Sep 06

Go On and Shoot a President: ASSASSINS

Photo credit: Chantal Acacio

Photo credit: Chantal Acacio; it’s clobbering time.

Presented by The MIT Musical Theatre Guild
Music and Lyrics by Steven Sondheim
Book by John Weidman
Directed by Matt Putnam
Vocal Direction by David Favela
Music Direction by Marek Subernat

September 2 – 17, 2016
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Musical Theatre Guild on Facebook

Review by Danielle Rosvally

(Cambridge, MA) As an American history buff (can you call yourself a “buff” anymore when you’re technically a professional historian?), I will be the first to admit that Assassins holds a special place in my heart.  Who else but the dynamic Steven Sondheim could take a subject matter like the murder of the president of the United States, and write a poignant, witty, yet ever-so-tenaciously perky musical about it?  The MIT Musical Theatre Guild has put together a fine production of the show, well worth your time despite the beginning-of-semester crunch. Continue reading

Aug 30

“Colapesce”: Giving Life to Myth

The company in performance

The company in performance; Photo credit: Lee Bader

Written & Presented by Trinacria Theatre Company
Directed by Mariagrazia LaFauci

August 24-27, 2016
Sicily, NYC & Boston (various locations)
Trinacria Theatre Company on Facebook & Instagram

Review by Travis Manni

(Boston, MA) A Saturday afternoon in the North End’s Langone Park along the Charles River provided a beautiful, and apt, backdrop for Trinacria Theatre Company’s inaugural performance of La Storia di Colapesce. Continue reading

Aug 17

Trinacria Theatre Company presents “La Storia di Colapesce”

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The Trinacria Theatre Company Produces Its Inaugural US Performance Tour
LA STORIA DI COLAPESCE
An Original International Theatrical Event, from Sicily to the United States.

Limited Run: August 26 – 27 2016, three performances only
Show Dates:
Friday, August 26th, 8pm
Watertown Sons of Italy
520 Pleasant Street, Watertown, MA 02472

Saturday, August 27th at 1pm
Langone Park in the North End
Commercial Street, Boston 02109

Saturday, August 27th at 7pm
St. John’s Episcopal Church*
48 Middle St, Gloucester, MA 01930
*A portion of the proceeds from this performance will benefit St. John’s Youth Ministry.

Purchase tickets in advance here: http://lastoriadicolapesce.brownpapertickets.com
More info is available at www.trinacriatheatre.com
Facebook: www.facebook.com/TrinacriaTheatre
Instagram: www.instagram.com/trinacriatheatreco

(Boston, MA) Trinacria Theatre Company presents its inaugural theatrical production, La Storia di Colapesce in various locations in the Boston and Greater Boston Area. The production is an original piece created and devised by the company during a 4-week residency in Sicily, at the Istituto San Placido Calonerò in the Messina region of Sicily. The cast of La Storia di Colapesce is comprised of an ensemble of eight American theatre artists. The Trinacria Theatre Company’s mission is to use theatre as a tool to promote Sicilian history, heritage, and culture at home and abroad. Continue reading

Aug 16

Hot as Hell in Philadelphia” “1776”

Photo credit: Eurah Joanna Ko

Photo credit: Eurah Joanna Ko

Presented by The MIT Gilbert and Sullivan Players
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Directed by Emma Brown
Vocal Direction by Tom Ostrowski and Johnnie Han
Orchestra Directed by Julie Henion

August 12 – 14
MIT Kresge Little Theatre
48 Mass Ave, Cambridge, MA
MIT Gilbert & Sullivan Players on Facebook

Review by Danielle Rosvally

(Cambridge, MA1776 is one of those archaic mainstays of musical theatre that gets some seasonal adoration around the patriotic holidays of summer and spends the rest of the year hiding in its box waiting for people to remember how catchy the good songs are (and forget how atrociously lingering the bad ones get).  It’s also got some technical and social difficulties: the cast is large; dare I say ungainly; and made almost exclusively of men.  Costuming the show is serious business since it’s a period piece (rarely modernized).  And the script… oh the script… the script has not aged well.  Sherman Edwards wrote some poppy songs that still captivate, but Peter Stone’s book is definitely a product of its time.  Once again; the good parts are great.  The bad parts just linger a little too long.  Last, but certainly not least, the show attempts to tackle some very dark eras of American History and doesn’t exactly do it in the best possible way. Continue reading

Aug 10

A Massive Cuddle for the Ears and Eyes: A MAN OF NO IMPORTANCE

Photo credit: Earl Christie Photography, earlchristie.com.

Photo credit: Earl Christie Photography, earlchristie.com.

Presented by Bad Habit Productions
Book by Terrance McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Based on the 1994 film, “A Man of No Importance” by Suri Krishnamma
Directed by Daniel Morris
Music directed by Meghan MacFadden

August 6 – 28, 2016
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Bad Habit on Facebook

Review by Kitty Drexel

(Boston, MA) 1994’s “A Man of No Importance” is a difficult movie to find (legally). My library didn’t have a copy that wasn’t on VHS. Amazon won’t let one buy a copy for less than $95.00. eBay has laserdisc copies but who still uses a laserdisc player? My journey to view the source material before writing a review yielded no positive results. Albert Finney is an excellent actor. It must be a good movie to produce such a lovely musical. Bad Habit’s is a lovely musical. Sad face.    Continue reading

Aug 08

Not A Leftover: DOG PADDLE (Or, Struggling Inelegantly Against Drowning)

Photo by Andrew Brilliant

Photo by Andrew Brilliant, from Facebook.

Presented by Bridge Repertory Theater
By Retro Finger
Translated by Lily Sykes
Directed by Guy Ben-Aharon

August 4-20, 2016
Studio Theater at Central Square Theater
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

(Cambridge, MADog Paddle (Or, Struggling Inelegantly Against Drowing) is a brisk 55 minutes long. It is brief, packs a wallop, and, to be blunt, is just short enough that one can still run errands or what have you before the day’s exhaustion catches up. Dog Paddle is an opportunity to enjoy cranial, abstract theatre without wearing one out for the rest of life. It’s perfect. Continue reading

Aug 01

The Kugel is Your Destiny: YOU’RE KILLING ME ALREADY!

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Presented by Theatre@First’s FirstWorks
by Andrea Aptecker
directed by Dave Policar

Thursday, July 28th, at 8pm
Unity Somerville
6 William Street
Somerville, MA 02144
T@F on Facebook

Review by Kitty Drexel

(Somerville, MAFirstWorks is Theatre@First’s initiative to support local playwrights as they write new plays. The intent of this program is to provide constructive feedback by experienced directors and actors to playwrights on a play submitted for this purpose. After a workshopping period, a staged reading is performed for the Theatre@First community at large. The most recent subject of the FirstWorks program is Andrea Aptecker’s You’re Killing Me Already! (YKMA!). Continue reading

Jul 29

Losing to Win: LOVE’S LABOUR’S LOST

The players. Photo by Andrew Brilliant/Brilliant Pictures.

The players. Photo by Andrew Brilliant/Brilliant Pictures.

By William Shakespeare
Presented by Commonwealth Shakespeare Company
Directed by Steven Maler

July 20 – August 7, 2016
Boston Common
Boston, MA
Commonwealth Shakespeare Company on Facebook

Review by Danielle Rosvally

(Boston, MA) Every year, I find a way to haul myself out to the Common to see Boston’s free Shakespeare under the stars.  Every year, I find something to like about the performance (even if some years it’s just the signature Ben & Jerry’s sundae which, by the way, is once again delicious).  This year, I was pleasantly surprised to find that I didn’t have to dig deep to find something to like.  CSC’s 2016 production of Love’s Labour’s Lost is not one to be missing; it’s easily the best production I’ve seen CSC put up since my move to Boston in 2011. Continue reading

Jul 27

Saving Mr. and Mrs. Banks: MARY POPPINS – THE MUSICAL

Kerry Conte (Mary Poppins) with Scarlett Keene-Connole (Jane Banks) and Jake Ryan Flynn (Michael Banks), Photo © Paul Lyden.

Kerry Conte (Mary Poppins) with Scarlett Keene-Connole (Jane Banks) and Jake Ryan Flynn (Michael Banks), Photo © Paul Lyden.

Presented by North Shore Music Theatre
Book by Julian Fellows
Original and lyrics by Richard Sherman & Robert Sherman
New materials by Anthony Drewe & George Stiles
Co-created by Cameron Mackintosh
A Musical based on the stories of P.L. Travers & the Walt Disney Film
Directed and choreographed by Kevin P. Hill
Music direction by Milton Granger

July 12 – July 31, 2016
62 Dunham Road
Beverly, MA 01915
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) It’s hard to tinker with a musical movie that many consider practically perfect in every way, but when there’s money to be made, many a scriptwriter will try. Mary Poppins – The Musical is more successful than most Disney rehashes at adding some new touches to a classic plot and score, even if the finished product feels a bit overlong, and the North Shore Music Theatre production of this spectacle does a solid job staging this spectacle. Continue reading

Jul 18

Some Like it Hot: CUISINE & CONFESSIONS

CAPTION: ANNA KICHTCHENKO & MELVIN DIGGS Photo Credit: Alexandre Galliez

Anna Kichtchenko & Melvin Diggs; Photo Credit: Alexandre Galliez

Presented by The 7 FingersArtsEmerson and Jonathan Reinis Productions
Created and Staged by Shana Carroll and Sébastien Soldevila

July 12 – August 7
Cutler Majestic Theatre
219 Tremont St. Boston
The 7 Fingers on Facebook
ArtsEmerson on Facebook

Review by Danielle Rosvally

(Boston, MA) I’ve noticed a really exciting trend in Circus arts lately.  The Circus, in many ways, is going through a pivotal transitional period: as animal acts continue to dwindle in reaction to the many valid concerns about humane animal treatment, circus performers are finding more and more creative ways to showcase not just the feats of inhuman strength, flexibility, and dexterity that we’re used to seeing, but also the humanity of the performers themselves.  Story telling is becoming more and more central to the outstanding circuses touring the world and I couldn’t be more excited to have a front row seat to the incredible fruits of this transition. Continue reading