Sep 07

Theatre on Fire and Charlestown Working Theater’s Latest Production is Not Safe

Presented by Theatre on Fire, and the Charlestown Working Theater
Written by Lucy Kirkwood
Directed by Darren Evans

Charlestown Working Theater
442 Bunker Hill Street, Boston, MA

Performances:
Nov. 2-17, 2018
Ticket Prices: $5 – $15 – $25 (You choose)
Box Office: www.theatreonfire.org
866-811-4111 (toll free)

Charlestown, MA – Theatre on Fire (TOF) and Charlestown Working Theater (CWT) present NSFW by Lucy Kirkwood, directed by Artistic Director Darren Evans. A biting and hilarious satire of media mores and manipulation, NSFW takes on questions of who is responsible for mysogyny in our culture – men? women? producers? consumers? There are no easy answers in this scathing dark comedy.

The lads mag, “Doghouse,” has just proudly unveiled the winner of its Local Lovely 2018 competition. When buxom Carrie, 18, turns out to be only 14 years old, havoc ensure and her father threatens legal action. In an attempt to save the magazine, head editor Aidan sacks the well-meaning junior, Sam, who sanctioned the use of the shots. But Carrie’s irate father is not so easily mollified. When Sam shows up later at the women-centered “Electra” magazine, he gets to see another other side of the publishing world, for better or worse.

Premiering at the Royal Court in 2012, NSFW is a sharp, biting, satirical new comedy that marks the breakthrough of one of the United Kingdom’s most exciting playwrights. Continue reading

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May 26

Theatre On Fire Presents: THE CABINET OF CURIOSITIES

THE CABINET OF CURIOSITIES is a genre-defying festival of theatre, movement, music, puppetry and more, united under one theme: take a risk.

Experience one last weekend of chaotic and dangerous, new and re-imagined work where we’ve challenged artists to present work that “scares” them. Featuring one-act and full-length pieces from Imaginary Beasts, Anthem Theatre, Sleeping Weazel, The American Family Happily Institute, Heart & Dagger Productions, Alley Cat Theater, Exiled Theatre, Mass. Theater Experiment, Ingrid Oslund, Fool’s Journey, Travis Amiel & Riley Fox Hillyer, Laura Detwiler, Daniel Morris, and Libby Schap & Caitlin Brzezinski.

Purchase tickets HERE.
Staged readings in the Cabinet Workshop Series are free and open to the public.
When ordering tickets for the readings, use the code FREE.
442 Bunker Hill Street
Charlestown, MA 02129
TOF on Facebook
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Friday, May 26
A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

Saturday, May 27
Mass. Theater Experiment: The Country Wife – 2:00pm
A workshop performance of a modern, sexy adaptation of William Wycherley’s The Country Wife. The smash hit of 1675 London was created in a period of artistic tolerance , but was later considered too immoral to perform. This imaginative, energetic, and spirited ensemble gives the Wife a trim and shapely makeover and adds a few curves of their own; part of the Cabinet Workshop Series.

Daniel Morris: I Am My Own Wife – 5:00pm
The fascinating tale of Charlotte von Mahlsdorf, a real-life German transvestite who managed to survive both the Nazi onslaught and the repressive East German Communist regime. Actor Gabe Graetz takes on more than 30 characters, staged up close and personal in CWT’s upstairs second stage.

A trio of performances starting at 8:00pm​
Sleeping Weazel: Nocturne and Nina
Libby Schap and Caitlin Brzezinksi: Flying Lessons
Fool’s Journey: Singing Bones

Pianist and composer Kirsten Volness will play Nocturne, her electroacoustic piece inspired by Madison Cawein’s poem of the same title, and Nina, a three-song cycle tribute to jazz great Nina Simone composed by Judah Adashi.
Flying Lessons is told through shadow puppetry using moving screens and found object puppetry to examine three stories exploring identity and female relationships, inspired by the artwork of Audrey Niffenegger.
Singing Bones is an experimental, devised performance which focuses on direct physical engagement with traditional songs that have personal and/or ancestral significance to the performers.

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Apr 08

“Dog Act” Has Bite

Presented by Theatre on Fire
By Liz Duffy Adams
Directed by Diego Arciniegas

April 1 – 23, 2016
Charlestown Working Theater
ToF on Facebook

Review by Gillian Daniels

(Charlestown, MA) Stories about the end of the world are often concerned with the survival of the individual against structures that have filled the void since the fabled downfall of society. This includes reality television death match enthusiasts (Suzanne Collin’s The Hunger Games), patriarchal cults with private harems (Mad Max: Fury Road), fight dome fans lead by Tina Turner (Mad Max: Beyond Thunderdome), and foul-mouthed, fur-wearing, belligerent tribes of wanderers. Dog Act looks not just at the individual, but the survival of art in a new North American wasteland. Continue reading

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Oct 12

Truthfully, There Are A Few Rules In the Clown Bar: CLOWN BAR

clownbar
Presented by Theatre on Fire
Written by Adam Szymkowicz
Directed by Darren Evans

Oct. 2 – 24, 2015
Charlestown Working Theater
442 Bunker Hill St
Charlestown, MA
TOFon Facebook

Review by Kitty Drexel

Disclaimer: Ms. Drexel auditioned for Clown Bar and was not cast. She firmly believes that only an ass would allow something like this is taint a review.

A clown noir is a noir with clowns. Clown Bar is a noir set in a bar run by clowns. I tried telling this to my housemate the other night. He accused me of stringing random nouns together, and demanded that I make sense immediately. He was being serious, not quite as serious as mobster clowns running a legal drinking establishment known for its illegal murder activities but serious enough to turn down my offer to join me on principle. It’s a shame because Clown Bar was everything its name implied and more. Continue reading

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May 06

Laughter, Landmines, and an Historical Sitcom Fit for the Stage

Presented by Theatre on Fire
By Richard Curtis and Ben Elton
Directed by Darren Evans

April 26 – May 11, 2014
Charlestown Working Theater
Charlestown, MA
Theatre on Fire Facebook Page

Review by Gillian Daniels

Back in 1989, Blackadder Goes Forth aired on the BBC as a spectacular, grim comedy that lampooned World War I. The creators, Richard Curtis and Ben Elton, also worked on previous installments in the series, including the Elizabethan Blackadder II and the Regency-centric Blackadder the Third. Each new storyline used the same actors, particularly Rowan Atkinson, Tony Robinson, and Hugh Laurie, and pitted them against historical figures (Queen Elizabeth! Prince George!) and fart jokes. With director Darren Evans at the helm, Theatre on Fire works tirelessly to bring television to stage. For the most part, the humor translates beautifully. Continue reading

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Oct 21

Marriage Should Only Be a Manageable Annoyance: EXIT, PURSUED BY A BEAR

Photos by Theatre on Fire.
It stays this sexy for the entire show.

Presented by Theatre on Fire
By Lauren Gunderson
Directed by Darren Evans

Charlestown Working Theater
442 Bunker Hill Street
Charlestown, MA 02129
Theatre on Fire on Facebook

Review by Kitty Drexel

(Charlestown) Exit, Pursued by a Bear is a complicated show. The topic of domestic abuse is a sensitive one. Most media outlets using it as a subject twist reality to create good and evil characters out of common humans. In truth, an abuser isn’t all evil and the victim isn’t all sugar and spice; they are people with flaws like everyone else. Women and children aren’t the only victims of domestic violence (but are the majority of victims), men aren’t the only perpetrators of abuse (again, they are the majority), and abuse isn’t exclusive to heterosexual couples. Exit is a rare jewel of a show because playwright Lauren Gunderson pays proper respect to victims of domestic abuse while spinning a hilarious tale. Her victim isn’t the butt of jokes and her villain isn’t pure, concentrated evil. Continue reading

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Oct 26

More than a Handful of Clever: A BEHANDING IN SPOKANE

Photo credit: Theatre on Fire

by Martin McDonagh
Directed by Darren Evans

presented by Theatre on Fire
Charlestown Working Theater
Charlestown, MA
October 12 – October 27th, 2012
Theatre on Fire Facebook Page

Review by Craig Idlebrook

(Charlestown) Successful comedy and drama scripts employ a slightly sadistic withhold-and-give strategy with audiences. Comedy or tension must be built and dissipated and built again. There must be some normalcy to lead us on to the surprise. Think of the easygoing date that occurs before the heroin overdose in the movie Pulp Fiction. Two couples are out on a date making small talk. We know it will end up weird because the movie already has been very weird, but the date is downright boring, and the usually witty dialogue is purposely pedestrian. The payoff comes just a few minutes later with a group of strangers trying to decide what to do with a mob boss’s wife as she is overdosing. Continue reading

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