Oct 05

COEUR DE PIRATE at Brighton Music Hall: World Music/CRASHarts

Presented by World Music/CRASHarts in collaboration with Crossroads Presents
COEUR DE PIRATE
Wednesday, October 21, 8:00 pm
158 Brighton Ave., Boston, MA.
General Admission, 18+
Cœur de Pirate (French for pirate heart) is the stage name for award-winning French-Canadian singer/songwriter and pianist Béatrice Martin. Her whimsical, magical pop songs blend cabaret music, French lyrics, and playful indie sensibilities. After releasing two albums to international acclaim, Cœur de Pirate returns in 2015 with a new album that finds her boldly expanding her horizons and modernizing her approach, cradling her beloved piano within a swirling ensemble of synthesizers, carefully crafted string arrangements, and layers of dynamic drum sounds. Opening act to be determined.
Biography can be read here.
Sep 28

For Better or Worse, “The Thing on the Doorstep” is a Shambling Beast

Artwork by Dan DeRosato

Artwork by Dan DeRosato

Presented by Salem Theatre Company
Adapted from the H.P. Lovecraft story
Directed & Adapted by Isaiah Plovnick

September 17 – October 4, 2015
Salem Theatre
90 Lafayette Street
Salem, MA, 01970
Salem Theatre on Facebook

Review by Gillian Daniels

(Salem, MA) Devoted H.P. Lovecraft fans should prepare themselves for a sojourn to Salem before the end of this week. The Thing on the Doorstep has been lovingly adapted to stage, giving voice to one of the most foundational science fiction writers of the early twentieth century. What’s synthesized from the material is a creeping, gothic narrative, one that fights to stay true to the spirit of the original and hew closely to the author’s voice. The move from page to stage is a fraught one, though, and Lovecraft’s style (retro by the standards of the years he wrote in with a great deal of colonialist issues throughout) is ultimately clunky. Continue reading

Sep 15

Only Humans Can Be Wicked: JEANNE

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Presented by Fort Point Theatre Channel in collaboration with Contrapose Dance & Ensemble Warhol
Libretto by James Swindell
Composed by Mark Warhol
Choreographed by Junichi Fukuda

September 11 & 12 at 8 p.m.
Boston University Dance Theater
915 Commonwealth Avenue
Boston, MA
Fort Point on Facebook
Contrapose Dance on Facebook
The Boston String Quartet on Facebook

Review by Kitty Drexel

(Boston, MA) Fort Point Theatre Channel presented three scenes from Swindell and Warhol’s modern opera Jeanne, the story of a woman last weekend. It was a fully staged and accompanied by Robert Schulz on percussion, and The Boston String Quartet. The vocalists were joined onstage by the agile dancers from Contrapose Dance. Jeanne is not your grandma’s opera. It is more Rice’s The Adding Machine or Blitzstein’s The Cradle Will Rock in style and sound than La Boheme or Traviata. Depending on what you want from opera, it was either very weird or fascinating art. Continue reading

Jul 21

“Laughing Wild” Sure to Make You LOL

Photo credit: Hub Theatre Company of Boston

Photo credit: Hub Theatre Company of Boston

Presented by Hub Theatre Company of Boston
Written by Christopher Durang
Directed by Margaret Ann Brady

Friday, July 17 – Saturday, August 1, 2015
Club Cafe
Boston, MA
Hub Theatre Company on Facebook

Review by Travis Manni

(Boston, MA) So you know when you’re in the tuna fish aisle at the grocery store and you end up punching somebody in the head and yelling at a baby to stop crying? Me neither. But this isolated event keeps the plot of Laughing Wild moving forward with enough humor that you start to think it’s actually quite relatable. Continue reading

Jun 15

Geek Book Review: “Madeline Kahn: Being The Music, A Life”

Madeline Kahn book cover

Designed by Peter D. Halverson

Madeline Kahn: Being The Music, A Life

By William V. Madison
University Press of Mississippi
Jackson, 2015
www.upress.state.ms.us
(336 pages (approx.), 6 x 9 inches, 48 b&w photographs, filmography, index
9781617037610 Cloth $35.00)
Found wherever fine books are sold

Review by Kitty Drexel

(Boston, MA) Madeline Kahn: Being the Music, A Life is distinct for being one of the only in print books devoted to Kahn’s life. A notoriously private woman, she kept her personal secrets close. Rather, she was known for her stage and screen capacity for uproarious humor, and striking beauty. She was less known for her demons and deep insecurities.

This biography by William V. Madison catalogs her ascent to stardom from her birth in Boston, her childhood in New York City, and her adult life everywhere else. It details her work in Mel Brook’s movies, and her ongoing partnership with director Peter Bogdanovich. She was nominated for Academy Award for Blazing Saddles, and also for her vulnerable performance as Trixie Delight in Paper Moon. She was a Broadway darling of the second degree. Her stage career never reached the heights she had hoped it would. Her life was cut mercilessly short by ovarian cancer in 1999 but this biography lives on to tell her story. Continue reading

Jun 12

Don’t Image Search ‘Felching’: “After All The Terrible Things I Do”

© T Charles Erickson Photography

© T Charles Erickson Photography

Presented by Huntington Theatre Co.
Written by A. Rey Pamatmat
Directed by Peter DuBois

May 22 – June 21, 2015
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) Huntington Theatre’s production of  After All The Terrible Things I Do has a start so rough that it was surprising that it ended so well. Our first impression is of the glorious stage by Clint Ramos. The bookstore set where are heros interact evokes the recognizable bittersweet nostalgia of favored reading holes. There are nooks and crannies, patches of light and dark. It’s nearly perfect. All it needs is a fat tabby napping on a pillow of paperbacks. Continue reading

May 25

ADDENDUM! – The Last Two People on Earth: An Apocalyptic Vaudeville

Dearest Readers,

Should you need a better explanation of The Last Two People on Earth: An Apocalyptic Vaudeville that Danielle Rosvally’s review provides, the good people at the A.R.T. sent us this slightly insightful, mostly cryptic email with a link from The New York Times. Their helpful email and link are included (word for word) below for posterity. Non-Geek names have been removed to protect the “innocent.”

With love,
The Queen Geek

“From: “********, *******” <****_*******@harvard.edu>
Date: May 25, 2015 at 10:05:40 AM EDT
To: Danielle Rosvally
Subject: “Last two people” explained to you….

http://www.nytimes.com/2015/05/25/theater/review-the-last-two-people-on-earth-offers-soft-shoe-apres-deluge.html?_r=0

****** *******
******* Press and Public Relations
American Repertory Theater
64 Brattle Street, Cambridge, MA 02138
****_********@harvard.edu
617-496-****”

May 22

At World’s End: “The Last Two People on Earth: An Apocalyptic Vaudeville”

Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Presented by The American Repertory Company
Conceived by Paul Ford, Taylor Mac, Mandy Patinkin, and Susan Stroman
Direction and Choreography by Susan Stroman
Music Direction, Arrangements, and Orchestrations by Paul Ford

May 12 – 31, 2015
Loeb Drama Center
64 Brattle Street
Cambridge MA
The A.R.T. on Facebook

Review by Danielle Rosvally

(Cambridge, MA) I’m not sure if I can really describe what I just saw onstage at the A.R.T.  I guess I could start with… an earthquake; birds, snakes, airplanes… Lenny Bruce is not afraid. Continue reading

May 11

On Golden Bay: THE OUTGOING TIDE

David Adkins, Ross Bickell, Felicity LaFortune. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
By Bruce Graham
Directed by Charles Towers

April 23 – May 17, 2015
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook.

Review by Craig Idlebrook

(Lowell, MA) The decline of old age comes for so many of us, and yet there are few who are prepared to meet it on our own terms. In the powerful drama The Outgoing Tide, one patriarch races against time and his own failing memory to decide his fate in the face of dementia. This production is sure to spur thought-provoking discussions on aging and death, and it largely avoids the feel of a Lifetime Original medical drama of the week. We never lose sight of the individuality of the main character even as what makes him an individual slowly disintegrates. Continue reading

Mar 24

Major and Minor Details: BIG FISH

Photo credit: Craig Bailey/Perspective Photo

Photo credit: Craig Bailey/Perspective Photo

Presented by SpeakEasy Stage Co.
Book by John August
Music & Lyrics by Andrew Lippa
Based on the Novel by Daniel Wallace and the Columbia Motion Picture Written by John August
Directed by Paul Daigneault
Assistant Director Alex Lonati
Musical Direction by Matthew Stern
Choreography by Larry Sousa

MAR 13 – APR 11, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
527 Tremont St.
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) I did not enjoy Big Fish. I did enjoy SpeakEasy’s production. The performances from the cast were, as always, exemplary but the script has many problems. Follow along as I list the major issues and make the conscious decision not to detail the minor ones. Continue reading