Tag Archives: MA

Jan 22

Sweetness Through Unbearable Cruelty: “The Color Purple”

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Lovely Hoffman in The Color Purple. Photo by Glenn Perry Photography

Presented by Speakeasy Stage Company
Based on the novel written by Alice Walker and the Warner Bros/Amblin Entertainment motion picture of the same name
Book by Marsha Norman
Music and lyrics by Brenda Russell, Allee Willis, Stephen Bray
Directed by Paul Daigneault
Musical direction by Nicholas James Connell
Choreography by Christian Bufford

January 10 – February 8, 2014
Stanford Calderwood Pavilion
Boston Center for the Arts
527 Tremont St
Boston, MA
Speakeasy on Facebook

Review by Kitty Drexel

Two Disclaimers:
1. Brief nudity is used to abruptly symbolize the stark differences between the lives of Shug and Celie. Prudes should stay at home.
2. This is a musical predominantly about Black women. The only role White people play are as silent, historically accurate oppressors. Racists and sexists won’t enjoy themselves either.

(Boston) The Color Purple is exquisite. It is a tour deforce presentation of musical theatre at its finest. With only one small hiccup, this production achieves greatness on the stage. Run, do not walk, as fast as you are able and get tickets to this show. Do it. Continue reading →

Jan 21

Gritty Art: THE DEVIL’S MUSIC – THE LIFE AND BLUES OF BESSIE SMITH

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Photo by John Quilty.

Photo by John Quilty.

Presented by Merrimack Repertory Theatre
By Angelo Parra
Concept, Musical Staging, and Direction by Joe Brancato

January 9th – February 2nd, 2014
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell) Do you know the blues?  I mean really know the blues?

I’m not talking about some wannabe pop singer appropriating the blues to make the crowd gasp on American Idol.  I’m not talking about the rock n’ roll hybrid blues that the Rolling Stones used to distance themselves from the Beatles.  I’m talking the unsanitized blues, rife with onion-skin-thin innuendo about graphic sex and domestic violence.  It’s raw and splintered music, the kind where you can taste hunger and oppression and yet you laugh so you don’t cry. Continue reading →

Jan 16

“The Haberdasher!” A Tale of Derring-Do

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Photo Credit: Brett Marks

By Walt McGough
Presented by Argos Productions
Directed by Brett Marks
Fight Direction by Angie Jepson

January 11 – 25, 2014
Boston Playwrights’ Theatre
949 Commonwealth Avenue, Boston MA
Argos Productions on Facebook

(Boston) Well, this season theatre has really shown Boston that girls can kick some serious butt.  From the A.R.T.’s Robin Hood, to Imaginary Beast’s winter Panto Rumplestiltskin, we’ve seen our share of swashbuckling dames on the Boston stage this winter.  The Haberdasher! doesn’t buck the trend and delivers ungenderbiased asskickery in the form of rapier-crossing adventure and witty banter.

Simply and sweetly: this is a fun show with high entertainment value that would be particularly attractive to the young or young-at-heart. Continue reading →

Jan 15

Potty humor, Puns and a Ripping Good Time: “Rumpelstiltskin, or All That Glitters”

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Photo credit: Roger Metcalf. The cast is wonderful – whether they wore pants or not.

Presented by Imaginary Beasts
Conceived and directed by Matthew Woods
Written by The Ensemble
Choreography by Kiki Samko, Daniel J. Raps, and The Ensemble

January 11 – February 1, 2014
Plaza Black Box Theatre
BCA
Boston, MA
Imaginary Beasts on Facebook

(Boston) The low-brow humor of the pantomime* is not for everyone. Not unlike the like satyr plays of the ancient Greeks, panto isn’t intended to educate an audience but to show it a ripping good time. It’s a celebration of adult immaturity heaping with potty humor, puns and physical comedy. Imaginary Beasts’ winter pantos deliver this and so much more. This year’s treat, Rumpelstiltskin, or All That Glitters, packs in the family-inappropriate funny while also tantalizing the brain with witty pop culture references, dance, and a dash of Alice in Wonderland. You can’t bring a kid to a satyr play but you should bring your baby of any age to Rumplestiltskin. Continue reading →

Jan 14

Uncivil Attempts at Domestication : “Venus in Fur”

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Photo: T. Charles Erickson. This show is not for children of any ages.

 

Presented by Huntington Theatre Company
By David Ives
Inspired by the novel by Leopold von Sacher Masoch
Directed by Daniel Goldstein

Jan. 3 – Feb. 2, 2014
Avenue of the Arts
BU Theatre
Boston, MA
Huntington Theatre on Facebook

This show is not for children. Don’t take them unless you like paying for visits to the psychologist.

 

 

 

***Potential Trigger Warnings***

(Boston) The misogynistic pop hit, “Blurred Lines” blew up the radios last summer. For those unfamiliar with the tune, vocalists Robin Thicke, Pharrell Williams and rapper T.I. engage in sexist boondoggle to try to convince the object of their bleeting to sleep with them. “Blurred Lines” is about coercion. In a sexual context, coercion is rape. There is nothing blurred about the lyrics used in their song (as explained here and here).

In other contexts “blurred lines” can be a metaphor for the skewed boundaries between two or more characters entering into unknown relationship territory. For example, in Huntington Theatre Co’s Venus in Fur the lines between characters and their roles in the story arc are blurred. Thomas and Vanda begin the play as strangers with a clearly defined characters. Over the course of the play, who they are as individuals and to each other is disrupted when fate plays her hand. Continue reading →

Jan 13

Questions That Shouldn’t Be Answered: IMAGINING MADOFF

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Joel Colodner as Solomon Galkin and Jeremiah Kissel as Bernard Madoff in IMAGINING MADOFF by Deborah Margolin. Photos by Andrew Brilliant / Brilliant Pictures

Joel Colodner as Solomon Galkin and Jeremiah Kissel as Bernard Madoff in IMAGINING MADOFF by Deborah Margolin. Photos by Andrew Brilliant / Brilliant Pictures.

Presented by New Repertory Theatre
by Deborah Margolin
Directed by Elaine Vaan Hogue

Arsenal Center for the Arts
Watertown, MA
January 4th – 26th, 2014
New Rep on Facebook

Review by Craig Idlebrook

(Watertown) It is in our genetic makeup to try and understand what we cannot comprehend, no more so than when we are confronted with evil that makes a mockery of human decency. We want to know what makes the mass murderer different from us so badly that we desperately try to project understanding when there is none to be had.

Unfortunately, this tends to make us seek black and white answers to complex and disturbing questions. Growing up in a Roman Catholic household, I kept asking my mother who was in Hell besides Hitler. She would pause and respond, “Mussolini.” That was always the end of the conversation. Continue reading →

Jan 08

Back to Basics for “History 101”

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Graphic taken from the “History 101” Facebook event page.

presented by ImprovBoston
Written by James Ferguson
Directed by  A. Vincent Ularich

Performances January 11, 18, 25 only – get ’em while they’re hot!
40 Prospect St
Cambridge, MA
ImprovBoston on Facebook
History 101 FB event Page

Review by Gillian Daniels

(Cambridge) Improbable and strange at the best of times, delving into the subject of history seems like an excellent move for a troupe over at ImprovBoston. Writer James Ferguson and director A. Vincent Ularich riff on notable, ancient, and over-the-top historical anecdotes. The skits vary between silly to stark, but the common thread running through all of them is far too loose to stitch the show together. Continue reading →

Jan 07

As in Life, “Working” is a Mixed Bag

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Photo by Mark S. Howard for Lyric Stage Co of Boston; The Cast.

Presented by The Lyric Stage Company of Boston
Based on the book, Working: People Talk About What They Do All Day and How They Feel About What They Do, by Studs Terkel.
Adapted by Stephen Schwartz and Nina Faso.
Additional contributions by Gordon Greenberg. Songs by Craig Carnella, Micki Grant, Lin-Manuel Miranda, Mary Rodgers and Susan Birkenhead, Stephen Schwartz, James Taylor.
Directed & Choreographed by Ilyse Robbins
Music Direction by Jonathan Goldberg

January 3 to February 1, 2014
140 Clarendon St.
Boston, MA
The Lyric on Facebook

Running time: Approximately 1 hour and 45 minutes with no intermission.

Review by Kitty Drexel

Boston) Studs Terkel’s book Working: People Talk About What They Do All Day and How They Feel About What They Do is a collection of essays/interviews with Americans in the workforce. It spans a variety of jobs and careers while exploring the motivations behind the work the subjects do. The employed and unemployed look for recognition, justification and greater purpose looking for recognition in the work that we do. The musical, Working adapted by Stephen Schwartz and Nina Faso, uses samples from Terkel’s book to bring the dialogue to the stage. Continue reading →

Jan 02

Admiral Kittypants Announces 2014 Dates

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Mascot, Admiral Dudley T. Kittypants

Updated – January 2, 2014
New England Theatre Geek presents Admiral Kittypants: A Creative Coterie
For more information, please contact: Kitty Drexel, Queen Geek at blognetheatregeek@gmail.com

Admiral Kittypants seeks performers for its 2014 events

Event dates:
January 19th, 1pm – 3pm
February 23rd, 11am – 1pm
March 23rd, 12pm – 2pm
April 20th, 3pm – 5pm
May 18th, 3pm- 5pm
June 22nd, 3pm-5pm
July 20th, 11am-1pm
August 24th, 2pm – 4pm
Democracy Center, Cambridge, MA
Suggested $5 donation to benefit The Democracy Center

Cambridge, MA – New England Theatre Geek announces the next events for Admiral Kittypants: A Creative Coterie. Performers are encouraged to submit their monologues, sets, songs, solo, performance piece, etc. to blognetheatregeek@gmail.com for consideration. Kittypants is a creative community experiment that promises performers of all stripes and polka dots the opportunity to play with their art in a relaxed, safe space before performing it on the stage.

Those interested in presenting are encouraged to contact New England Theatre Geek for more information. Dramaturges, Directors, Music Directors, Composers, Choreographers, Stage Managers and the ilk interested in more information or in hosting an event should do the same.

Kittypants events will be held monthly and announced on www.newenglandtheatregeek.com and on Facebook, https://www.facebook.com/AdmiralKittypantsFFA

Admiral Kittypants: A Creative Coterie is a creative community experiment that gives performers the opportunity to play with their art in a safe space before performing it on the stage. If it’s in moderate taste* and you want feedback, we can provide a constructive audience.

New England Theatre Geek is a pro-theatre, intellectually-bent theatre blog that features reviews and articles to excite and educate theatre audiences. We respect theatre professionals and amateurs and review with the intent of getting people interested in going to the theatre. We do write objectively and point out large flaws in productions for the benefit of the audience and the theatres. In this economy, audience members are looking for quality and value, and we want them to feel comfortable with expensive ticket purchases. In addition, we do not want one production to prevent a theatre from developing repeat business.

*Moderate Taste: Some, but not full, nudity; light cursing; stage combat and references to violence are acceptable; sexism, racism, and other -isms without warrant are strongly discouraged.

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Dec 19

Sex, Lies & Antlers: “The Eight: Reindeer Monologues”

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Presented by Happy Medium Theatre Company
By Jeff Goode
Directed by Mikey DiLoreto and Lizette M. Morris

December 17-22, 2013
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The Factory Theatre
791 Tremont St. Boston, MA
Happy Medium Theatre on Facebook

Review by Danielle Rosvally

(Boston) Difficult issues are difficult to tackle. It seems simplistic to put things this way, but of the theatre I’ve seen which attempts to handle “BIG PROBLEMS”, the vast majority is markedly ineffective.

This comes from a variety of factors: it’s easy to devolve into bad writing habits when you’ve got a hot-button issue on your hands. I wish I could tell you how many times I’ve been bludgeoned with the two-by-four of justice or honestly by a well-meaning playwright who was simply trying to engage with society’s greater schema. Unfortunately, those instances have been so traumatic that I’ve managed to wipe most of them from my memory and replaced them with visions of dancing sugarplums. Continue reading →