Oct 20

‘Or,’ Women Will Have The Last Laugh

Aphra (Stacy Fischer) catches William (Ro'ee Levi) and Nell (Hannah Husband). Photo by Mark S. Howard.

 

Or, by Liz Duffy Adams, Lyric Stage Company, 10/14/11-11/6/11, https://lyricstage.com/now_playing/or/  Contains mature themes.

Reviewed by Becca Kidwell

(Boston, MA)  A new age is dawning in the 1660’s.  Women are allowed to act.  Strict Puritan regulations have been lifted.  What’s a girl to do?  Aphra Behn, one of the first professional playwrights that was female, has some answers with the help of modern day playwright Liz Duffy Adams.  Lyric Stage brings a delightful evening of ‘girl power’ to the stage in this play of Restoration, modern, and post-modern ideals.   Continue reading

Oct 20

GoreFest 9: MASSacre General Hospital: Gleefully Gruesome Good Time

Gorefest 9:  MASSacre General Hospital by Laura Clark and Misch Whitaker, music and lyrics by Melissa Carubia, ImprovBoston, 10/20/11-10/31/11.  http://www.improvboston.com/gorefest?ref=slide.  For Mature Audiences Only.

Reviewed by Gillian Daniels

(Cambridge, MA) Once again, ImprovBoston treats audiences to the guts and glory, but especially guts, of a Halloween comedy show.  This time, the theater gives its audience a seasonally appropriate splatter musical set in a hospital.  A young and more or less well-adjusted couple, Carla and Trevor, get into a car accident and venture into the Braggs Memorial Hospital.  Not so secretly, something about the facility is wrong, especially when Carla’s unborn baby starts getting a little too much attention. Continue reading

Sep 22

Where To Stand When You’re In ‘Mortal Terror’

Will Shakespeare, Ben Jonson and John Marston (Stafford Clark-Price, Jeremiah Kissel and John Kuntz) Photo by Boston Playwrights' Theatre

 

Mortal Terror by Robert Brustein, Suffolk University & Boston Playwrights’ Theatre, The Modern Theatre at Suffolk University, 9/15/11-10/2/11, http://www.bu.edu/bpt/.

Reviewed by Becca Kidwell

(Boston, MA) Each generation lives in fear of war, conflicts, pain, and death.  Each person has to choose how they are going to react to the conflict.  Mortal Terror addresses this puzzlement in Elizabethan garb.  Rowdy writers, absolute rulers, and crazy conspirators throw words back and forth until every character must face his own compass and decide on where he stands.

Will Shakespeare, the toast of Renaissance England’s theatre scene, gets the opportunity to write a play to legitimize King James’ rule. Continue reading

Sep 17

His Girl Friday: Justifiable Laughter

Left to right: Angela Brazil as Hildy Johnson, Stephen Thorne as McCue, Lovell Holder (Brown/Trinity

His Girl Friday by John Guare, adapted from The Front Page by Ben Hecht/Charles McArthur & Columbia Pictures Film, Trinity Repertory Company, 9/9/11-10/9/11, http://www.trinityrep.com/on_stage/current_season/CAB.php.

Reviewed by Becca Kidwell

(Providence, RI) John Guare lends his wry wit to his newest creation: His Girl Friday. With the talented cast, masterful direction, and clever design, the pre-World War II press room. With the black and white realities mixed in with the comedy, the play shines a light on the present ambiguities of justice, media manipulation, and political diversion. Continue reading

Sep 14

The Hound of the Baskervilles: Romping on the Moors

Bill Mootos as Dr. Watson and Remo Airaldi as Sherlock Holmes in The Hound of the Baskervilles performing September 7 - October 2, 2011 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Photo: Elizabeth Stewart/Libberding Photography.

The Hound of the Baskervilles by Steven Canny and John Nicholson, Central Square Theatre, 9/7/11-10/2/11, http://www.centralsquaretheater.org/season/11-12/the-hound-of-the-baskervilles.html.

Reviewed by Becca Kidwell

(Cambridge, MA) From the moment the lights go down…and up…and down…it is evident that Steven Canny, John Nicholson, and Thomas Derrah have studied two of the preeminent literature scholars:  The Reduced Shakespeare Company and Monty Python.  This spoof of Sir Arthur Conan Doyle’s The Hound of the Baskervilles’ hilarity starts from the theatre notifications and does not end until the final bows.  Central Square Theatre’s new season starts off with a bang (well..just don’t let Dr. Watson hold the gun). Continue reading

Sep 13

Trout Stanley: Twin Purpose

Trout Stanley by Claudia Dey, Exquisite Theatre Corps, The Factory Theatre, 9/9/11-9/25/11.  http://www.exquisitecorps.org/trout-stanley/.

Reviewed by Leah White

(Boston, MA) Exquisite Corps Theatre opens its second season with the delightfully odd Trout Stanley.  Set in the middle-of-nowhere Canada, the old brick walls of the Factory Theatre make the perfect backdrop for the shabby home of twin sisters, Grace and Sugar Ducharme.

We meet the twins on their 30th birthday.  Kathryn Grace’s “Grace” struts around the stage, big and bombastic, almost over the top as she describes her likeness on a local hunting store’s billboard.  Grace has a lust for life and a slightly unusual respect for trash. Continue reading

Aug 17

Arcadia: The Paradise of Pursuit

Arcadia, by Tom Stoppard, Bad Habit Productions, Virginia Wimberley Theatre at the Boston Center for the Arts, 8/11/11-8/28/11.
http://www.badhabitproductions.org/shows/season/arcadia.html.

Reviewed by Becca Kidwell

Bad Habit Productions avoids pretension as it follows the serpentine path of thought from enlightenment to romance.  The witty exchanges bounce from the actors’ tongues to all four walls of the theatre.  The characters learn that the journey is more important than the definition of terms.  The production dances with little hesitation through the rhythmical patterns of Stoppard’s language. Continue reading

Aug 05

Boston Actors’ Theater Summer Play Festival 2011

Summer Play Festival 2011, Boston Actors’ Theater, 7/29/11-8/7/11, http://www.bostonactorstheater.com/.

Reviewed by Becca Kidwell

Three playwrights try out some new works at Boston Actors’ Theater’s Summer Play Festival with varying results.  The three plays are:  The Portal of God by Catherine Durickas, Reproduction by Elizabeth DuPre, and Envia! Gifts for the Goddess of Illusion by Kelly Dumar.  The plays explore the complicated and often confusing aspects of love and life. Continue reading

Jul 19

THE GOOD DOCTOR: The cure for the common sitcom

from left) Bob Mussett, Sierra Kagen, Victoria Townsend, Brian Tuttle, and Zach Eisenstat in “The Sneeze” from the Independent Drama Society's production of Neil Simon's THE GOOD DOCTOR, playing July 15-23 at the Factory Theatre, 791 Tremont Street in Boston's South End. Tix and info: http://www.independentdramasociety.org. Photo by Bethany Krevat.

The Good Doctor by Neil Simon, The Independent Drama Society, The Factory Theatre, 7/15/11-7/23/11, http://independentdramasociety.org.

Reviewed by Becca Kidwell

If it wasn’t so funny, it would be serious.  Chekov is primarily known for his serious drama:  The Seagull, Uncle Vanya, etc.  but Neil Simon draws upon Chekov’s short stories for his play, The Good Doctor.  Chekov’s short stories have been said to be precursor to Seinfeld.  The writer of such tv shows as:  Your Show of Shows and Caesar’s Hour recognized the unique comedy style and put stories “about nothing” to the stage years before the tv show “about nothing”.  Those who miss the “Junior Mint”, “The Soup Nazi”, and “The Chinese Restaurant” can relish in some new-old stories such as “The Sneeze”, “Surgery”, and “The Drowned Man”.  The Independent Drama Society’s final show utilizes the comedic talents to go out with a laugh for the audience and a whimper for the characters.   Continue reading

Apr 26

The House of Blue Leaves Taunts Us One More Time

The House of Blue Leaves by John Guare, Walter Kerr Theatre, 4/4/11-7/23/11.  http://www.houseofblueleaves.com/flash.php?version=standard.   Contains stage violence, including an explosion.

Ben Stiller as Artie, Edie Falco as Bananas, Jennifer Jason Leigh as Bunny. Photo by Joan Marcus

Reviewed by Becca Kidwell

Like Jay Gatsby, the characters of The House of the Blue Leaves long for love and notoriety.  But also like Jay Gatsby, their shallow dreams are based upon delusions.  David Cromer’s revival uncovers all the darkness and pain hidden in the recesses of a middle class home into the light of day with laughter and cruelty.

Scott Pask’s institution-like set provides the perfect environment for an evening of madness.  But who mad?  The housewife who feels that she is nothing more than the humiliating joke of celebrity?  The zookeeper who dreams of becoming a successful movie songwriter?  Or perhaps it’s the nuns? Continue reading