Jan 15

Potty humor, Puns and a Ripping Good Time: “Rumpelstiltskin, or All That Glitters”

Photo credit: Roger Metcalf. The cast is wonderful – whether they wore pants or not.

Presented by Imaginary Beasts
Conceived and directed by Matthew Woods
Written by The Ensemble
Choreography by Kiki Samko, Daniel J. Raps, and The Ensemble

January 11 – February 1, 2014
Plaza Black Box Theatre
BCA
Boston, MA
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(Boston) The low-brow humor of the pantomime* is not for everyone. Not unlike the like satyr plays of the ancient Greeks, panto isn’t intended to educate an audience but to show it a ripping good time. It’s a celebration of adult immaturity heaping with potty humor, puns and physical comedy. Imaginary Beasts’ winter pantos deliver this and so much more. This year’s treat, Rumpelstiltskin, or All That Glitters, packs in the family-inappropriate funny while also tantalizing the brain with witty pop culture references, dance, and a dash of Alice in Wonderland. You can’t bring a kid to a satyr play but you should bring your baby of any age to Rumplestiltskin. Continue reading

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May 01

Life Lessons in a Lull: TROILUS AND CRESSIDA

photo credit: Stratton McCrady

Troilus and Cressida by William Shakespeare, Actors’ Shakespeare Project, The Modern Theatre, 4/25/12-5/20/12, http://www.actorsshakespeareproject.org/events/troilus-and-cressida-0.

Reviewed by Craig Idlebrook

(Boston, MA) There are two major ways to connect audiences to Shakespeare, despite the tricky language: you can glitz up the production so theatergoers don’t realize their brains are doing heavy-lifting (a la Baz Luhrmann’s seizure-inducing Romeo and Juliet) or make sure you serve up quality and let the script speak for itself.  Tina Packer consistently has chosen the second option in her body of work.   Continue reading

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