the “problematic’ ways. We will continue to show up and shut up for the movement.
We ask all readers to remember that Black Lives will still Matter after the riots are cleared and your local government begins repairing the damage its police have wrought in its communities. Fuck the police.
No one is saying that white lives don’t matter. But, there sure are a lot of white people saying that Black Lives don’t Matter with their words, actions and hashtags. Police are the ones showing up with guns, tasers and pepper spray to nonviolent protests and inciting violence.(I’m not linking to that filth. Find it your damn self.)
June is Pride Month. As we step into this month of celebration, never forget that Black transwoman Marsha P. Johnson and Latina drag queen Sylvia Rivera started the Stonewall Riots. Pride is for everyone, not just the rich, white corporations that can sell it today and hypocritically pander to homophobic interest groups the next.
The New England Theatre Geek platform is available to the resistance to spread messages of justice and equity. Our resistance will stop when the bigotry stops.
Black Lives Matter
Trans Lives Matter
Native Lives Matter
Brown Lives Matter
LGBTQIA+ Lives Matter
Immigrant Lives Matter
Fuck the Police
Resist. Resist. Resist.
All my love,
Queen of the New England Theatre Geeks
Fresh Ink Theatre — All aboard for a digital staged reading of MAIDEN VOYAGE by Cayenne Douglass, streaming June 8-14! http://freshinktheatre.org/maiden-voyage
For a limited time only, we are bringing a digital staged reading of Maiden Voyage by Cayenne Douglass from the depths of the ocean straight to your computer screens! Don’t miss this maritime new play following the exploits and adventures of the first all-female patrol aboard a U.S. submarine.
Emmanuel Music — During this time of high anxiety and uncertainty, we hope that you will find solace, meaning, and beauty through the music of J.S. Bach. Over the coming weeks and months, our staff looks forward to engaging you further through complementary online resources, including video interviews, written reflections, program notes, and translations. We hope that we will see you as soon as restrictions are lifted and we can resume presenting live programs.
History At Play — In this presentation of Victorian Gossip Girl: Annie Adams Fields, History At PlayTM, LLC Founder and Artistic Director Judith Kalaora is Annie Fields, the Boston literary scout, author, and philanthropist. Mrs. Fields had an incredible influence on literary decisions at her husband’s Tremont Street publishing house – Ticknor and Fields (the forerunner to Houghton Mifflin Publishing Company) – and had a great ear for gossip! A LIVE LIVE-STREAMED PERFORMANCE DIRECT TO YOUR HOME!
FRIDAY, JUNE 5 – 7:30 PM ET (GMT-5)
VIA PAY-PER-HAP FACEBOOK VIP WATCH GROUP
$5-$25 (Pay-What-You-Can) or $100 for a 2020 Season Pass
Schedule: June 5: Victorian Gossip Girl: Annie Adams Fields/ June 12: Tinseltown Inventor: The Most Beautiful Woman in the World, Hedy Lamarr/ June 19: CHALLENGER: Soaring with Christa McAuliffe/ June 26: Chit Chat with Dolley Madison / July 3: [No program] July 10:World War Women: The Unsung Heroines of WWII / July 17:Rendezvous with Rachel Revere with Special Guest!/ July 24: Educational Lecture: Building a Business out of History/ July 31: A Revolution of Her Own! Deborah Sampson
Improv Boston — Starting at 8pm on June 5th, ImprovBoston will be hosting The ImprovBoston Virtual Marathon. 40 hours of live art and comedy to support the arts and save a theater. The event will be a telethon-style fundraising broadcast, live-streamed for free in its entirety at ImprovBoston.com/virtualmarathon. The event will conclude at 12pm on June 7th. DONATE HERE.
Goals for the event…
Perform 40 hours in honor of our performers and stages at 40 Prospect Street;
Collect 620+ donations in honor of our students and teachers at 620 Massachusetts Avenue; and
Raise $114,000 in honor of our staff at 114 Bishop Allen Drive.
Liars & Believers — Introducing the next Pandemic Play, Entitled.
This dark little morsel is from our friend Peter Snoad (who also wrote The Greening of Bridget Kelley).
Entitled, Written by Peter Snoad. Directed by Lindsay Eagle.
Dobbin – Meredith Saran
Mr. Gross – Bob Mussett
with Sarah Gazdowicz as Linda