Nov 02

“Thirsty” Not Worth the Right Swipe

Photo by Haris Lefteri

Photo by Haris Lefteri; pictured: Adjovi A. Koene

Presented by Ya Bird? Productions
By Greg Hovanesian
Directed by Haris Lefteri

October 30, 2016
The Rockwell
255 Elm Street
Somerville, MA
Ya Bird? Productions on Facebook

Review by Travis Manni

(Somerville, MA) I love a show with a holiday theme to get me in the right kind of festive mood. And what better way to let the Halloween spirit possess me than going to see Thirsty, a show about online dating and vampires. Continue reading

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Oct 26

The Opposite of Hell Freezing Over: “When January Feels Like Summer”

Photo courtesy of CST Facebook page.

Photo courtesy of CST Facebook page.

Presented by Underground Railway Theater
Written by Cori Thomas
Directed by Benny Sato Ambush

Oct. 20 – Nov. 13, 2016
Central Square Theater
Cambridge, MA
CST on Facebook

Review by Kitty Drexel

(Cambridge, MA) Spoiler alert: No one dies in When January Feels Like Summer. No one even gets beaten up. In fact, everyone gets a happy ending. Thomas’ play is extraordinary because sweet but nosy Indira gets to be happy. Thomas’ POC characters get to live their lives without some white person causing unnecessary trouble. It shouldn’t be unusual that a play about POCs or a trans woman isn’t about the violence inflected on them, but it is. It shouldn’t be revolutionary for a person to go about their business. Yet, here we are.       Continue reading

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Oct 26

“White Like Me”: Privilege and Politics (or Lack Thereof)

Puppet Showplace Theater

Photo credit: Puppet Showplace Theater; childhood relics.

Presented by Puppet Showplace Theater
Written, Directed & Performed by Paul Zaloom

October 21 & 22, 2016
32 Station Street
Brookline, MA
Puppet Showplace Theater on Facebook
Puppets at Night

Review by Travis Manni

(Boston, MA) As a young, gay, white male, I try to be aware of my privileges. I experience them a great deal on a daily basis, and what I wanted White Like Me to do was remind me of this in a way that was both poignant and humorous. And while I did have a good time at this show, I was surprised that only the latter turned out to be true. Continue reading

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Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

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Oct 24

At the Hop: “Planet of the Warrior Bunnies”

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Presented by Unreliable Narrator
Written and Directed by Carl Danielson
Violence Design by Matt Arnold

October 21 – 29, 2016
Arlington Center for the Arts
41 Foster Street Arlington, MA
Unreliable Narrator on Facebook

Review by Danielle Rosvally

(Arlington, MA) In a world where a race of unkillable, honor-bound warrior bunnies roam the galaxy, there is only one bunny with the adventurous spirit of Luke Skywalker, the might of Obi Wan Kenobi, and the sheer awesomeness of Han Solo: K’tharr.  Planet of the Warrior Bunnies is a campy sci-fi tale of what happens when one bunny stands up to the forces of evil that threaten not only his home, but also that of his truest friend (the earth psychic Krista). Continue reading

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Oct 17

Laugh Until You Hate Yourself Less: SILENCE! THE MUSICAL

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Photo credit: Seth Albaum, Upsidemedia; Clarice and Hannibal getting close.

Presented by Arts After Hours
Music and lyrics by Jon and Al Kaplan
Book by Hunter Bell
Directed by James Tallach
Music directed by Tim Lawton
Choreographed by Nicole Spirito

October 7 – 29, 2016
LynnArts
25 Exchange St
Lynn, MA
AAH on Facebook

Review by Kitty Drexel

(Lynn, MA) If there is a Hell, and I’m not sure if there is, then sitting through this musical may assure there’s have a seat saved for you. It is deeply offensive, crass, disrespectful, tacky and trashy. Equally dubious Heavens forgive me, I loved every minute of this explosive diarrhea of a shit show. We laughed our asses off. Continue reading

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Sep 29

Strange Women Laying in Ponds: SPAMALOT


Presented by Bill Hanney’s North Shore Music Theatre
Book and Lyrics by Eric Idle
Music by John du Prez & Eric Idle
Lovingly ripped off from the film “Monty Python and the Holy Grail”
Directed and Choreographed by Billy Sprague, Jr.
Music Direction by Jesse Warkentin

September 27 – October 9, 2016
62 Dunham Road
Beverly, MA
Bill Hanney’s North Shore Music Theatre on Facebook

Review by Danielle Rosvally

(Beverly, MA) Hey guys, did you know that there’s a Broadway-quality equity theatre dedicated to bringing glittering seasons of musicals to the North Shore just a stone’s throw from Boston?  Maybe it’s because I’m non-native, but until last night I definitely did not.  I count myself among the most unhappy of masses to have missed what I’m certain were previous spectacular seasons at Bill Hanney’s North Shore Music Theatre.  Spamalot, their current offering, is a treat for any Python-head, musical enthusiast, or person with even a tiny sense of humor. Continue reading

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Sep 29

Needs More Lesbian Kissing or No Dick is a Picnic: “Cleanliness, Godliness, and Madness: A User’s Guide”

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall. 

Presented by Sleeping Weazel
Written by Charlotte Meehan
Directed by Robbie McCauley

Sept. 15-24, 2016
Boston Center for the Arts
Plaza Black Box Theatre
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

My sincerest apologies to the good folks involved with Cleanliness, Godliness and Madness. I’ve been quite ill with what I can only describe as the Devil’s lurgy. I shall endeavor to disallow my human frailty in the face of illness to force my hand (quite literally) in this way ever again.

(Boston, MATo the lovers of button pushing, wildly liberal avant garde theatre, Cleanliness, Godliness and Madness: A User’s Guide (CGM) has closed. You missed a striking theatrical event. Attempts to remedy this miscalculation should be attempted. Continue reading

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Sep 26

Trump Might Not be the Worst*: 45 PLAYS FOR 45 PRESIDENTS

Terrell Donnell Sledge starts off the show as George Washington. Photo by Meghan Moore;

Terrell Donnell Sledge starts off the show as George Washington. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Andy Bayiates, Sean Benjamin, Genevra Gallo-Bayiates, Chloe Johnston, and Karen Weinberg
Directed by Sean Daniels

September 7 – October 2, 2016
50 East Merrimack Street
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Do you know that dull portrait of all the U.S. presidents that’s on the inside binding of high school history textbooks? Mix it with an episode of Game of Thrones and an episode of Who’s Line is it Anyway?, and you have 45 Plays For 45 Presidents. Continue reading

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Sep 20

Jordan Needs a Xanax and a Snuggle: “Significant Other”

vanessa-shower-with-nsfw-props

Photo Credit: Justin Saglio; Penises at the Hen Party. Penis. Penis. Penis.

Presented by SpeakEasy Stage Company
By Joshua Harmon
Directed by Paul Daigneault

Sept. 9 – Oct. 8, 2016
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MASignificant Other (SO) is Sondheim’s Company is the music were stripped, and Bobby was made both gay and genuinely likable. The percentage of justifiable choreography remains equal between the two shows. The set design is similarly simple. The scene transitions are more facile. All in all, based entirely on sympathetic characters alone, Significant Other is the more pleasant viewing choice. Whether this is true for you depends upon your own theatrical preferences. Continue reading

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