Jan 02

Geeks Read Books: “Ode to Joy” by Craig Lucas

Ode to Joy
Craig Lucas
Theatre Communications Group (TCG)
New York, NY (2016)
$14.95

Review by Kitty Drexel

(NY, NY) I cannot take seriously any play that describes its lead female role as “intimidatingly bright” in its character description. It’s the kind of description that communicates to any intelligent reader that the the playwright has no business writing “strong female characters.” I read the rest, but my heart wasn’t in it. Continue reading

Dec 30

Geeks Read Books: “Here We Go/ Escaped Alone: Two Plays” by Caryl Churchill

 

Here We Go/ Escaped Alone: Two Plays
Caryl Churchill
Theatre Communications Group (TCG)
New York, 2016
$14.95

Review by Kitty Drexel

(New York, NY meets Somerville, MA) As made evident by the title, Here We Go/ Escaped Alone contains two new plays by Caryl Churchill. They are as strange, and pleasantly unsettling as her other works. Churchill takes every opportunity to push buttons, and redefine theatre. Fans will be delighted by these two new scripts. Continue reading

Dec 24

Monkeys On My Mind: JOURNEY TO THE WEST

Presented by The Nora Theatre Company & Underground Railway Theater
Adapted by Mary Zimmerman from the translation by Anthony C. Yu of “Hsi Yu Chi”
Directed by Lee Mikeska Gardner
Choreography by Judith Chaffee
Fight choreography by Andrew Moss
Composition, Percussion & Music Collaborations by Ryan Meyer

Nov. 25 – Dec. 31, 2016
Central Square Theater
Cambridge, MA
Central Square Theater on Facebook

Review by Kitty Drexel

Trigger warnings: gender fluid casting, non-Christian religions that existed before the birth of Christ

(Cambridge, MA) Journey to the West is excellent family theatre. It has joyful storytelling, runs a little long, but delivers an epic myth in child-sized bites. There are bouncing monkeys, kings and queens, educational morals, and integrated behavioral psychology lessons. It has a little something for every intelligent, open-minded liberal.   Continue reading

Dec 21

Directors, Music Directors, and Choreographers Sought!

Arlington Friends of the Drama
22 Academy Street
Arlington, MA 02476
AFD on Facebook

Arlington Friends of the Drama is currently seeking Stage Directors, Music Directors and Choreographers for our 2017-2018 Season. If you are interested in directing for AFD next season, please send a current resume along with a brief paragraph describing your concept for each production you are applying for. You may apply for more than one production. Please respond by January 1, 2017. Interviews are scheduled for Tuesday evening, January 17th and Saturday, morning and afternoon, the 21st at the theater. Interview slots will be confirmed and conducted in 20 minute intervals. Please include a date and time preference when responding to this application form. Continue reading

Dec 10

Tossing Your Cookies, and Having Them Too: Cirque Dreams’ HOLIDAZE

Presented by Cirque Productions
Created and directed by Neil Goldberg
Associate director: Heather Hoffman
Music & lyrics by Jill Winters & David Scott
Additional music by Lance Conque, Tony Aliperti

Shubert Theatre
Boston, MA
Cirque Dreams on Facebook

Review by Kitty Drexel

(Boston, MA) Holidaze is a Cirque du Soleil like production. It’s a “holiday” circus show with Christmas as it’s primary focus. Token nods are thrown briefly at Hanukkah and New Years. The focus is still on Christmas.  Please note: Cirque Dreams is not Cirque du Soleil. It is a production operated by company Cirque Productions, and a direct competitor of Cirque du Soleil. Cirque Productions are more… earthy. Continue reading

Dec 09

The Other Suicide Squad: “Women Writers’ Suicide Club”

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Presented by Boston Community Collaborative
Written, directed, and produced  by Ingrid Oslund

Dec. 8 – 11, 2016 @ 7:30PM
93 Summer St
Boston, MA
BCC on Facebook

Review by Kitty Drexel

(Boston, MA)  I firmly believe that there is space for all artists, at every stage of their artistry, to create. That can mean creating, and producing art not quite ready for greater public consumption in order to grow. Women Writers’ Suicide Club (WWSC) succeeds in combining many artists to create one show. It succeeds in communicating the frustrations that womanhood places upon artistry. It is not so successful in its execution. Continue reading

Dec 07

Sanctioned Hate is Still Hate : Fiddler On the Roof

Photo by Andrew Brilliant / Brilliant Pictures; The cast of Fiddler on the Roof.

Photo by Andrew Brilliant / Brilliant Pictures; The cast of Fiddler on the Roof.

Presented by New Rep Theatre
Based on the stories of Sholem Aleichem
By special permission of Arnold Perl
Book by Joseph Stein
Music by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Austin Pendleton
Music direction by Wade Russo
Choreographed by Kelli Edwards

Dec. 2, 2016 – Jan. 1, 2016
Charles Mosesian Theater
The Dorothy and Charles Mosesian Center for the Arts
Watertown, MA
New Rep on Facebook

Trigger warning: Patriarchy, arranged marriage, lack of personhood

Review by Kitty Drexel

(Watertown, MA

New Rep’s Fiddler On the Roof is an extraordinary production… With one not inconsiderable snag. Largely, the performances in this show are spectacular. This production doesn’t make up for New Rep’s lackluster musicals but it certainly resets the standard for its productions. The cast and crew have delivered to us something very special with this Fiddler. Continue reading

Dec 05

Begin the Pegeen: MAME

The cast of Mame (2016). Photo Credit: Nile Hawver/Nile Scott Shots.

The cast of Mame (2016). St. George center stage, looking exquisite in red. Photo Credit: Nile Hawver/Nile Scott Shots.

Presented by the Stoneham Theatre
Book by Jerome Lawrence & Robert E. Lee
Music & lyrics by Jerry Herman
Based on the novel by Patrick Dennis, and the play Auntie Mame by Lawrence and Lee
Directed and choreographed by Ilyse Robbins
Music direction by Matthew Stern

Nov. 25 – Dec. 23, 2016
Stoneham Theatre
395 Main Street, Stoneham, MA
ST on Facebook

Review by Kitty Drexel

“Put the blame on Mame, boys
Put the blame on Mame
Mame gave a chump such an ice-cold “No”
For seven days they shovelled snow
So you can put the blame on Mame, boys
Put the blame on Mame”

Put the Blame on Mame,” from the film “Gilda” (1946), by Allan Roberts & Doris Fisher

(Stoneham, MA) Stoneham Theatre’s production of Mame dazzles. It’s a classic show with all the trimmings. Themes of classism and resulting conflicts will be only slightly offensive to gossipy, snooty attendees. It’s a nearly perfect Christmas/Chanukah/Kwanzaa/etc. treat that anyone from any doctrine can enjoy. Continue reading

Dec 02

Looocy, You Got Some ‘Splaining to Do: Heart & Dagger’s SWEENEY TODD

Promotional Art by Heart & Dagger

Promotional Art by Heart & Dagger

Presented by Heart & Dagger Productions
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Joey C. Pelletier
Music direction by Michael Amaral

Nov. 19 – Dec. 4, 2016
Stanford Calderwood Pavilion
Boston Center For The Arts
527 Tremont St
Boston, MA 02116
H&D on Facebook

Review by Kitty Drexel

(Boston, MAHeart & Dagger’s approach to Sweeney Todd: The Demon Barber of Fleet Street is highly unusual. It’s design harkens back to the original “Penny Deadfuls” in a way fancy pants professional productions don’t. It revels in its everyday horrors. It’s design brings creative license to the next level. Many strong, risky choices were made in this production. Most of them paid off. Unfortunately, some of the bigger ones did not. Continue reading

Nov 30

Too Many Words: AMADEUS

Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading