Jun 14

Don’t Expect the Movie: “Dirty Dancing: The Classic Story On Stage”

Craven and Courts. Photo by Jeremy Daniel.

Presented by Boch Center
By Eleanor Bergstein
Music supervising and orchestrations by Conrad Helfrich
Choreography by Michele Lynch
Original choreography by Kate Champion
Directed by Sarna Lapine

June 13 – 17, 2018
Shubert Theatre
Boston, MA
Dirty Dancing tour on Facebook

Review by Kitty Drexel

(Boston, MA) Dirty Dancing: The Classic Story On Stage is a great production for professional-dance enthusiasts who enjoyed Dirty Dancing the movie but have no particular emotional connection to it. Diehard movie fans may feel put out by Eleanor Bergstein’s script upgrades. Musical aficionados may snark at the “acting” going on onstage. Anybody ready for some good time media nostalgia will enjoy themselves. Continue reading

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Dec 10

Tossing Your Cookies, and Having Them Too: Cirque Dreams’ HOLIDAZE

Presented by Cirque Productions
Created and directed by Neil Goldberg
Associate director: Heather Hoffman
Music & lyrics by Jill Winters & David Scott
Additional music by Lance Conque, Tony Aliperti

Shubert Theatre
Boston, MA
Cirque Dreams on Facebook

Review by Kitty Drexel

(Boston, MA) Holidaze is a Cirque du Soleil like production. It’s a “holiday” circus show with Christmas as it’s primary focus. Token nods are thrown briefly at Hanukkah and New Years. The focus is still on Christmas.  Please note: Cirque Dreams is not Cirque du Soleil. It is a production operated by company Cirque Productions, and a direct competitor of Cirque du Soleil. Cirque Productions are more… earthy. Continue reading

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Oct 08

Yaass Qween! “Priscilla, Queen of the Desert”


Presented by Fiddlehead Theatre Company and CITI Performing Arts Center
Book by Stephan Elliott and Allan Scott
Directed by Stacey Stephens
Music directed by Jose C. Simbulan
Choreography by Arthur Cuadros

September 29-October 9, 2016
Shubert Theatre
Boston, MA
Fiddlehead on Facebook

Review by Kitty Drexel and Noelani Kamelamela

(Boston, MA)For a show that kicks and sparkles, look no further than Fiddlehead’s Priscilla, Queen of the Desert. This is the sexiest, fleshiest show Boston will see this year. The make dance ensemble leaves little to the imagination while breaking it down on the dance floor. The leads whisk us over the rainbow to Oz. Prepare yourselves for a good time and plenty of audience participation.   Continue reading

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Oct 16

Fyre, Fyre Burning Bright: LA TRAVIATA

Photos by Eric Antoniou.

Presented by Boston Lyric Opera
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Conducted by Arthur Fagen
Stage directed by Chas Rader-Shieber
Assistant directed by Nathan Troup

Oct. 10 – 19, 2014
Shubert Theatre
Boston, MA
BLO on Facebook

Review by Kitty Drexel

Trigger Warnings: Racism, Rape
Sung in Italian with English supertitles. There is one intermission.

(Boston, MA) There were many good things about BLO’s La Traviata. There were a few bad. Overall, it was a grand production.

A gentle disclaimer: Vocal technique will not be reviewed. Technique is highly personal. Reviewing it would be like reviewing hygenic habits: rude. Continue reading

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Mar 17

Awareness is Key: RIGOLETTO

Michael Mayes as Rigoletto and Nadine Sierra as Gilda; Photo by Eric Antoniou for Boston Lyric Opera

Michael Mayes as Rigoletto and Nadine Sierra as Gilda; Photo by Eric Antoniou for Boston Lyric Opera

Presented by Boston Lyric Opera Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Directed by Tomer Zvulun
Conducted by Christopher Franklin

March 14 – 23, 2014
Shubert Theatre
Boston, MA
BLO on Facebook

Sung in Italian with projected supertitles in English. Performed in 2 “acts” with 1 intermission.

Review by Kitty Drexel

(Boston) The vocals of BLO’s Rigoletto are simply stunning. In particular, Michael Mayes as the title character and Nadine Sierra (Gilda) were a treasure to hear and watch. Audrey Babcock (Maddalena) smolders! This vocals of the male chorus were powerful but difficult to watch. It appears that they can only emote when given specific direction to do so. The sumptuous costumes by Victoria Tzykun mostly made up for this. Conductor Christopher Franklin leads his orchestra with admirable humility and confidence. His reverence for Verdi is evident from his first step into the pit. Continue reading

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