Sep 23

“Twilight: Los Angeles, 1992:” An Ongoing American Saga

Photo via www.newtontheatrecompany.com

Presented by Newton Theatre Company
Written by Anna Deavere Smith
Directed by Rosalind Bevan
Starring Regan Sims 
Online program

September 17-18, 8 PM
September 19, 2 & 8 PM
Hyde Community Bandshell
Lincoln Street, Newton Highlands
Newton Theatre Co on Facebook

Review by Afrikah Smith

NEWTON, MA ⸺ Almost three decades after its premiere, Twilight: Los Angeles, 1992 still holds truth to issues of race and class in America. Despite years after the 1992 LA riots, we are stuck in a vacuum where we have yet to include and acknowledge the context, text, and subtext of the ways in which racism and institutional systems prevail and create distance in making progress in the United States. Anna Deavere Smith’s use of verbatim theatre fights against this and creates conversation; giving a platform for those heavily affected.

Sitting outside in dark, grey weather, the atmosphere began light-hearted. Community members greeted and welcomed each other before the rain began to drizzle. Enter, Regan Sims: tall, poised, and quiet. Continue reading

Sep 21

Don’t Hate the Players, Hate the Stage: Shit-Faced Shakespeare’s “A Midsummer Night’s Dream”

One of the SGS: AMSND casts; Photo credit- Nile Scott Studio.

Presented by Shit-faced Shakespeare®
The Saturday night cast:
Compere (the host)- Tyler Rosati
Hermia- Elizabeth Hartford
Demetrius- Evan Turissini
Lysander- Sam Fidler
Helena- Grace Graham
Puck- Brett Milanowski
Lights and sound- Sarah Morin

Sept. 16 – Dec. 4 at 7PM
The Rockwell Theater
Davis Square
Somerville, MA
SFS social media: shitfacedshake; Sfacedshakespeare.us

Review by Kitty Drexel

“All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts…”

SOMERVILLE, Mass. — The premise of Shit-Faced Shakespeare: A Midsummer Night’s Dream is simple: there’s a cast of five actors performing an abridged version of Shakespeare’s play. One of them is very drunk. The drunk actor changes every performance, as does the cast. A mediator, the Compere (Tyler Rosati), opens the show and keeps the drunk person on task. 

Before the show, the Compere gives the audience three tools to make the performance more interesting. A gong and cowbell, when played, mandate that the drunkard must imbibe another drink. A bucket is employed when the drunkard has had too much. It assumed that the gong and bell are used once each but the trove of onstage beverages kept for this purpose held many more than two. A bucket-holder, bless them, will know if the bucket is needed more than once from the muffled sounds of discomfort echoing from the drunkard.  Continue reading

Sep 04

Pawpaw Trees are the Gateway to Orgiastic Ritual: “Hurricane Diane”

Jennifer Bubriski, Kris Sidberry, Esme Allen, Marianna Bassham, and Rami Margron “Hurricane Diane” Photo: Nile Hawver

Presented by the Huntington Theatre Company
Written by Madeleine George
Directed by Jenny Koons 
Original music and sound design by Ben Scheff
Voice coaching by Christine Hamel
Intimacy Consultant: Ayshia Mackie-Stephenson

The Playbill
August 27 – September 26, 2021
Calderwood Pavilion at the BCA 
527 Tremont Street 
Boston MA 02116
The Huntington on social media: @huntington

PLEASE NOTE: This production includes strobe lighting effects and a simulated thunderstorm.

Critique by Kitty Drexel

“You can lead a horticulture, but you can’t make her think.”

– Dorothy Parker, theatre critic, poet & hero

BOSTON, Mass. — Hurricane Diane is fun and topical. It smacks of “The Witches of Eastwick.” Please go see it. 

It is recommended that attendees get vaccinated. Everyone must wear a mask (even performers when not actively performing). It’s not just your friendly, neighborhood theatre critic telling you, it’s also on The Huntington’s website

There are two sets of ushers after the BCA’s Box Office waiting to assist patrons into the theater. The first set of BCA staff will confirm your vaccination status or proof of a recent negative COVID-19 test. It behooves you to have this info at the ready so one doesn’t create a traffic jam.  Continue reading

Aug 20

14 Greater-Boston Theatres Announce Proof of Vaccination and Mask Requirements

Article by Kitty Drexel

  • Proof of vaccination or a Negative COVID-19 test is required
  • Masks must be worn
  • New survey results show majority of arts goers support these measures
  • Bindle, a digital vaccine record app, is free. http://www.joinbindle.com/people

BOSTON — Fourteen theatre companies in the Greater Boston area will require proof of vaccination or negative COVID-19 test for all artists, staff members, and audiences as live, indoor performances resume for the 2021/2022 season, said a press release dated August 19. Masks are also required. 

The list of participating theatres is below.

The press release said that these policies begin immediately and remain valid through October 31. Policies are per CDC guidelines and will be reevaluated as COVID-19 pandemic evolves. 

“Proof of vaccination may include showing either a vaccination card, a photo of the card, or a digital vaccine record (through an app such as Bindle at www.joinbindle.com/people),” said the press release. Audience members without proof of vaccination will be required to show proof of a recent negative COVID test before entering.

Individual theatres will list specific protocols and guidelines on their websites. At this time, New England Theatre Geek has received protocol updates from the Huntington Theatre Company, SpeakEasy Stage Company, and Central Square Theater in addition to the joint press release from the fourteen theatres. 

The New England Theatre Geek eagerly awaits updates from other New England performing institutions. “We are reluctant to attend or review indoor performances by organizations that do not enact similar protocols and safety measures,” said Queen Geek Kitty Drexel. 

“Our primary mission is to support our theatre community. We cannot do that if organizations aren’t first taking the necessary steps to protect their staff, crew and casts. Audience members can’t make informed decisions if they aren’t assured the community’s health is a priority.”  

The June 2021 results of the ArtsBoston Audience Outlook Monitor survey said that 73% of audiences plan to resume indoor performances by Sept 2021. Audience Outlook Monitor is a longitudinal survey to keep tabs on arts attendees thoughts, concerns and intentions as the pandemic and the state’s reopening guidelines evolve, said ArtsBoston.com.

The 14 theatre joint press release said that the most recent round of Audience Outlook Monitor survey data (collected August 9 – 13, 202) found that 80% of respondents indicated that proof of vaccination would make them more likely to attend indoor events. 50% said that proof of vaccination or negative COVID test is a prerequisite for their attendance. 98% of respondents reported being fully vaccinated or planning to do so. 

Theatres in New York City, Washington, DC, and Chicago have established similar policies requiring proof of vaccination or a negative COVID test and mask wearing.

It is good practice to stay home if experiencing COVID symptoms on the day of the performance. Common symptoms include fever or chills, cough, shortness of breath or difficulty breathing, muscle or body aches, new loss of taste or smell. 

PARTICIPATING THEATRES:
Actors’ Shakespeare Project*
American Repertory Theater (ART)
Boston Playwrights’ Theatre*
Central Square Theater*
The Front Porch Arts Collective
The Gamm Theatre*
Gloucester Stage Company*
Greater Boston Stage Company*
The Huntington Theatre Company 
Martha’s Vineyard Playhouse*
Merrimack Repertory Theatre
Moonbox Productions
SpeakEasy Stage Company*
Wellesley Repertory Theatre*
 *Member of New England Area Theaters (NEAT), an association of midsize theatres

Aug 01

Mní Wičóni.Water Is Life: “Moving Water”

KERMIT DUNKELBERG, XIMENA CALDERÓN, WILL SWYERS: image from a rehearsal. 

Presented by the Ko Theatre Festival 
a devised theatre production by Serious Play Theatre Ensemble 
written by Eric Henry Sanders
original music by Jonny Rodgers
directed by Sheryl Stoodley 
Cast: Kermit Dunkelberg, Ximena Salmerón, Will Swyers
Video design and technical coordination/operation by Robin W. Doty
Dramaturgy and visual inspiration by Rosalyn Driscoll  
Lighting design by Sabrina Hamilton 

Here is a list of activism resources made available on the Ko Fest website. 

July  30 – August 1, 2021 
Streamed Online via Vimeo
Ko Fest social media: @Kofest

In-person performances: July 22-25
33 Hawley Street
Northampton, MA

In English & Spanish with supertitles. 

Review by Kitty Drexel

Northampton, Mass. —  July 30 – August 1, Moving Water is available to stream as part of the Ko Theatre Festival out of Northampton, MA. It is a devised theatre production with dance, multi-media projection, and original music by the Serious Play Theatre Ensemble. 

Press materials said, “Moving Water îs centered on the global water crisis, and endeavors to bring audiences into a deeper understanding of our human relationship to water.” Here is a list of activism resources and reading list made available on the Ko Fest website.  Continue reading

Jul 30

Ariel, the Human World, It’s A Mess: “The Tempest”

The cast of “The Tempest.” Gods, it’s good to see theatre again. Photo by: Evgenia Eliseeva

FREE Shakespeare on the Common
Presented by Commonwealth Shakespeare Company
By William Shakespeare
Directed by Steven Maler
Choreographer/ Movement coaching by Levi Philip Marsman
Sound design and compositions by David Reiffel
COVID Safety Manager by Brian Robillard

July 21-August 8, 2021
Parkman Bandstand, Boston Common
Boston, MA
CommShakes on social media: @commshakes

The Accessibility program dates:
Open Captioning: July 31
Audio description and ASL interpreted performances: August 1 and August 6
Rain Date for all Access services: August 8

Running time is about 110 minutes; there is no intermission.

Register for tickets HERE
COVID-19 restrictions are HERE.

Review by Kitty Drexel

BOSTON, Mass. — Theatre is my favorite thing. To me, there is no greater experience than the communion of theatre. It’s been 17 months, and I have missed live-performance every day. Seeing the cast of The Tempest walk onstage to face our crowd of masked-until-seated strangers brought me to tears. It felt like coming home. 

Commonwealth Shakespeare Company celebrates 25 years of free Shakespeare on Boston Common with their production of William Shakespeare’s The Tempest. It stars John Douglas Thompson as Prospero, a role that fits him like a glove. A cadre of beloved local talent plays major and minor roles. Continue reading

Jun 22

Reintegration Through Art: “The Boston Project: Project Resilience”

Banner art by SpeakEasy Stage Co.

Presented by Speakeasy Stage Company 
Written by Fabiola R. Decius, Adriana RoCale, Nico Pang, Hortense Gerardo, Paige Monopoli, and Magda Romanska
Performed by Cheryl Singleton, Garciela Femenia, Jupiter Lê, Paige Clark, Gigi Watson, and Darya Denisova
Directed by Dawn M. Simmons, Michelle Aguillon, Desire Bennett, Michelle Ambila, Alex Lonati, and Dmitry Troyanovsky

Running June 18-30, 2021
Streaming Online 
Speakeasy Stage Company on Facebook

Review by Afrikah Smith

ONLINE — Celebrating the unique identities and experiences that make up the city of Boston, Speakeasy presents The Boston Project: Project Resilience. Showcasing six original plays by Boston local playwrights, Project Resilience is part of Speakeasy’s initiative in supporting the creation of new play development set in Boston. Continue reading

Jun 20

I Hope You Dance: “Listen to Sipu”

Photo via the New Rep Facebook page.

Listen to Sipu: A Watertown Historical Moving Play
Presented by New Rep Theatre Company
In partnership with The Watertown Free Public Library, The Historical Society of Watertown, and The Pigsgusset Initiative.
Written by Morgan (Mwalim) J. Peters
Directed by Jaime Carrillo
Movement direction by Andre StrongBearHeart Gaines, Jr.
Soundscape artistry by Geraldine Barney
Dramaturgy by Angelique Dina
Dramaturgical assistance from Abby Lass and Tomantha Sylvester
Playbill LINK
Dramaturgical LINK to learn more

June 5 – July 11, 2021
Outdoors at the Commander’s Mansion (near the Mosesian Center for the Arts)
440 Talcott Avenue,
Watertown, MA 02472
BUY TICKETS

Details: Accessibility information and other performance facts are generously provided by New Rep HERE.

Review by Kitty Drexel

PIGSGUSSET/WATERTOWN — Listen to Sipu is about how Sipu (Maria Hendricks) absolutely pwns a Tour Guide (Grace Wagner) giving a talk about historical Watertown, MA race relations. Tour Guide tries to give a politically correct, psychically-comfortable estimation of Watertown’s origins. Sipu is having none of TG’s inaccuracies and tells us the true meaning of colonialist occupation. 

History is written by the victors, the saying attributed to Churchill goes. I remember learning in elementary school that white settlers peacefully negotiated with American natives to live together in harmony. Frankly, that’s white supremacist horseshit. Continue reading

May 31

You Sow What You Are: “TRACES/REMAIN: Seed to Harvest: The Wooden Book”

Banner by ArtsEmerson

TRACES/REMAIN
Seed to Harvest: The Wooden Book
Presented by ArtsEmerson
Based on the Parable of the Sower by Octavia Butler 
Featuring the artistry of Toshi Reagon, Letta Neely, Deen Rawlins-Harris, Jenny Hughes, Dyllan Nguyen, Leo Alarcon
Parable Path Boston is Toshi Reagon’s year long artist residency at Emerson College
ArtsEmerson is a sponsor of Boston While Black.

April 8 – June 26, 2021
TRACES/REMAIN incorporates in-Person & online events. Please see below for more details. 
Boston, MA
ArtsEmerson on Facebook

Remaining opportunities to see/submit to the Wooden Book:
Frugal Bookstore, Nubian Square
MAY 24–JUN 07
57 Warren Street, Roxbury, MA 02119
Drop Off Hours: MON–WED 10:00AM–3:00PM;
THU–FRI 10:00AM–5:00PM
SAT 10:00AM–3:00PM
https://frugalbookstore.net
Sower Session: MAY 25 @ 5:30-7:00PM (Zoom)
Neighborhood Tabling Session: JUN 12 @ 4:00PM-6:00PM (Nubian Square Park)

Franklin Park Tennis Courts
JUN 06
Circuit Drive, Boston, MA 02130
Neighborhood Tabling Session: JUN 06 @ 1:00PM-3:00PM (Across from Lemuel Shattuck Hospital)

BCYF/Shelburne Community Center
JUN 10–24
2730 Washington St, Roxbury, MA 02119
https://www.boston.gov/departments/boston-centers-youth-families/bcyf-shelburne
Sower Session: JUN 10 @ 6:00-7:30PM
Neighborhood Tabling Session: JUN 13 @ 1:00PM-3:00PM (Malcolm X Park, behind Shelburne)

Egleston Branch Library 
JUN 26
2044 Columbus Ave, Roxbury, MA 02119
Culminating Celebration: 1:00PM–3:00PM
https://www.bpl.org/locations/22/

Review by Kitty Drexel

BOSTON — Moments from Reagon’s 2017 concert of her opera, Parable of the Sower still haunt me. So when I heard about Parable Path Boston, I got excited. When I heard about TRACES/REMAIN, I did a little wiggle-dance in my seat. Butler’s Parable Series is excellent reading whether you enjoy science fiction or not. It’s exciting to see Reagon and Butler inspiring new audiences. 

I signed up for the May 25 Sower Session and put a visit to the Frugal Bookstore in Nubian Square, Boston in my calendar. I Googled the series to remind myself of the content of the novels. I thought I was ready.  Continue reading

May 31

Good for Them: “A Woman of the World”

Denise Cormier in MRT’s A Woman of the World. Photo: Kathy Wittman.

Presented by Merrimack Repertory Theatre
Written by Rebecca Gilman
Directed by Courtney Sale
Featuring Denise Cormier

May 15-30, 2021
Video on Demand
Lowell, MA 01852
MRT on Facebook

Review by Kitty Drexel

“Yes, she was a genius but nothing really happened to her. She never left her house!” – Mary Loomis Todd on Emily Dickinson in A Woman of the World

STREAMING — The summary on the MRT website for A Woman of the World buries the lede. It focuses on her ties to poet Emily Dickinson as a way to lure audience members with Protestant leanings. The summary fails to emphasize famous New Englander Mabel Loomis Todd’s more modern fleshly proclivities: she was into open-marriages centuries before it was cool and took great pleasure in sex.  Continue reading