Alejandra Escalante, Kate Hamill, Nike Imoru, and Wayne T. Carr in The Odyssey.
Photo: Nile Scott Studios and Maggie Hall

Presented by American Repertory Theater 
Written and adapted by Kate Hamill
Based on the epic poem by Homer
Directed by Shana Cooper
Dramaturgy HERE

Digital Playbill HERE

Feb 11 – Mar 16, 2025
Loeb Drama Center
64 Brattle Street
Cambridge MA 02138

This production contains sex, violence (including the death of children and animals), and references to sexual assault, as well as fog, haze, strobe, and flashing lights. 
Recommended for ages 14+.

“As a feminist playwright, I believe deeply in creating female-driven narratives and reclaiming the classics for people of all backgrounds and genders. My Odyssey is narrated by the three female Fates, who literally haunt Odysseus as the spirits of the women of Troy; women drive the story. Not only warriors bear the cost of war, and it’s easy to lose the stories of how often women and children are the victims of brutal conflict around the world.”

-Adaptor Kate Hamill in “A Note from Kate Hamill” on the A.R.T. website

CAMBRIDGE, MA — Kate Hamill’s The Odyssey running at the American Repertory Theater reimagines its title character Odysseus if he were just a guy. In Homer’s epic poem and the adapted play, Odysseus makes terrible choices which he conveniently blames on the gods and mortal women if he doesn’t like the consequences. The Odyssey reminds us that myths provide moral guidance that modern entertainment does not; when we remove the fantastical from our myths, we’re left with stories about everyday people ignoring red flags and turning from society’s fundamental principles of dignity, loyalty and honesty. 

Public schools have been teaching Homer’s The Odyssey for decades. It’s been turned into movies and T.V. serials. It’s inspired numerous fanfictions. Margaret Atwood’s 2005 The Penelopiad was made into a play for the Royal Shakespeare Company in Stratford-upon-Avon, England in 2007. It’s a fast read that pays homage to Atwood’s novel and Homer’s antagonized heroine. There’s even a 1987 episode of the original DuckTales entitled “Home Sweet Homer” loosely based on Homer’s poem. There are oodles of opportunities to know The Odyssey without reading the original… Which can be tricky to read and absorb depending on the dry clunkiness of the translation. Fortunately, Hamill’s play is anything but.    Continue reading →