Nov 23

Joy In the Act of Uplifting: “I AM”

Photo By Steven Pisano.

Presented by Celebrity Series of Boston
Choreography & Direction – Camille A. Brown
Inspired by the television show Lovecraft Country (Episode: “I Am”)
Original Music by Deah Love Harriott, Juliette Jones, Jaylen Petinaud, Martine Mauro-Wade, Frédérique Gnaman, Monique Brooks Roberts
Additional Music by Busta Rhymes, Crystal Waters, Dru Hill, Lil Kim ft. Lil Cease, Method Man ft. Mary J. Blige, Sounds of Blackness, The Temptations
Performed by Camille A. Brown & Dancers
Company – Dorse Brown, Mikhail Calliste, Nya Cymone Carter, Courtney Cook, Brianna Dawkins, Eboni Edwards, Mykal Kilgore, Kai Irby, Alain ‘Hurrikane’ Lauture, Chaz Ryan, Courtney Ross, Curtis Thomas, Travon Williams
Musicians: Juliette Jones, Martine Mauro-Wade, Meech

November 14–15, 2025
Cutler Majestic Theatre
219 Tremont Street
Boston, MA 02116

Critique by Craig Idlebrook

BOSTON — A smile can be infectious, and a sorrow shared becomes lighter. 

You would think you couldn’t fill up a theater with the musical and theatrical embodiment of these two sentiments for over an hour, but you’d be wrong. Continue reading

Jul 06

Notes After Creation: The Theater Offensive’s Queer [Re]Public Festival

Presented by The Theater Offensive 
In partnership with Double Edge Theatre and Think Outside the Vox
June 26-29, 2025
Arrow Street Arts
2 Arrow Street
Cambridge, MA 02138

Critique by Kitty Drexel

CAMBRIDGE, Mass. — The Theater Offensive’s inaugural Queer [Re]Public Festival was a glorious presentation of queer, trans and BIPOC joy. At which, artists Victoria Lynn Awkward, Annalise “River” Guidry, and Cheyenne Wyzzard-Jones convened and performed the fruits of their 22-month-long Emergent Artist and True Colors Residencies. By doing so, the residents transformed Arrow Street Arts into a community space where artists offered art to their audience, we received it and offered it back again. 

I was fortunate to attend Awkward’s dance composition In The Space Between in the main theater and a reading of Wyzzard-Jones’ The Messenger in the studio. My reactions to those works are below. I was unable to see Guidry’s Theater of Union or attend The Audacity of Being Yourself conversation with Durand Bernarr, Victoria Awkward and Diovanna Frazier. It is my sincere hope for the artists involved that they received everything they wanted and needed from their work.  Continue reading

May 13

Dark and Violent/Full of Butterflies: “The Head Is Not the Star of the Body”

The ensemble of “The Head Is Not the Star of the Body;” Photo by Olivia Moon Photography.

Presented by Boston Dancemakers Residency Showcase
Directed and choreographed by Cassie Wang
Movement Collaborators and Past Contributors: Leah Misano, Juliet Paramor
Projection Artist by Genevieve Temple, Cassie Wang
Dramaturgy by Ilya Vidrin
Rehearsal Direction by Dara Nicole Capley
Lighting Design by Andrea Sala
Technical Direction by Anne Dresbach
Music by Big Thief
Performers: Gabriela Amy-Moreno, Hannah Franz, Sasha Peterson, Noli Rosen, Cassie Wang, Maude Warshaw

May 8 – 11, 2025 – in person
May 26–June 30, 2025 – virtual performance 
Boston Center for the Arts
Calderwood Pavilion
Martin Rehearsal Hall
527 Tremont St
Boston, MA 02116

Article by Kitty Drexel

BOSTON — Director and choreographer Cassie Wang’s choreopoem The Head is not the Star of the Body asked her audiences to consider longing in its purist form: raw emotion. Wang asked us, “How does longing reveal identity? How do we sit with someone else’s longing? How do we measure the distance between subjects of longing?” In the playbill’s Note From the Director, Wang leaned into her ask. She told her audience to prioritize feeling over thinking and to savor their responses. It’s a big ask; New England audiences are famously self-controlled.  It’s how we show respect. Continue reading

Dec 17

History, Memory, and Poetry in Motion: “Diary of a Tap Dancer”

The cast of “Diary of a Tap Dancer.” Photo: Nile Scott Studios and Maggie Hall

Presented by the American Repertory Theater
Written and Choreographed by Ayodele Casel
Directed by Torya Beard
Scenic Design by Tatiana Kahvegian
Costume Design by Camilla Dely
Projection Design by Katherine Freer
Lighting Design by Brandon Stirling Baker
Featuring Ayodele Casel, Naomi Funaki, Afra Hines, Quynn L. Johnson, Funmi Sofola, Liberty Styles, Annaliese Wilbur, Ki’Leigh Williams

Dec. 12, 2024 – Jan. 4, 2025
64 Brattle Street
Cambridge MA 02138

Information and tickets here

Article by Maegan Bergeron-Clearwood

Content advisory: This production contains racial slurs, discusses domestic violence and drug use, and includes historical references to enslaved and oppressed people. It also contains haze and flashing lights. Recommended for ages 13+.

CAMBRIDGE, Mass. — Ayodele Casel speaks dance. Diary of a Tap Dancer, Casel’s fittingly titled autobiographical play now running at the A.R.T., traces her lifelong relationship to this kinesthetic language, from her early days desperately searching for an expressive outlet, to her early career in a white- and male-dominated industry, and ultimately to the here-and-now: as a Black queer female artist on a stage in Boston, yearning to tell her own story in her own words while she has the time. The play also excavates Casel’s place within the broader context of dance history, gazing backward at the women who paved the way and forward toward the brilliant collaborators on stage with her.

Diary of a Tap Dancer is ambitious in scope, and it doesn’t hit every emotional beat with the same impact – but when it succeeds, it is resplendent. Continue reading

Oct 26

Some Restrictions May Apply: “Cirque of the Dead”

Photo is not representative of this year’s “Cirque of the Dead.” Still cool, though. 

Presented by the Boston Circus Guild with Circus 617
Written by Tim Ellis
Directed by Eileen Little
Dance Choreography by Mandy Hackman, Ellen Waylonis
Featuring: Alex Jackson, Ellen Waylonis, Jenna Ciotta, Mandy Hackman, Nana Okada, Rachel Barringer, Rin Judith, Tim Ellis, Tori Markwalder
The online playbill

Oct 24 – Oct 31, 2024
Arts at the Armory
Somerville, MA

Doors open 30 minutes before showtime. Runtime is about 90 minutes with a short intermission.
This show is 18+ only, due to graphic/disturbing content.

Review by Kitty Drexel

SOMERVILLE, Mass. — This year’s Cirque of the Dead chronicles the fictitious (or is it?) Cirque of the Dead Historical Society of the 1920s Somerville spiritualist movement. Watch as three psychic mediums materialize ectoplasm from their bodies and commune with the spirit realm to convince a team of Harvard professors (Go Crimson!) and one MIT adjunct (Go Tech!) of their gifts. Tim Ellis and Tori Markwalder emcee the event. How does this match up with the choreography of New Kids on the Block, N*Sync and the Backstreet Boys? Perhaps the boy bands are defenders against the dark arts? You’ll have to attend to find out! 

Supernatural phenomena abound as the occult battles rigid logic for truth equity amongst the masses. Patrons are welcome to dress up in their ookiest, spookiest costumes. The bar is open to distribute libations to 21+ living and nonliving attendees.   Continue reading

May 07

Glimpses of Brilliance: “Ailey Classics”

Photo: Alvin Ailey American Dance Theater in Alvin Ailey’s “For Bird – With Love.” Photo by Paul Kolnik

Presented by the Celebrity Series of Boston
Performed by the Alvin Ailey American Dance Theater
Alvin Ailey, founder
Judith Jamison, artistic director emerita
Matthew Rushing, interim artistic director

May 2 – 5, 2024
Boch Center, Wang Theatre
270 Tremont St.
Boston, MA 02116

Review by Craig Idlebrook

BOSTON, Mass. — Choreographer Alvin Ailey often felt the need to mask much of his private life to the public, but he unabashedly shared the emotion of his art with audiences. A publicly closeted gay Black man with bipolar disorder who grew up in the southern United States during the height of the brutality of the Jim Crow era, he staged heartfelt shows reflecting the highs and lows of Black life through dance.

In a 1973 New York Times Magazine interview, he said of his shows, “They are as honest and truthful as we can make them. I’m interested in putting something on stage that will have a very wide appeal without being condescending; that will reach an audience and make it part of the dance.”

That emotional integrity of Ailey’s work was evident in the recent staging of Ailey Classics, featuring excerpts of his most well-known works by the dance troupe he founded. More than 30 years after Ailey’s death, there were moments on stage when it felt as if he were personally greeting each member of the audience through his art. Continue reading

Feb 12

Flipping a Tragedy on Its Head: “Duel Reality”

Duel Reality – Mât Chinois, Credit: Arata Urawa

Presented by Arts Emerson
Originally produced and created with Virgin Voyages
Directed by Shana Carrol
Performed by The 7 Fingers
Based on Romeo and Juliet by William Shakespeare
Featuring Nicolas Jelmoni, Soen Geinaert, Danny Vrijsen, Einar Kling-Odencrants, Anni Küpper,
Andreas De Ryck, Aerial Emery ou Méliejade Tremblay-Bouchard, Andrew Price, Kalani June,
Arata Urawa
Music by Colin Gagné
Lighting by Alexander Nichols
Acrobatic Coach: Francisco Cruz

February 7-19, 2024
Emerson Cutler Majestic Theatre
219 Tremont St.
Boston, MA 02116

Review by Craig Idlebrook

BOSTON, Mass. — In a presidential election year, can American audiences find joy in a Shakespeare-based tragedy about red-versus-blue factionalism?

Yes, thanks to the joyous movement-based storytelling that The 7 Fingers artistic collaborative brings to the stage. This troupe dazzles by combining snippets of dialogue and the heart of Romeo and Juliet with an hour-long air-defying spectacle of acrobatics that is likely to leave you smiling and at the edge of your seat. Continue reading

Jun 26

Absurdly Cool, Athletic, Glorious: KAIROS Dance Theater and Renaissance Men present: “Folktales, Fables & Feasts”

Gorgeous poster art for the event.

Presented by KAIROS Dance Theater and Renaissance Men
Performed with Sound Icon Ensemble
Artistic Director/choreographer: DeAnna Pellecchia
Music director/conductor: Eric Christopher Perry
Rehearsal director: Kristin Wagner
Master of Ceremonies: Hieu Nguyen
Videographer: Christian de Rezendes, Breaking Branches Pictures
Film/video designer: Lindsay Caddle Lapointe
Dramaturgy by D. MacMillan

June 24 & 25, 2023
BU Tsai Performance Center
685 Commonwealth Ave
Boston, MA

BOSTON, Mass. — KAIROS Dance Theater with the Renaissance Men with the minty fresh instrumentals of Sound Icon Ensemble presented Folktales, Fables & Feasts, a playful cabaret-style music and dance concert on June 24 and 25 at the BU Tsai Center.  The dance was modern and the vocals were operatic, but the concert was satisfyingly new and jaunty.  Continue reading

Feb 13

Like Devils Over an Open Flame: “Sacre” by Circa

Circa performers in “Sacre.” O Robert Torres for CSB

Presented by Celebrity Series of Boston
Commissioned by Merrigong Theatre Company.
Co-produced by La Comete
Created by Yaron Lifschitz and the Circa Ensemble
Based on Igor Stravinsky’s Le Sacre du Printemps (The Rite of Spring)
Music by Philippe Bachman & Igor Stravinsky
Directed by Yaron Lifschitz

Feb. 9-11, 2023
Boch Center Shubert Theatre
265 Tremont St
Boston, MA 02116

Review by Kitty Drexel

Production warning: This production uses theatrical haze, smoke, and strobe effects. There are sections where the music will be loud.

Boston, MA — Circa contemporary circus’ Sacre is to the circus what Igor Stravinsky’s Rite of Spring (Le Sacre du Printemps) is to classical music. History has refined their cultural significance. Neither are intended for children or the faint of heart. 

The gatekeepers of classical music remember the May 29th, 1913 premiere of Stravinsky’s Rite of Spring for its violent riot at the Paris Théâtre des Champs-Élysées. While there are no official accounts, personal accounts from opera composer Giacomo Puccini and Le Figaro critic, composer, and musicologist Henri Quittard (whose infamy lives on to this day), described the production in terms of its barbarism and inelegance.  Continue reading

Dec 05

Slick Christmas Dreams: “‘Twas the Night Before…”


Presented by Cirque du Soleil
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November 25 – December 11th, Wednesdays Through Sundays, various times
Boch Center – Wang Theatre
270 Tremont St
Boston, MA 02116

Review by Craig Idlebrook

BOSTON — If you are an aspiring fiction writer in whatever genre and have a good idea for a Christmas-themed show, I suggest you pursue it. If our 365-day lust for Hallmark Christmas movies is any indication, there is always a need for more content, and, frankly, most of the ideas that are out there are mediocre at best.

Of course, as an honest critic, I should always take my own idiosyncrasies into account, and how it might differ from the viewpoint of others. I like a low-key Christmas season, and many people don’t, and this difference can color our perspectives on yuletide spectacle. Continue reading