Tag Archives: Nael Nacer

Oct 17

One Out of Three Ain’t Good: “A Number”

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Photo by Andrew Brilliant / Brilliant Pictures

Photo by Andrew Brilliant / Brilliant Pictures

Presented by New Rep Theatre
Written by Caryl Churchill
Directed by Clay Hopper

Oct. 10 – Nov. 1, 2015
Arsenal Center for the Arts
Watertown, MA
New Rep on Facebook

Review by Kitty Drexel

Apologies to the cast, crew and staff of A Number. Mrs. Drexel caught the sniffle plague and was unable to write intelligibly.

(Watertown, MA) Churchill throws us into the middle of the conflict: Salter (Dale Place) and son are violently discussing the son’s birth origins. Regardless of the half-truths Salter weaves, it is made clear that the Bernards (Nael Nacer) is one of any number of clones. The Bernards hate each other. Salter must come to terms with his rash decision to play God. In her pithy way, Churchill approaches identity, the morality of cloning by way of personal property, and the timeless conflict between nature and nurture. Continue reading →

Feb 24

The Intimacy of Lingerie: INTIMATE APPAREL

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Photo by Glenn Perry.

Photo by Glenn Perry.

Presented by Lyric Stage Company of Boston
Written by Lynn Nottage
Directed by Summer L. Williams
Music directed/compositions by Allyssa Jones

Feb. 13 – March 14, 2015
140 Clarendon St
Boston, MA
Lyric Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Intimate Apparel is a complicated show that discusses history, race, class, education, and gender in approximately two hours. It is summarized as being a play about a seamstress who crafts fancy underpants. She plans to open a beauty parlor but marries a man she’d only met through letters. It is so much more. Nottage gives a face to the women that history so frequently forgets: the sex workers, the day laborers, the socialites. The history books are filled to capacity with men who’ve changed history. Continue reading →

Jan 20

A Resounding Meh: A FUTURE PERFECT

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Photo credit: Craig Bailey/Perspective Photo

Photo credit: Craig Bailey/Perspective Photo. Beers were harmed in the making of this play.

Presented by SpeakEasy Stage Co.
Written by Ken Urban
Directed by M. Bevin O’Gara

Jan. 9 – Feb. 7, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Inside every adult there is an 18 year old wondering what the Hell just happened. It feels like just yesterday you were a shy teenager prepping for college. You blink and there you are, 38 and wondering how you got into this mess. It’s a surprise to discover that we’re the adults now, the guys in charge. We’re the very people we protested against in our teens and 20’s and now we have to pretend it’s OK. While the initial money/freedom is nice, the rest feels like strange and unusual punishment for our childhood sins. Adulthood blows. Continue reading →

Jun 23

He Who Watches the Watchers: PATTERN OF LIFE

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Nael Nacer as Rahmat Lewis D. Wheeler as Carlo; Photo: Courtesy of New Repertory Theatre.

Handsome devils: Nael Nacer as Rahmat, Lewis D. Wheeler as Carlo; Photo courtesy of New Rep/BCAP Facebook page.

Presented by New Repertory Theatre and Boston Center for American Performance (BCAP)
By Walt McGough
Directed by Bridget Kathleen O’Leary

June 14 – 29, 2014
Boston University Theatre – Lane-Comley Studio 210
264 Huntington Avenue
Boston, MA
New Rep on Facebook
BCAP on Facebook

Review by Kitty Drexel

(Boston) President Obama has received flak from all political sides for his decision to back govt.-sourced  drone proposals. It has been 5 years and 5 months since the CIA conducted the first strike during Obama’s term and he shortly thereafter ramped up the attacks in Pakistan, Somalia and Yemen. He went so far as to say that “he wrestle[s] with civilian casualties. But, he said, he has a solemn duty and responsibility to keep the American people safe. That’s my most important obligation as President and Commander-in-Chief. And there are individuals and groups out there that are intent on killing Americans — killing American civilians, killing American children, blowing up American planes.” (Huffington Post) While drone attacks have decreased once his numbers started suffering, attacks have not stopped entirely. Clearly, Obama “wrestles” with casualties enough to make a statement but not enough to discontinue drone use. Continue reading →

Sep 24

ADA Approved for the Mainstream: TRIBES

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photo

Photo: Craig Bailey/Perspective Photo; Erica Spyres and James Caverly conversating.

Presented by Speakeasy Stage Co.
by Nina Raine
directed by M. Bevin O’Gara

September 13 – October 12
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

There will be two ASL-interpreted performances:  Sunday, October 6 at 7PM and Friday, October 11 at 8PM.

Review by Kitty Drexel

(Southie) It is always a relief to see minorities portrayed by the Arts as their community deserves; with dignity, love and respect. We, the disabled, weren’t/aren’t always seen this way. It was (and still is) a commonly held belief of the Christian persuasion that people were born disabled as a punishment from God for sinning. This is despite Jesus saying that the disabled were walking, talking acts of God (John Chapter 9 verses 1-3). In specific, Christians used to believe that, since a deaf person couldn’t hear the word of God, they then couldn’t know God. Fast forward to modern day, the stigmas still exist even with the ADA protecting us. This is why it was so humbling to watch Speakeasy’s intelligent production of Tribes last Saturday. My hope is that this production is a sign that society is ready to welcome the disabled into the mainstream. Continue reading →

Sep 16

Brilliance and Bravery in New Rep’s “The Kite Runner”

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The Kite Runner adapted for the stage by Matthew Spangler.
Novel by the same name by author Khaled Hosseini.
Directed by Elaine Vaan Hogue.

Photo by Andrew Brilliant/ Brilliant Pictures.

Photo by Andrew Brilliant/ Brilliant Pictures.

Performances, September 9-30, 2012
New Repertory Theater
Charles Mosesian Theater
Arsenal Center for the Arts
321 Arsenal Street, Watertown, MA 02472

New Repertory Theater Facebook Page

Review by Kitty Drexel

(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading →

Apr 08

Community amidst Hostility: THE TEMPERMENTALS

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Steve Kidd, Will McGarrahan, Victor L. Shopov, & Shelley Bolman in The Temperamentals. Photo by Mark S. Howard

The Tempermentals by Jon Marans, Lyric Stage Company, 3/30/12-4/28/12, https://lyricstage.com/

main_stage/the_temperamentals/.

Reviewed by Craig Idlebrook

The oppressed can’t name their condition without fear of reprisal.  They can’t gather together.  They can’t escape their condition in the traditional refuges of family, community, friendship and sex.  Imagine trying to create change swimming against such a tide.  Continue reading →

Jul 22

1001: Do we make the stories or do the stories make us?

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1001 by Jason Grote, Company One, Boston Center for the Arts, 7/15/11- 8/13/11,  http://www.companyone.org/Season12/1001/synopsis.shtml.

Reviewed by Becca Kidwell

Clockwise from left: Ruby Rose Fox, Ben Gracia, Hampton Fluker, Lonnie McAdoo, Lauren Eicher, Nael Nacer

Scheherazade is back with new tales to tell. Based on 1001 Arabian Nights, Jason Grote takes the ancient tales and reworks them within a twenty-first century context.  The frame story and first inner story remain close to the time and arrangement of the original tales, but the further Scheherazade takes us in, the closer we get to our own reality.  Stories make up a large part of our lives from the fairy tales of childhood to the novels of our adulthood.  Is it what we bring to them that gives them life or what they bring to us that give us life? Company One’s 1001 attempts to answer these questions. Continue reading →