Dec 02

Looocy, You Got Some ‘Splaining to Do: Heart & Dagger’s SWEENEY TODD

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Promotional Art by Heart & Dagger

Promotional Art by Heart & Dagger

Presented by Heart & Dagger Productions
Music and lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed by Joey C. Pelletier
Music direction by Michael Amaral

Nov. 19 – Dec. 4, 2016
Stanford Calderwood Pavilion
Boston Center For The Arts
527 Tremont St
Boston, MA 02116
H&D on Facebook

Review by Kitty Drexel

(Boston, MA) Heart & Dagger’s approach to Sweeney Todd: The Demon Barber of Fleet Street is highly unusual. It’s design harkens back to the original “Penny Deadfuls” in a way fancy pants professional productions don’t. It revels in its everyday horrors. It’s design brings creative license to the next level. Many strong, risky choices were made in this production. Most of them paid off. Unfortunately, some of the bigger ones did not. Continue reading →

Dec 01

“A Palpable Hit”: Fight! Fight! Fight!

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Photo credit: Timothy John Smith

Photo credit: Timothy John Smith

Presented by The Gunpowder Plot & Cambridge Historical Tours
From the works of William Shakespeare
Directed by Gabriel Kuttner, Daniel Berger-Jones & Sarah Gazdowicz

November 25-December 11, 2016
Durrell Theatre
Cambridge YMCA
820 Massachusetts Avenue
Cambridge Historical Tours on Facebook

Review by Travis Manni

(Cambridge, MA) Everybody knows that the events leading up to any action sequence, while often necessary, can feel boring and overlong. Sometimes you just want to skip to the good stuff and watch everybody fight or use their superpowers to kick some serious ass. While Shakespeare often preferred battles with swords, though one could argue his battles of wit are just as exhilarating, what made his scenes of confrontation so mesmerizing was the use of tension, and The Gunpowder Plot’s production of A Palpable Hit: Shakespeare Fight Night sure knew how to tap into this. Continue reading →

Nov 30

Too Many Words: AMADEUS

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Moonbox Productions - AMADEUS (L-R) Matthew Zahnzinger - "Antonio Salieri", Cody Sloan - "Amadeus Mozart" Photographer: Earl Christie

Moonbox Productions – AMADEUS, (L-R) Matthew Zahnzinger – “Antonio Salieri”, Cody Sloan – “Amadeus Mozart”
Photographer: Earl Christie

Presented by Moonbox Productions
By Peter Shaffer
Directed/choreographed by Allison Olivia Choat
Music direction by Dan Rodriguez
Period music consultation by Thomas Carroll

Nov. 25 – Dec. 17, 2016
Plaza Theatre
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast.   Continue reading →

Nov 26

“Bedroom Farce”: The Art of Being in a Relationship

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Bedroom Farce HTC 11-16 130Bedroom Farce, by Alan Ayckbourn, directed by Mariah Aitken at Huntington Theatre Company 11/10/16Set Design: Alexander DodgeCostume Design: Robert MorganLighting Design: Matthew Richards© T Charles Erickson Photographytcepix@comcast.net

Bedroom Farce, © T Charles Erickson

Presented by The Huntington Theatre Company
By Alan Ayckbourn
Directed by Maria Aitken

November 11-December 11, 2016
BU Theatre at The Huntington Theatre Company
The Huntington Theatre Company on Facebook

Review by Travis Manni

(Boston, MA) Usually, I’m a sucker for anything British, especially accents and that special brand of English humor. Both passions, as well as the potential for bedroom antics, were just a couple reasons I was excited to attend a performance of English playwright Alan Ayckbourn’s Bedroom Farce. But by the end of the show I was disappointed to realize that the accents were the only British thing about it and the bedroom humor was rather lazy at best. Continue reading →

Nov 26

“Margo Veil” a Successful Satirical Noir

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Stratton McCrady for photos

Stratton McCrady for photos

Presented by Suffolk University Theatre Department
By Len Jenkin
Directed by Wesley Savick
November 17-20, 2016
Modern Theatre at Suffolk University

Review by Travis Manni

(Boston, MA) I must admit, after glancing at the extensive cast list in the program for Suffolk’s production of Margo Veil, I was a bit concerned that there were going to be too many cooks in the kitchen (or actors on the stage, I suppose). But I was ecstatic to be proved wrong as the fantastical story became more interesting and curiouser and curioser with each scene. Continue reading →

Nov 18

Our Town? YOUR Town: URINETOWN

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urinetown-300

The world is your toilet!

Presented by The MIT Musical Theatre Guild
By Greg Kotis and Mark Hollmann
Directed by Daniel Epelbaum
Music and Vocal Direction by Paul Gallagher
Produced by Caroline Walsh and Anni Zhang

November 17 – 20, 2016
MIT’s La Sala de Puerto Rico
84 Mass Ave, Cambridge
MIT Musical Theatre Guild on Facebook

Review by Danielle Rosvally

(Cambridge, MA) Urinetown is a tough piece to tackle.  It’s a satire and, as such, full of clichés that are meant to be hit precisely right in order to ring hilarious and not maudlin.  It’s a dark musical with dark themes, a dark plot, and a dark ending.  Last, but certainly not least, there are several technical demands that make it an interesting theatrical problem to solve (one character is thrown off a building onstage…. Try staging that without a fly rig). Continue reading →

Nov 14

Freedom is Not an Inconvenience: HOW SOFT THE LINING

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Photo credit: Paul Cantillon, Lidecphoto.com.

Photo credit: Paul Cantillon, Lidecphoto.com. Borders and Hayes sharing a tender moment. Remember folks: intersectional feminism or nothing at all. 

Presented by Bad Habit Productions
Written by Kirsten Greenidge
Directed by M. Bevin O’Gara
Dialect coaching by Steven E. Emanuelson
Dramaturgy by Phaedra Scott
Fight choreography by Margaret Clark
Nov. 5 – 20, 2016

Boston Center for the Arts
Boston, MA
Bad Habit on Facebook
Review by Kitty Drexel

(Boston, MA) How Soft the Lining is nearly a performance ready script. It isn’t there yet. There was a lot of good. There was some not so good too. It has a beautiful story that history nearly forgot thanks to history’s disregard for women’s stories. Thanks to Greenidge, we won’t forget. Continue reading →

Nov 11

Scarily Relevant Once More: WEST SIDE STORY

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Presented by North Shore Music Theatre
Beverly, MA
November 1- 20, 2016
NSMT on Facebook

BOOK BY: Arthur Laurents
MUSIC BY: Leonard Bernstein
LYRICS BY: Stephen Sondheim
Director: Bob Richard
Music Director: Milton Granger
Choreographer: Diane Laurenson
Based on Conception of Jerome Robbins
Based on Shakespeare’s Romeo and Juliet

Review by Craig Idlebrook

(Beverly, MA) How quaint – working class whites and Hispanics fighting for control of a few city blocks. West Side Story is a fun period piece hearkening back to a time when institutionalized racism was the norm and …
Continue reading →

Nov 11

The Church is the Thing: HAMLET

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Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Photo by Nile Scott Shots; Marianna Bassham and Ross MacDonald.

Presented by Actors’ Shakespeare Project
By William Shakespeare
Directed by Doug Lockwood

October 5 – November 6, 2016
Church of the Covenant
Boston, MA
ASP on Facebook

Review by Craig Idlebrook

(Boston, MA) Hamlet is often seen as a humanist play, one where the lead character, instead of taking much of any action, spends much of his time pondering the meaning of life, the universe, and everything. Continue reading →

Nov 09

And Now We Fight.

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fight

Dearest Readers for Whom the Election Results have brought Trauma,
Now it is more important than ever to be the change you wish to see in the world. Do not crumble. Fight.

We, the Geeks of NETG, wish our readers great love, convicted passion, and steadfast courage. We can make this country a better place by fighting for it. Art can heal. Art can teach. Art can protect. If you don’t like the election results, make it your goal to change the battlefield on which politics are fought. Commit yourselves to a greater good.

Thank you for voting. The next steps, among others, include ensuring that Arts funds aren’t slashed to smithereens.

Be Well, and All My Love,
The Queen

What Now? A Sampling
Slate: http://www.slate.com/articles/news_and_politics/politics/2016/11/how_to_preserve_the_ideals_of_liberal_democracy_in_the_face_of_a_trump_presidency.html
Bustle: https://www.bustle.com/articles/194209-what-to-do-now-donald-trump-is-president-elect-your-america-no-longer-looks-the-same
Huff Po: http://www.huffingtonpost.com/entry/queer-america-donald-trump-president_us_58230451e4b0d9ce6fc015e6
New York Times: http://www.nytimes.com/2016/11/09/us/politics/donald-trump-won-now-what.html