May 07

Glimpses of Brilliance: “Ailey Classics”

Photo: Alvin Ailey American Dance Theater in Alvin Ailey’s “For Bird – With Love.” Photo by Paul Kolnik

Presented by the Celebrity Series of Boston
Performed by the Alvin Ailey American Dance Theater
Alvin Ailey, founder
Judith Jamison, artistic director emerita
Matthew Rushing, interim artistic director

May 2 – 5, 2024
Boch Center, Wang Theatre
270 Tremont St.
Boston, MA 02116

Review by Craig Idlebrook

BOSTON, Mass. — Choreographer Alvin Ailey often felt the need to mask much of his private life to the public, but he unabashedly shared the emotion of his art with audiences. A publicly closeted gay Black man with bipolar disorder who grew up in the southern United States during the height of the brutality of the Jim Crow era, he staged heartfelt shows reflecting the highs and lows of Black life through dance.

In a 1973 New York Times Magazine interview, he said of his shows, “They are as honest and truthful as we can make them. I’m interested in putting something on stage that will have a very wide appeal without being condescending; that will reach an audience and make it part of the dance.”

That emotional integrity of Ailey’s work was evident in the recent staging of Ailey Classics, featuring excerpts of his most well-known works by the dance troupe he founded. More than 30 years after Ailey’s death, there were moments on stage when it felt as if he were personally greeting each member of the audience through his art. Continue reading

Apr 30

Nothing Feeds A Hunger Like A Thirst: “A Strange Loop”

Kai Clifton (center) and the company. Maggie Hall Photography.

Presented by SpeakEasy Stage Co and The Front Porch Arts Collective
Book, Music and Lyrics by Michael R. Jackson
Directed by Maurice Emmanuel Parent 
Music direction by David Freeman Coleman
Choreography by Taavon Gamble
Intimacy Direction by Greg Geffard
Dramaturgy by Elijah Albert-Stein

April 26, 2024 – May 25, 2024
The Calderwood Pavilion at the BCA
Boston, MA

Critique by Kitty Drexel

BOSTON, Mass. — SpeakEasy Stage Company and The Front Porch Arts Collective’s A Strange Loop at the BCA is fucking amazing and you should see it now. It is a voluptuous Möbius strip tease perpetually feeding excellence into itself from the smallest prop by Emme Shaw to the Lil Nas X’s Montero-like intimacy direction by Greg Geffard up to the highest heights of Kai Clifton’s fluid vocal ornamentation. Get your tickets.  Continue reading

Apr 15

Uncle Barney Wasn’t Particular: “The Birthday Party”

The cast. Photo credit: Nile Scott Studios.

Presented by Praxis Stage
By Harold Pinter
Directed by James Wilkinson

April 11- 28, 2024
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150

Article by Kitty Drexel

CHELSEA, Mass. — Praxis Stage did everything right. It collected a great cast; it hired James Wilkinson to direct. Pinter’s The Birthday Party is an absurd play, but it’s tight. Sometimes, even when all the elements of success are there, you still fall short. 

Meg (Sharon Mason) and Petey (Paul Valley) run a boarding house in a sleepy seaside town. Despite being on a prestigious list of boarding houses, they have only one tenant, Stanley (Zair Silva). Lulu (Darya Denisova) arrives to taunt Stanley and deliver a package for Meg. All is well until Meg & Petey receive two new guests, Goldberg (Daniel Boudreau) and McCann (Kevin Paquette).  Continue reading

Mar 19

The Ice Mastodon Cometh: “The Impracticality of Modern-Day Mastodons”

Maraj and Neal Photo by Johanna Bobrow.

Presented by Theatre@First
by Rachel Teagle
Directed by Jess Viator

March 15–23, 2024
Unity Somerville
6 William Street
Somerville, MA 02144

Please note: Unity Somerville is not wheelchair accessible. There are stairs leading down to the performance space.  

Digital Playbill

Content note: Please be advised this show contains implied explosions, described violence, allusions to domestic violence, discussions of terminal illness, and homophobic and racially insensitive microaggressions.

Review by Kitty Drexel

SOMERVILLE, Mass. — Theatre@First’s plucky production of Rachel Teagle’s The Impracticality of Modern-Day Mastodons is lots of fun! It runs at Unity Somerville church through March 23.  

Jess’s (Angele Maraj) life is chugging along – could be better, could be worse – when, one day, the world’s population wakes to discover their childhood dreams have come true! Jess awakes as a mastodon (never to be confused with a mammoth), tusks, and all because Buster (Juan Jose Boschetti) wished everyone’s wishes would come true.  Continue reading

Mar 13

 Accident, Illness, or Genetics: “Cost of Living”

Sean Leviashvili (left) and
Gina Fonseca. Nile Scott Studios.

Presented by SpeakEasy Stage Company 
By Martyna Majok
Directed by Alex Lonati
Intimacy direction by Jesse Hinson
Dramaturgy by Nontani Weatherly
Community liaison: Brennan Srisirikul 
Occupational therapy consultant: Beth Cashin
Featuring: Lewis D Wheeler, Gina Fonesca, Sean Leviashvili, Stephanie Gould 

March 13 – March 30, 2024
Calderwood Pavilion at the Boston Center for the Arts
Roberts Studio Theatre 
527 Tremont Street
Boston, MA

1 hour 40 minutes with no intermission. 

Review by Kitty Drexel

BOSTON, Mass. — SpeakEasy Stage’s Cost of Living by Martyna Majok is playing at the Boston Center for the Arts. It has themes of intimacy and loneliness. It is not appropriate for children. 

Eddie (Lewis D Wheeler) and his estranged ex-wife Ani (Stephanie Gould) reunite unexpectedly after she is paralyzed in an accident. John (Sean Leviashvili), a PhD student with cerebral palsy, hires Jess (Gina Fonseca) as his aide. Cost of Living examines our inherent need for connection while taking a hard look at monetary and physical privilege. Continue reading

Mar 11

All I Ever Wanted Was to Not Have to Act Normal (Gurl, same): “The Antelope Party”

Photo by Danielle Jacques.

Presented by Apollinaire Theatre Company
By Eric John Meyer
Directed by Brooks Reeves
Stage Manager: Kaleb Perez
ASMs: Miguel Dominguez, William Benjamin
PA: Alexandra Gregory
Scenic & Sound Design: Joseph Lark-Riley
Costume Design: Elizabeth Rocha
Lighting Design: Danielle Fauteux Jacques

February 23-March 17, 2024
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150
Directions

Runtime is approximately 120 minutes with one intermission.

Critique by Kitty Drexel

CHELSEA, Mass. — Playwright Meyer thoroughly researched the radicalization of marginalized internet communities to write his play. The Antelope Pary is an accurate depiction of the marginalized-person-to-political-extremist pipeline on a reduced schedule. He layers insidious nuances such as tolerance to intolerance and manipulation of social dynamics to reveal his characters’ layers of deception. Meyer shows us how insecure but privileged persons may inflict great violence when they take up the mantle of powerlessness in a world they feel has left them behind.

The Antelope Pary is also about Bronies. Theatre about My Little Pony: Friendship is Magic is easier to consume than another drama about the alt-right. Its message is the same: any community can be radicalized to extremist beliefs given the right conditions and environment. The argument and casual rejection that a community as fluffy as the Bronies could lead to violence is the point. Disbelief is a weapon.  Continue reading

Mar 08

“Eurydice” Revisits and Revives Myth and Memory

Eurydice (Sydney Mancasola) descends into the Underworld. Photo by Nile Scott Studios.

Presented by The Boston Lyric Opera
Music by Matthew Aucoin
Conducted by Matthew Aucoin
Libretto by Sarah Ruhl
Based on the play by Sarah Ruhl
Stage Direction, Set, & Costume Design by Douglas Fitch
Sung in English with English surtitles

March 1-10, 2024
The Huntington Theater
264 Huntington Avenue
Boston, MA 02115

The Digital Playbill

Running time: 2 hours and 20 minutes, including one 20-minute intermission

Review by Gillian Daniels

BOSTON, Mass – “This is what it is to love an artist: the moon is always rising above your house,” Sydney Mancasolaw sings as the newly dead Eurydice. “The houses of your neighbors are dark and dull.”

Continue reading

Feb 24

It’s not just about becoming a man; it’s about becoming a Good Man: “Becoming a Man”

“Becoming a Man” at the A.R.T. Photo by Nile Scott Studios and Maggie Hall.

Presented by the American Repertory Theater
Written by P. Carl
Directed by Diane Paulus and P. Carl
Music & Sound Design by Paul James Prendergast
Video Design by Brittany Bland
Fight Direction by Ted Hewlett
Intimacy Coordination by Kayleigh Kane
Dramaturgy by Ryan McKittrick

Feb. 16 – March 10, 2024
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138

The Digital Playbill

Run Time: 1 hour and 50 minutes with no intermission, including a 20-minute Act II discussion

Image by Mass Transgender Political Coalition

At this time of celebration for P. Carl, the LGBTQIA+ community mourns the murder of Nex Benedict. Benedict was a 16-year-old 2SLGBTQ+ child of Choctaw descent living on the Cherokee reservation in Oklahoma. A vigil for Nex Benedict will be held tonight, February 24 at 6 PM at the Boston Commons Gazebo in Boston, MA.

MORE INFO and info on volunteering for the vigil

Review by Kitty Drexel, queer ally followed by a review by Noelani Kamelamela, trans community member

CAMBRIDGE, Mass. — Becoming a Man by P. Carl runs at the American Repertory Theater through March 10 at the Loeb Drama Center in Harvard Square. It is based on the memoir of the same name also by P. Carl and can be purchased down the street from the Harvard Coop or your local independent bookseller. 

Becoming a Man is about P. Carl’s (Petey Gibson) transition into his full self and the impact it has on his entire world. Carl comes out to his parents (Christopher Liam Moore and Susan Rome) while caring for their aging bodies. He confides in his best friend Nathan (Cody Sloan) during necessary sanity breaks away from the city. Carl celebrates his gender euphoria with swimming lessons with Eddie (Justiin Davis).  Continue reading

Feb 19

You Are Worth More Than Mere Survival: “The Manic Monologues”

“The Manic Monologues” cast; Photography: Nikolai Alexander, FPoint Productions

Presented by Moonbox Productions
Part of the Turning the Tide Project
By Zachary Burton and Elisa Hofmeister
Directed by Brad Reinking
Turning the Tide Director: Kara Crumrine
Mental health production consultant: Sara Burd
Featuring: Ethan DePuy, Cristhian Mancinas-Garcia, Liza Giangrande, Katie Kendrick, Mal Malme, Cidalia Santos

February 16 – 25, 2024
Arrow St Arts
2 Arrow Street
Studio
Cambridge, MA 02138

Audio Described Performance:
Saturday, February 24 at 8:00 pm

ASL Interpreted Performances:
Friday, February 23 at 8:00 pm
Saturday, February 24 at 3:00 pm
Saturday, February 24 at 8:00 pm
Sunday, February 25 at 3:00 pm

Captioned Performances:
All Manic Monologues performances will feature open captioning.
Running Time: 110 minutes, no intermission, includes a community conversation

Review by Kitty Drexel

Please note: The Manic Monologues has themes of emotional violence and self-harm. The stories are true but not necessarily true for the actor performing the monologue. Attendees should consider their own needs and triggers when attending. 

CAMBRIDGE, Mass. —  The Manic Monologues is a play/community discussion in the tradition of The Vagina Monologues by V (formerly Eve Ensler). It is a series of monologues and one-sided dialogues about mental illness written and performed to disrupt the stigma and shame surrounding mental illnesses such as bipolar disorder, obsessive-compulsive disorder, schizophrenia, autism, depression, anxiety disorders, and others.  Continue reading

Feb 18

You Don’t Have to Apologize for Existing: “John Proctor is the Villain”

Left to right: Brianna Martinez, Jules Talbot, Victoria Omoregie, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Presented by The Huntington
By Kimberly Belflower
Directed by Margot Bordelon
Dramaturgy by Lauren Halvorsen
Choreography by Victoria L Awkward 
Fight and Intimacy Direction by Jessica Scout Malone
Voice and dialect coaching by Christine Hamel

February 8 – March 10, 2024
The Huntington @ Calderwood/BCA
527 Tremont St. 
Boston, MA 02116

Review by Kitty Drexel

BOSTON, Mass. — It’s simple: believe girls. Believe women. Believe femme non-binary persons. Believe gender-expansive people who don’t fit your idea of how a person should look. Believe our stories. We don’t want fame. We want due process.  

The Huntington’s John Proctor is the Villain running through March 10 at the BCA is an age-old story of victim blaming and abuser protection.  Four teen girls (Brianna Martinez, Victoria Omoregie, Jules Talbot, and Haley Wong) are coming of age in post-#MeToo Appalachia. The four best friends and their bro classmates (Maanav Aryan Goyal, Benjamin Izaak) are taught by the school’s coolest homeroom teacher, Mr. Smith (Japhet Balaban), and new counselor Ms. Gallagher (Olivia Hebert).  Continue reading