Mar 27

Hope Is Not Dead at 24: “The Little Dog Laughed”


Presented by
Take Your Pick Productions
By Douglas Carter Beane
Directed by Cassandra Lovering

March 24 – April 7, 2017
Plaza Black Box Theater
Boston Center for the Arts
Boston, MA

Trigger warning – brief but not inconsiderable penis

Review by Kitty Drexel

Hey diddle diddle,
The cat and the fiddle,
The cow jumped over the moon,
The little dog laughed to see such sport,
And the dish ran away with the spoon.”
-an English nursery rhyme.

(Boston, MA) The Little Dog Laughed spins heteronormative Hollywood on its ass. It unmasks the romantic comedy paradigm and reveals the festering truths wriggling underneath the surface of lies. It does so sweetly, calmly, but so honestly.   Continue reading

Mar 27

“Sinners (The English Teacher)”: You can’t cross the same river twice

Photo by CHARLES MCATEER

Presented by: Greensboro Arts Alliance & Residency/The Mirror Theater, Ltd. in collaboration with New Repertory Theatre and Boston Center for American Performance
By Joshua Sobol
Directed by Brian Cox

March 23 – April 2, 2017
Theatre Lab@855
855 Commonwealth Avenue
Boston, MA
New Rep on Facebook

Review by Polly Goss

(Boston, MA)“Sinners” tells the story of the condemned English professor Layla (Nicole Ansari), as she awaits execution by stoning for having had an affair with her student, Nur (Ben Getz). The unnamed theocracy in which the story takes place has clear parallels to modern day Saudi Arabia. However, Layla’s characterization relies heavily on the Old Testament view of femininity, women are the dangerous corruptors of man’s innocence; Layla is a modern day Eve, Jezebel or Delilah. Cox’s artful direction places this tragic love story within a broader feminist framework, as we see a passionate woman literally crushed by the forces of patriarchy. Continue reading

Mar 20

First Do Harm: “Mrs. Packard”

Photo credit: Marc J. Franklin; Mrs. Packard and inmates.

Presented by Bridge Repertory Theatre & Playhouse Creatures Theatre Company
Written by Emily Mann
Directed by Emily Ranii

March 15 – April 9, 2017
Multicultural Arts Center
East Cambridge, MA
Bridge Rep on Facebook
Playhouse Creatures on Facebook

Review by Kitty Drexel

Trigger Warnings: Torture, domestic abuse, nudity, implied horror, gaslighting

Peter, Peter, pumpkin-eater,
Had a wife and couldn’t keep her;
He put her in a pumpkin shell,
And there he kept her very well.”
– Traditional nursery rhyme about “Peter” who couldn’t control his (allegedly sexually adventurous) wife so he killed her.  

(East Cambridge, MA) The more things change; the more they stay the same. Mrs. Packard is about how a panel of straight, white men made uninformed decisions on a woman’s health without her consent. Sound familiar? It should. It’s 2017, and treating women with respect is still a revolutionary act. Continue reading

Mar 08

The Simple Beauty of “Grand Concourse”

Photo by Glenn Perry Photography; full stage with cast.

Presented by SpeakEasy Stage Company
By Heidi Schreck
Directed by Bridget Kathleen O’Leary

March 3-April 1, 2017
539 Tremont Street
Boston, MA 02116
SpeakEasy Stage Company on Facebook

Review by Travis Manni

(Boston, MA) While I try not to make a habit of going to see religious shows, there’s something about the themes of religion that is compelling. They bring people together and allow them to question anything from faith and love to forgiveness and existence. And while playwright Heidi Schreck’s Grand Concourse manages to tackle all of these, what’s captivating about the show is that it does so without forcing religious concepts. Continue reading

Mar 06

WORLD MUSIC/CRASHarts presents SHAOLIN WARRIORS


WORLD MUSIC/CRASHarts presents SHAOLIN WARRIORS
Saturday, April 1, 8pm
Orpheum Theatre
1 Hamilton Pl., Boston MA
WORLD MUSIC/CRASHarts on Facebook
$58, $48, $37, $30, Reserved Seating (includes Orpheum Theatre $2 restoration fee)
For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.

(Boston, MA) Representing over a thousand years of Chinese martial-arts culture, Shaolin Warriors showcases the remarkable skill, stunning artistry, and death-defying martial-arts prowess of more than 20 kung fu masters. This spectacular theatrical display features many forms of Shaolin kung fu as well as a look at the daily life of the warriors and their Zen philosophy. Beginning at a very young age, the kung fu masters are trained in mental and physical disciplines, perfecting the art of hand-to-hand and weapons combat, which allows them to perform astounding feats of athleticism.  Continue reading

May 12

Absurd Political Escapism: HOME OF THE BRAVE

Photo by Meghan Moore

Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
Written by Lila Rose Kaplan
Directed by Sean Daniels
Featuring Karen MacDonald

April 20 – May 15, 2016
50 East Merrimack Street
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Finally, a political play that is as absurd and as over-the-top as the 2016 presidential election! Um, I’m not sure that’s a good thing. Continue reading

May 06

No Sir, You’re The Ho*: A GREAT WILDERNESS

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre. (Photo by Richard Hall/Silverline Images.)

Jake Orozco-Herman and Peter Brown; no tomatoes were harmed in the making of this theatre.
(Photo by Richard Hall/Silverline Images.)

Presented by Zeitgeist Stage Company
Written by Samuel D. Hunter
Directed by David J. Miller

April 29 – May 21, 2016
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAI’ve never understood how some people can believe that it’s acceptable to be drastically unkind to others because “God told (them) to.” God is a terrible excuse for being a bad person. Morality structured around a potentially imagined creator that lives in the sky is not stabilized morality. Yet, plenty of people are beholden to this creator, if there is one, for their good behavior.  Continue reading

May 03

A Passionate Concert: Ana Moura on April 30, 2016


Presented by World Music/CRASH arts
April 30, 2016 @ 8pm only
Berklee Performance Center
Boston, MA
Ana Moura on Facebook
World Music/CRASH arts on Facebook

Review by Noelani Kamelamela

(Boston, MA) The last time Ana Moura was hosted by World Music/CRASH arts in 2014, she brought the house to its feet in a celebration of her latest release at the time Desfado.  This show was excellent in a different way.  Certainly, her latest album Moura has been touring since last year and those performances were condensed for her concert at the Berklee Performance Center this past Saturday. Featuring a great backing band, Ana Moura dazzled the typically stoic New England audience to the point of stupefication for two hours. Continue reading

Apr 25

One Big Song & Dance for Sex: THE WILD PARTY

Photograph: Earl Christie Photography

Photograph: Earl Christie Photography

Presented by Moonbox Productions
Music and Lyrics by Michael John LaChiusa
Book by Michael John LaChiusa and George C. Wolfe
Based on the poem by Joseph Moncure March
Directed and choreographed by Rachel Bertone
Music direction by Dan Rodriguez
Orchestration by Bruce Coughlin

Now – May 1, 2016
Calderwood Pavilion at the BCA
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

Trigger warning: underage rape, blackface, drinking, drugs, violence

(Boston, MA) Moonbox Production’s The Wild Party is a tight, gin-moist package of cruelty, casual racism and light kink. It’s a domestic violence fairy tale of grotesque proportions, and sexy as fuck. Everyone over the age of 18 should see it. The subject might be naughty but its methods are mesmerizing. Continue reading

Apr 20

Two Reviewers, One Play: ARCADIA

The Cast of ARCADIA. Photo: A.R. Sinclair Photography

The Cast of ARCADIA. Photo: A.R. Sinclair Photography

Presented by Central Square Theater & and the Nora Theatre Company
Written by Tom Stoppard
Directed by Lee Mikeska Gardner

Current-May 15, 2016
Central Square Theater
Central Square, Cambridge, MA
Central Square/Nora Theatre on Facebook

Noe and I attended this performance together. We were impacted differently so we both wrote reviews. One follows after the other below.  Continue reading