Tag Archives: Kitty Drexel

Nov 13

A Fantastical Happening in Manila: “Here Lies Love”

Posted on by


Presented by the Broadway Theatre
Concept & Lyrics: David Byrne
Music: David Byrne & Fatboy Slim
Directed by Alex Timbers
Music direction by J. Oconer Navarro
Choreography by Annie-B Parson
Fight direction by Jacob Grigolia-Rosenbaum
Cultural advocacy and facilitation by Sophia Skiles
July 20 – November 26, 2023
Broadway Theatre 
1681 Broadway
Between West 52nd and 53rd Streets
New York NY 10019

90 minutes with no intermission.

Review by Kitty Drexel

Post Update, 11/14/23: A previous version of this post misspelled Manila. Grammarly and auto-spellcheck are both jerks.  Our apologies. 

NEW YORK — Here Lies Love is slated to close on November 26. The good news is regional theatres should have access to performance rights soon. The bad news is, if you wanted to see it on Broadway, you have only a few weeks left.  

The Telecharge summary: “From Talking Heads frontman and songwriter of “Burning Down the House,” David Byrne; the beat master of “Praise You,” DJ Fatboy Slim and Tony®-winning director of Moulin Rouge! The Musical, Alex Timbers comes Here Lies Love. The Broadway Theatre is transformed into Club Millennium, where a young Imelda Marcos gets catapulted to a life of fame, excess, and intoxicating power after winning the hearts of two political rivals: Marcos and Ninoy Aquino.  Continue reading →

Nov 13

Queer and Loving It: “Dracula: A Comedy of Terrors”

Posted on by

Presented by New World Stages
Author: Gordon Greenberg and Steve Rosen
Director: Gordon Greenberg
Original Music/Sound Design by Victoria Deiorio 
Dialect coaching by Jerome Butler
Intimacy direction by Judi Lewis Ockler 
Puppetry design by Tijana Bjelajac
Schedule of Performances 
New World Stages / Stage 5 
340 West 50th Street
New York NY 10019

1 hour and 30 minutes, no intermission

Review by Kitty Drexel

NEW YORK — Dracula: A Comedy of Terrors is cutely queer. It isn’t in New England yet, but it could be when the rights become available. Performances are ongoing at New York’s New World Stages through November.

This Dracula, like so many of its predecessors, tackles Bram Stoker’s most famous novel with a modern spin and blatant sexual references. Persons seeking a severe homage to either the novel in letters or the 1992 film with Winona Rider and Gary Oldman should look elsewhere. This play lacks depth but makes up for it with absurd puppetry and the clever execution of thoughtful props. Continue reading →

Nov 06

Let the Sun and Light Come Streaming: “The Rocky Horror Show”

Posted on by

The Rocky Horror Show at CST! First Rehearsal! from Central Square Theater on Vimeo.

Presented by Central Square Theater 
Book, Music, & Lyrics by Richard O’Brien
Directed by Jo Michael Rezes & Lee Mikeska Gardner
Music Direction by Jack Cline
Choreography by Ilyse Robbins
Gender Consulting and Intimacy Direction by Shira Helena Gitlin
Equity, Diversity and Inclusion Consulting by Kira Troilo

October 26 – November 26, 2023
Central Square Theater
450 Massachusetts Avenue 
Cambridge, MA

Critique by Kitty Drexel

CAMBRIDGE, Mass. — I have a lot of personal feelings about The Rocky Horror Show. It is my favorite, and I had to shake off my preconceived notions of what a production should be to give a fair critique. 

Preferences aside, a critic asks and answers two questions when critiquing: What did the artist attempt to do? Did they do it? The rest of the article is opinionated fluff and dramaturgy. 

  1. What did Central Square Theater attempt? The company produced Richard O’Brien’s The Rocky Horror Show for CST’s beloved audience of MIT nerds and nerd allies. 
  2. Did CST do it? Yes. 

A potential third question is “Did they do it well?” This question is subjective. Multiple perspectives can be true at the same time.  Continue reading →

Nov 03

If We Were Inferior, They Wouldn’t Need Racist Laws to Hold Us Back: “Phillis in Boston” at the Old South Meeting House

Posted on by

Presented by Revolutionary Spaces
Written by Ade Solanke 
Directed by Regge Life
Featuring: Bobby Cius, Adreyanua Jean-Louis, Priscilla Manning, Joshua Olumide, Serenity S’rae 

November 3 – December 3, 2023
Old South Meeting House
310 Washington Street
Boston, MA 02108

Critique by Kitty Drexel

“On Being Brought from Africa to America”
By Phillis Wheatley 
“’Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
“Their colour is a diabolic die.”
Remember, Christians, Negros, black as Cain,
May be refin’d, and join th’ angelic train.”

BOSTON, Mass. — Revolutionary Spaces presents Phillis in Boston by Ade Solanke at the Old South Meeting House in Boston. Directed by Regge Life. Performances run approximately 90 minutes. There is no intermission. 

Phillis in Boston is an historical play about Phillis Wheatley, an African woman born in Gambia, who was kidnapped by slave traders around 1753 and sold into enslavement to the Wheatley family in Boston. Educated to read and write by the Wheatley family, she began to write poetry around the age of 14. Wheatley was admitted to Old South Meeting House’s segregated congregation when she was about 18 years old.  Continue reading →

Oct 16

Mischief and Devil’s Work: “Sweeney Todd” at Arrow Street Arts

Posted on by

Davron Monroe and Joy Clark. Photo Credit: chelcymariephotography

Presented by Moonbox Productions
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
From an Adaptation by Christopher Bond
Originally Directed on Broadway by Harold Prince
Directed by Ryan Mardesich
Choreography by Joy Clark
Music Directed by Dan Ryan
Fight choreography by Margaret Clark
Dramaturgy by Courtney Elkin Mohler

Oct. 13 – Nov. 5, 2023
Arrow Street Arts
2 Arrow Street
Cambridge, MA 02138
Audio Described Performances:
Sunday, October 29 at 3:00 pm &
Saturday, November 4 at 8:00 pm
Post-Show Talkbacks:
Sunday, October 22 with Director Ryan Mardesich and Music Director Dan Ryan

Content Advisory: Murder, Cannibalism, Sexual Assault, Gunshots, Violence.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Moonbox Productions welcomes audiences back to 2 Arrow Street with its inaugural production of Sondheim and Wheeler’s Sweeney Todd: The Demon Barber of Fleet Street. Performances run now through Nov. 5 in Cambridge.

Arrow Street Arts resides in the renovated space of what was once the A.R.T.’s Club Oberon (RIP). Moonbox stripped the location of its dark aesthetic and replaced it with bright, white paint The better to showcase cast information, and Moonbox’s production partner, the New England Innocence Project.  Continue reading →

Sep 30

“We Are the Land” Presented by the Wampanoag Nation with ArtsEmerson

Posted on by

Presented by ArtsEmerson
Written, created, and performed by members of the Wampanoag Nation 
Featuring: Aiden Andrews, Nelson Andrews Jr., Siobahn Brown, Melvin Coombs, Troy Currence, Hartman Deetz, Jasmine Goodspeed, Audreyana Sterling Harding, Kitty Hendricks, Stephen Hendricks, Vanessa Mendes, Asa Peters, Jim Peters, Paula Peters, Michelle St John, Carol Wynne

Originally produced by the Wampanoag Nation for performance at Theatre Royal Plymouth, UK

September 29 & 30, 2023
Emerson Cutler Majestic Theatre
219 Tremont Street Boston
Boston, MA 02116
Running time: 1 hour 15 min approx

Statement by Kitty Drexel
Review by Noelani Kamelamela

BOSTON, Mass. — ArtsEmerson presents We Are the Land. It is an historical account of colonization by the Wampanoag Nation for all audiences on September 29 and 30 at the Emerson Culter Magestic Theatre in Boston. 

It is my great privilege to serve the New England theatre community as a critic. Sometimes, as is the case of We Are the Land, it is my duty to serve as a historian and then step aside to make room for other voices. In a moment, I will cede space to Noelani.  Continue reading →

Sep 21

You Can Lie Down or Get Up and Play: An Interview with Taylor Mac on judy’s “24-Decade History of Popular Music: Film Screening & Discussion with Taylor Mac” event at Boston’s 2023 Raising Voices Festival

Posted on by

Taylor Mac (Photo courtesy HBO Max)

Event: 24-Decade History of Popular Music: Film Screening & Discussion with Taylor Mac
Presented as part of the Raising Voices Festival: A Celebration of Music, Art, and the Power of Protest
Saturday, September 23, 2023 @ 7:30pm EDT
Old South Meeting House
Boston, MA

More about the Raising Voices Festival 
Presented by Revolutionary Spaces
September 23 & 24, 2023
Downtown Boston: Various Locations
Performance Schedule & Map 
Admission is free. 
Registration is highly encouraged.

About the documentary film Taylor Mac’s 24-Decade History of Popular Music
Filmed on Saturday, October 8th, 2016 
@ St. Ann’s Warehouse
Brooklyn, NY 11202
Written and created by Taylor Mac 
Music direction by Matt Ray
Directed by Rob Epstein and Jeffrey Friedman 
Costume designs by Machine Dazzle 
Makeup artistry by Anastasia Durasova
Produced by Rob Epstein, Jeffrey Friedman, Joel Stillerman, Linda Brumbach, Alisa Regas, Taylor Mac, and Mari Rivera
HBO Documentary Films in association with Content Superba, a Telling Pictures and Pomegranate Arts Production in association with Fifth Season and Nature’s Darlings
Streamed on HBO Max

Interview by Kitty Drexel

BOSTON, Mass. — Taylor Mac graciously met the New England Theatre Geek’s Queen Kitty for an interview on Wednesday afternoon to discuss judy’s HBO documentary Taylor Mac’s 24-Decade History of Popular Music and the Raising Voices event 24-Decade History of Popular Music: Documentary & Discussion with Taylor Mac on Saturday, Sep 23, 2023, 7:30pm EDT. 

Mac regularly contributes to the Boston theatre-ecology. Mac’s stage play, Joy and Pandemic played at the Huntington in April of this year.  Mac’s 2012 essay “A Culture of Trust” was published in the 2022 publication of HowlRound Anthology: Essays and Conversations from the First Ten Years. Judy’s Hir was produced by Apollinaire Theatre in February 2020. (One of the last, lucky productions before the lockdown). And, of course, The Lily’s Revenge at Club Oberon (RIP) in 2012.

We thank Taylor Mac for their time and judy’s team for setting up the interview.

Mac was full of laughter. It was truly a pleasure to meet with judy. 

(The below interview is edited for grammar and clarity.)

//

Queen Kitty: Your Decade History of Popular Music History, you’ve described it as a radical fairy realness ritual.

Taylor Mac: Yes.

QK: It spans 24 decades with a 24-piece orchestra for 24 hours, singing 246 songs. What was your dramaturgical research process like? It’s just so much. It must have been so intense for you.

TM: It was a constant reminder that I’m not a historian. I’m not trying to be a historian, and I don’t want to be a historian. Part of the dramaturgy was to make sure that was clear to the audience. In all of the stage shows, in one form or another, that this was expressed to the audience. Continue reading →

Sep 19

Why Isn’t She President?: “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive”

Posted on by

From left: Laura Latreille, Monique Ward Lonergan, Lisa Yuen, Catia, and Crystin Gilmore. Photo by Nile Scott.

Presented by SpeakEasy Stage Company
By Selina Fillinger
Directed by Paula Plum
Fighting and intimacy choreography by Angie Jepson
Featuring Marianna Bassham, Johanna Carlisle-Zepeda, Catia, Crystin Gilmore, Laura Latreille, Monique Ward Lonergan, Lisa Yuen

Sept. 15 – Oct. 15, 2023
Audio Description: Friday, October 6, 2023 at 8pm; Saturday, October 14, 2023 at 2pm
Open Captioning: Saturday, October 7, 2023 at 8pm; Sunday, October 8, 2023 at 3pm
BCA Roberts Studio Theatre
527 Tremont Street
Boston, MA

Critique by Kitty Drexel

BOSTON, Mass. — POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive is hardcore intersectional feminism! It is raunchy*, it is absurd, and it is the funniest 110 minutes you’ll spend in the theatre this fall.

Paula Plum directs a cast of brilliant, multi-hyphenate actors in SpeakEasy’s production of POTUS at the Roberts Studio Theatre. Playbill summarizes POTUS thusly: “It’s just another (omg, wtf, LMFAO) day at 1600 Pennsylvania Ave. When a White House PR nightmare spins into a legit sh*tshow, seven brilliant and beleaguered women must risk life, liberty, and the pursuit of sanity to keep the commander-in-chief out of trouble. POTUS, or Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive is a bawdy and irreverent look at sex, politics, and the women in charge of the man in charge of the free world…” Continue reading →

Sep 18

No Perfect Options: “Break, Break”

Posted on by

The cast of “Break, Break.” Photograph by Paul Fox.

Presented by the Legion Theatre Project with Artists’ Theatre of Boston
By Erin Lerch
Directed by Josh Glenn-Kayden
Dramaturgy by Alison Yueming Qu
Intimacy consulting by Alex M. Jacobs
Featuring: Melissa DeJesus, Jordan Palmer, Steve Auger, Michael J Blunt, Chris Everett

September 15-23, 2023
BCA Black Box Theatre 
539 Tremont St
Boston, MA

Critique by Kitty Drexel

Attendees of Break, Break are asked to remain masked to protect the actors and each other. Masks are generously provided to attendees who forget to bring one. 

BOSTON, Mass. — The Legion Theatre Project and the Artists’ Theatre of Boston present Break, Break playing at the Boston Center for the Arts through Sept. 23. Break, Break is a continuation of the Legion Cycle by Erin Lerch. 

Recent performances within the science fiction realities of the “unapologetically queer, stubbornly hopeful” The Legion Cycle include Flat Earth Theatre’s reading of Pinch Point in March 2023 and Shrike by Fresh Ink Theatre in January 2022 and 2020. Podcast fans may listen to the Legion Tapes (one of the best projects to come out of the COVID lockdown tragedy. Lemons into Lemonade.) at https://www.thelegiontapes.com/. 

Aliens! The time is about now in a place close to here. The Legion have descended upon Earth. As humanity prepares for world peace or world catastrophe, the staff of Western Pennsylvania radio station, WCRP, 103.7, do their best to spread any available news about the invasion.  Continue reading →

Sep 15

How mortal Gods can be: “The Half-God of Rainfall”

Posted on by


This trailer is so cool!
Presented by American Repertory Theater
A co-production with the New York Theatre Workshop
By Inua Ellams
Directed by Taibi Magar
Movement Direction by Orlando Pabotoy
Orisha Movement Consulting/Choreography by Beatrice Capote
Intimacy Direction by Ann James
Voice & Dialect Direction by Dawn-Elin Fraser
Dramaturgy by Iyvon E.
Projection design by Tal Yarden
Physical therapy by Artistic Athlete Health Collective

Sept. 8 – 24, 2023
Loeb Drama Center
64 Brattle Street
Harvard Square
Cambridge, MA

This production contains haze, fog, flashing lights, and loud sounds, and stages sexual and physical violence. A.R.T. recommends it for ninth grade and up.

Review by Kitty Drexel

CAMBRIDGE, Mass. — The American Repertory Theater presents Inua Ellams’ The Half-God of Rainfall at the Loeb Drama Center in Harvard Square through Sept. 24. Directed by Taibi Magar, it tackles human concerns of identity, immortality, and generational trauma through the marriage of Greek and Yoruba storytelling and NBA basketball. 

The Half-God of Rainfall is about Demi (Mister Fitzgerald), a half-Nigerian/half-Greek son of serial abuser, Zeus King of the Greek Gods. Demi reconciles his holy parentage as he achieves fame and fortune as an NBA player. His journey takes him from rural Nigeria, across the United States, to Mount Olympus.  Continue reading →