Presented by Puppet Showplace Theater by Paradox Teatro: Sofia Padilla and Davey T Steinman Puppetry design and sand art art by Sofia Padilla Projection design by Davey T Steinman Co-compositions by Dan Dukich and Davey T Steinman
In-Person August 12 & 13 at 8:00 pm August 14 at 2:00 pm Puppet Showplace Theater 32 Station St Brookline, MA 02445 Run is 50-minutes. No intermission.
Review by Kitty Drexel
BROOKLINE, Mass. — No father would put his family on a boat unless the journey were safer than on land. This is paraphrased statement from a performance of Migraciones/Migrations by Paradox Teatro. It captures and builds upon the universal affirmation that a parent would do anything to save their children from harm. Anything: even to break immigration laws to journey to a foreign land whose people reject them sight unseen; to risk death and being sent back. Anything. Continue reading →
Presented by Guerilla Opera Based on the tale by the Brothers Grimm Composed by Marti Epstein Libretto by Marti Epstein and Greg Smucker Shadow puppetry animation and direction by Deniz Khateri Conducted by Jeffrey Means Featuring the Guerilla Opera Ensemble
ONLINE — On January 7, Guerilla Opera held an online viewing party to premiere their short opera Rumpelstiltskin on Parma Live Stage. Rumpelstiltskin will be presented again at the album’s release party on January 14, 7:30 PM. The album will be available on Navona Records.
Composer Marti Epstein and Guerilla Opera retell the Brothers Grimm Rumpelstiltskin story with some updates for their opera. Rumpelstiltskin (Aliana de la Guardia), a human man with magical abilities, is now portrayed as a sympathetic character according to Epstein’s “Note from the Composer” available on the Navona Records website. The opera explains Rumpelstiltskin’s desire for a child and elaborates on his single-minded obsession with obtaining one: unconditional love. Continue reading →
(Boston, MA) A Saturday afternoon in the North End’s Langone Park along the Charles River provided a beautiful, and apt, backdrop for Trinacria Theatre Company’s inaugural performance of La Storia di Colapesce. Continue reading →
(Somerville, MA)Eyes Shut. Door Open. was not what I expected. I anticipated a dramatic play about two brothers sorting out their issues after an art exhibit. One of the characters wears an eye patch, I expected some silly pirate jokes and an origin story. There’s a lady in the show. I expected a feminist twist or two. I did not expect to be creepy out of my seat by jaw-clenching psychological thrills. This play starts out tame but it doesn’t stay that way.Continue reading →
(Boston) Theatre is storytelling. Hopefully that’s not a revelation to anyone reading this, but given that theatre covers such a broad spectrum, I find it helpful to remember that no matter what art forms get incorporated into a production, the story is what lies at the heart of every play, musical, opera or what have you. And the young men who make up the ensemble of the NYC-based fringe group PigPen Theatre Company have proven themselves to be masterful storytellers with their contemporary folktale-style production of “The Old Man and the Old Moon,” running until this Sunday at the Paramount Theatre in Downtown Boston. Continue reading →