Oct 30

Superfluous Songs, Sweet Spirit: ANNE OF GREEN GABLES

Photo credit: Gary Ng; A History of PEI.

Script adapted by Don Harron
Score by Norman Campbell
Directed by Jane Staab

presented by Wheelock Family Theatre
200 The Riverway
Boston, MA
October 19th – November 18th, 2012
Wheelock Family Theatre Facebook Page

Review by Craig Idlebrook

The Anne of Green Gables franchise is prone to schmaltz. Any literary series that is adored by pre-teen girls, misty-eyed elderly women and Japanese soap opera anime fans can’t help but spin off some over-the-top theater. Few productions can find that young-at-heart sweet spot captured so perfectly by the series’ original creator L.M Montgomery. Anne, the orphan girl who shakes up Prince Edward
Island with her sentimental and vibrant perspective, is the tragic optimist in all of us. Wheelock Family Theatre’s production of the musical Anne of Green Gables largely succeeds in capturing the sweet spirit of the original tale with a strong cast that commits to looking at the world through the unjaded prism of youth. Continue reading

Oct 30

Separating the Political from the Familial: NOW OR LATER

Photo: Paul Marotta; with Tom Nelis and Grant MacDermott.

by Christopher Shinn
directed by Michael Wilson

presented by Huntington Theatre Company
Calderwood Pavilion at the BCA
South Boston
October 12 – November 10
Huntington Theatre Company Facebook Page

Review by Kitty Drexel

(South Boston) John, Jr. (Grant MacDermott) is a college student who has pissed off the Muslim Student Association of his University in the name of free speech. He was incredibly insensitive at a privately hosted but publicly monitored “naked’ party thrown by a fellow college student. He firmly believes that he is entitled to behave in an offensive manner because he is an American citizen. Unlike many kids in his situation, he cannot just let his act of emotional terrorism blow over; he is the son of Presidential nominee John, Sr. (Tom Nelis). Amidst the tumult of election night, Jr. comes to the slow realization that his action affects more than just his immediate circle of friends and family. It has the potential to affect the entire nation. Continue reading

Oct 25

Boston Debut of Kyle Abraham / Abraham.in.Motion

WORLD MUSIC/CRASHarts PRESENTS THE BOSTON DEBUT OF
Kyle Abraham / Abraham.in.Motion
Performing the Boston premiere of The Radio Show
Friday, November 16, 7:30 pm | Saturday, November 17, 8pm
The Institute of Contemporary Art/Boston
100 Northern Ave
Boston, 02210
Facebook
Page

Bessie Award–winner Kyle Abraham and his seven-member company, Abraham.In.Motion, dance with
a highly engaging, larger-than-life style that combines influences ranging from hip-hop to ballet. The
Radio Show revolves around the closure of the urban Pittsburgh radio station that Abraham grew up
listening to and sets the stage for an exploration of cultural identity, personal history and the heartbeat of
a neighborhood.

Photo credits: Steven Schreiber and Renee Rosensteel

Oct 23

Accidentally Sexy: “Bloody, Bloody, Andrew Jackson”

Photo by Craig Bailey / Perspective Photo. The show is accidentally sexy; the cast is sexy on purpose.

Presented by SpeakEasy Stage Company

Written by Alex Timbers
Music & Lyrics by Michael Friedman
Directed by Paul Melone
Music directed by Nick Connell

SpeakEasy Stage Company
539 Tremont Street
Boston, MA 02116
October 19 – November 17, 2012

SpeakEasy Facebook Page

Review by Kitty Drexel

(Boston) President Andrew Jackson (Gus Curry) invented the Democratic Party but was infamous for hating the English, the Spanish, American Aristocracy and Native American Indians. The book by Alex Timbers presents President Jackson as an angsty young man bristling with frenetic energy. He loves Populism, his wife Rachel and representing “The Voice of the People.” His hobbies include building the Trail of Tears, guns and erratic behavior. Even though there’s 100 years difference between his era and ours, not much has changed in politics: some political leaders just love a tantrum. Continue reading

Oct 20

Jesus Christ Superstar: God and Everyone Else is Listening

Photos: Copyright The Boston Conservatory. Max Wagenblass, photographer.

presented by The Boston Conservatory

Music by Andrew Lloyd Weber.
Lyrics by Tim Rice.

Directed by Neil Donohoe
Music Direction by Bill Casey.
Conducted by Reuben M. Reynolds, III.
Choreographed by Michelle Chasse.

The Boston Conservatory Theater
Boston, MA

October 18 – 21, 2012

(Boston) It started out as a lovely evening. Boston Conservatory’s production of Jesus Christ Superstar is excellent – not only as a student production but as a piece of art comparable to professional area theater. The students in Friday’s performance were electric on the stage, filling every crevice in the theater with palpable, thrumming energy. Their acting was fine, their dance was great and their vocals blew the roof off. The modern dance choreographed by Michelle Chasse lends itself well to this updated production. The subtle yet evocative lighting design by Franklin Meissner Jr. was the cherry on the performance sundae. It is a good show. Continue reading

Oct 18

“Alice in Wonderland” but on More Meth: “The Lily’s Revenge”

Photo credit: www.GretjenHelene.com; Lily and the Mary’s shaking what their mother, Time, gave them.

Written and Conceived by Taylor Mac
Composed by Rachelle Garniez

presented by American Repertory Theatre
OBERON
2 Arrow Street
Cambridge, MA 02138
October 12, 2012 to October 28, 2012

A.R.T. Facebook Page

The Lily’s Revenge is the epic nursery rhyme turned homo-rific, drag-tastic fairy tale of Lily, an ordinary houseplant, who undertakes to be more than what others make him to be. His is a delicious allegory/metaphor/cautionary tale/simile/hyperbole/paradox that spans 4+ hours of dance, drama and breakage of the 4th wall that warns never to settle for less than what you want. Even if that means shedding the skin of who you think you are to become who you are truly meant to be. Continue reading

Oct 18

GoreFest X: 28 Days Latte

Photo Credit: ImprovBoston; This ain’t your Daddy’s zombie-fest.

ImprovBoston
40 Prospect St.
Cambridge, MA 02139
October 24 – 31, 8pm and 10pm shows.

ImprovBoston Facebook Page

(Cambridge) GoreFest X: 28 Days Latte ImprovBoston’s 10th Annual Halloween Horrorshow — is a brand new musical comedy from writer/lyricist Don Schuerman and composer Steve Gilbane. The Zombie Apocalypse is upon us, and a bunch of hipsters and two senior citizens are trapped inside a coffee place as they fight back the rampaging hordes. The show is dripping with tasteless dialog, juvenile humor, memorable music. Like every GoreFest, this year’s show features copious amounts of fake blood, gore and other bodily fluids, not all of which ends up on the actors.

BEWARE: AUDIENCES IN THE “SPLATTER ZONE” MAY BE COVERED IN FAKE EVERYTHING YOU CAN IMAGINE; WITH A COUPLE EXTRA SHOTS OF BLOODY ESPRESSO (Dress For The Season).

FOLLOW THE BLOODY TWEETS @IBGorefest


Oct 17

The Thing’s the Plays: Public Theater’s New “Shakespeare Machine”

Next time you’re in the NYC area, why not take a look at some kick-ass art in the refurbished lobby of The Public Theater?
Link to Article from ArtNews
The Public Theater
425 Lafayette Street
NY, NY 10003

Artist Ben Rubin remixes 37 works in a site-specific, L.E.D-lit, linguistic-supercollider sculpture (that’s also a chandelier)

“The Shakespeare Machine is the creation of Ben Rubin, a local media artist with the spirit of a mad inventor and a passion for data. Commissioned by the city’s Department of Cultural Affairs as part of the Percent for Art program, which funds site-specific pieces in city-funded construction projects, Rubin’s device is at once artwork, chandelier, brain-teaser, and literary tourist attraction.”

ARTnews article excerpts written by Robin Cembalest, posted 10/16/12.

Oct 15

Some Freedoms are More Free than Others: “Parade”

Photo credit: F.U.D.G.E. Theatre Company, the cast with director Joey DeMita kickin’ it.

book by Alfred Uhry and music and lyrics by Jason Robert Brown

Directed by Joey DeMita
Music Directed by Steven Bergman

The F.U.D.G.E. Theatre Company
Oct 12- Oct 20, 2012
The Arsenal Center for the Arts Black Box
321 Arsenal Street
Watertown, Massachusetts

F.U.D.G.E. Theatre Company Facebook Page

Review by Kitty Drexel

(Watertown) A True Story: Mr. Leo Frank was infamously the prime suspect in the murder trial of a young National Pencil Company factory worker, Mary Phagan in 1913. Jim Conley, the factory janitor, was also held as a suspect. Frank was sentenced to death; Conley was sentenced to work on a chain gang. Later, Frank’s sentence was commuted in 1915 to life in prison. Local public outrage inspired a lynch mob to kidnap Frank, drive him back to Marietta, Georgia, where the murder took place, and hang him. Parade spans the trial and 2 year imprisonment of Frank. Continue reading

Oct 13

Murder Has Never Been so Adorable: “Senseless! A Brick Foley Adventure”

Photo Credit: Aurora Broadcasting Network

written and directed by Elizabeth Hara
October 12-13, 2012 @8pm
Puppet Showpace Theatre
32 Station St
Brookline, MA

Puppet Showplace Theatre Facebook Page

Review by Kitty Drexel

(Brookline) Someone has been murdering the blind/deaf students of the Helen Keller School of Music and Brick Foley, blind detective, is on the job to find out who. Was it the gentle and sweet teacher, Jane Allgood? Was it Chancellor Daniels or his nemesis Dr. Children? Could it even have been sexy vixen Bea Baxter? With his sidekick, Office Murphy, Detective Foley navigates the in’s and out’s of this puppet show/radio play and finds out who done it! (Brought to you by Price’s Powdered Ham.)

This short noir radio play cum puppetry show SHOULD NOT be missed! The Aurora Broadcasting Network has created an adult comedy that will melt the hearts of even the most cynical of theater goers. The troupe exudes a light jovial atmosphere that is founded on a sincere love of their craft. The 5 member team moves as one like a seemingly effortless machine. Although they do not use traditional puppets (a la Mr. Roger’s Neighborhood perhaps) their creative use of props and physical comedy leaves nothing to be desired. In fact, it’s a damn shame that the show isn’t longer than the allocated hour.

This show has it all: it’s a little naughty and is not appropriate for young children, the troupe employs character voices and perfected noir archetypes, minty fresh musical stylings begin and end the show, there’s a speedy and engaging plot and, best of all, the audience is encouraged to participate!

Please be advised that there is a 2 row splash zone. If flying meat products alarm you, it may be best to stand in the back.

There is an after-show with the ravishing Ruby Rose Fox, drinks and dancing.

—–

Elizabeth Hara has worked as a puppet builder for the Jim Henson Company, Sesame Street, and Avenue Q. She has also built costumes for The Lion King, Shrek the Musical, and most recently, Spider-man: Turn Off the Dark. She is a Vassar graduate, and has performed at the Edinburgh Fringe Festival and the Puppeteers of America National Festival.

‘Senseless’ features the performing talents of Brendan Yi-Fu Tay (The Puppet Kitchen,) Sarah Lafferty (Castleton Opera Festival,) Katrina Denney (Fundamental Theatre Group), Emmy Award-winner Michael Schupbach (Sesame Street, Johnny and the Sprites) Eric Wright (The Puppet Kitchen, The Metropolitan Opera, The Public Theatre) and David Brown (poorbutsexydc.combit.ly/ufofactory)