Jul 05

“Grindr” (An Operatic Ode to Absent Queer Community During Pandemic)


Grindr (And Other Concerns) Act 1: An Annotated Singthru

A Comedic Chamber Opera
Fundraiser for Marsha P. Johnson Institute

Directed by Ingrid Oslund
Music by Marc Hoffeditz
Libretto by MJ Halberstadt
Featuring performers Brad Baron, Jonathan Harris, Wes Hunter, Adrian Jones, Craig Juricka, Sara Kerr, and James Lesu’i

June 26 – 27, 2020

Content warning: adult themes and sexual references

Review by Gillian Daniels

ZOOM — “Queerness is about so much more than who you’re sleeping with. It’s also about a sensibility, a sense of camp,” says director Ingrid Oslund.

This could easily serve as the thesis for the zoom presentation of selected pieces from the comic opera-in-progress, Grindr (And Other Concerns). The show follows queer men Brandon, Riley, and Riley’s long-term, timid partner, Eugene, as they use and debate the merits of the titular hook-up app. Their odyssey includes such contemporary pratfalls as mysterious acronyms such as DDF (drug and disease free), sexually transmitted infections, and excitable adults obsessed with Disney. Continue reading

Share with Your Audience
Nov 20

Art and Capitalist Consumption and “Room&Board&Opera”

Presented by Boston Opera Collaborative
Music by Jonathan Bailey Holland
Libretto for “The Battle of Bull Run Always Makes Me Cry” and “Naomi in the Living Room” by Jonathan Bailey Holland
Libretto for “Always” by Jon Jory
Music Director & Pianist for “Always” by Patricia Au
Stage Director for “Always” by Ingrid Oslund
Music Director & Pianist for “The Battle of Bull Run Always Makes Me Cry” and “Naomi in the Living Room” by Jean Anderson Collier

November 7, 2019
Room&Board
375 Newbury Street, 
Boston, MA 02115
Room&Board&Opera

Review by Gillian Daniels

(Boston, MA) Room & Board is a US-chain of upscale furniture stores that started in Minnesota about three decades ago. The particular one I went to on Newbury Street has a showroom that has been utilized in a number of Boston-based events, so maybe it’s not so surprising that a theater company would see an opportunity to bring art into an unlikely space. Boston Opera Collaborative has pushed forward with this unexpected, incongruously hilarious venue, setting three, ten-minute comic operas in this space for what was a one-night only event and a unique moment in my time as a theater critic. Continue reading

Share with Your Audience
May 22

An Alternate Tyranny and Timeline in Handel’s “Silla”


Presented by The Cambridge Chamber Ensemble
Music by G.F. Handel
Libretto by Giacomo Rossi
Music Directed by Juliet Cunningham
Stage Directed by Ingrid Oslund
Produced/Executive Direction/Translation by Martha Birnbaum
Rossana Chung, violin
Rob Bethel, violincello
Lisa Putukian, oboe
Juliet Cunningham, harpsichord
May 17 – May 19, 2019
Warehouse IX
Somerville, MA
The Cambridge Chamber Ensemble on Facebook

Review by Gillian Daniels

(Somerville, MA) Roselin Osser as Silla has the wild eyes, swagger, and exquisite cheekbones of a villain as he dominates the stage. In this alternate version of 2019, the Roman Republic is alive and well and Silla, after a successful military campaign, announces that he plans to rule as Perpetual Dictator of Rome. The reporters are horrified. Silla’s wife, Metella (the hilarious Theresa Egan) grits her teeth and stands by her man. As Silla begins to openly lust after other women and jail his political enemies, however, Melania–I mean, Metella, yes, begins to wonder just how much her loyalty to a tyrant husband is worth. Continue reading

Share with Your Audience
May 26

Theatre On Fire Presents: THE CABINET OF CURIOSITIES

THE CABINET OF CURIOSITIES is a genre-defying festival of theatre, movement, music, puppetry and more, united under one theme: take a risk.

Experience one last weekend of chaotic and dangerous, new and re-imagined work where we’ve challenged artists to present work that “scares” them. Featuring one-act and full-length pieces from Imaginary Beasts, Anthem Theatre, Sleeping Weazel, The American Family Happily Institute, Heart & Dagger Productions, Alley Cat Theater, Exiled Theatre, Mass. Theater Experiment, Ingrid Oslund, Fool’s Journey, Travis Amiel & Riley Fox Hillyer, Laura Detwiler, Daniel Morris, and Libby Schap & Caitlin Brzezinski.

Purchase tickets HERE.
Staged readings in the Cabinet Workshop Series are free and open to the public.
When ordering tickets for the readings, use the code FREE.
442 Bunker Hill Street
Charlestown, MA 02129
TOF on Facebook
​​
Friday, May 26
A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

Saturday, May 27
Mass. Theater Experiment: The Country Wife – 2:00pm
A workshop performance of a modern, sexy adaptation of William Wycherley’s The Country Wife. The smash hit of 1675 London was created in a period of artistic tolerance , but was later considered too immoral to perform. This imaginative, energetic, and spirited ensemble gives the Wife a trim and shapely makeover and adds a few curves of their own; part of the Cabinet Workshop Series.

Daniel Morris: I Am My Own Wife – 5:00pm
The fascinating tale of Charlotte von Mahlsdorf, a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime. Actor Gabe Graetz takes on more than 30 characters, staged up close and personal in CWT’s upstairs second stage.

A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

Share with Your Audience
Dec 09

The Other Suicide Squad: “Women Writers’ Suicide Club”

15025486_356981481333059_1584655458157023625_o

Presented by Boston Community Collaborative
Written, directed, and produced  by Ingrid Oslund

Dec. 8 – 11, 2016 @ 7:30PM
93 Summer St
Boston, MA
BCC on Facebook

Review by Kitty Drexel

(Boston, MA)  I firmly believe that there is space for all artists, at every stage of their artistry, to create. That can mean creating, and producing art not quite ready for greater public consumption in order to grow. Women Writers’ Suicide Club (WWSC) succeeds in combining many artists to create one show. It succeeds in communicating the frustrations that womanhood places upon artistry. It is not so successful in its execution. Continue reading

Share with Your Audience