Mar 12

A Relationship Is A Series of Negotiations: “Stereophonic”

Tour presented by ATG Entertainment
Written by David Adjmi
Original music by Will Butler
Directed by Daniel Aukin 
Featuring: Jack Barrett, Claire DeJean, Steven Lee Johnson, Emilie Kouatchou, Cornelius McMoyler, Denver Milord, Christopher Mowod

Now – March 15, 2026
Emerson Colonial Theatre
106 Boylston St
Boston, 02116
Link to a Bostix Deal

Article by Kitty Drexel

BOSTON — The official summary for Stereophonic says it mines “the agony and the ecstasy of creation as it zooms in on a music studio in 1976.” An up-and-coming rock band recording a new album finds itself on the cusp of superstardom. Internal and external pressures could “spark their breakup… or their breakthrough.” Written by David Adjmi, directed by Daniel Aukin, and featuring original music by Arcade Fire’s Will Butler, Stereophonic shows its audience the creativity, drugs, and drama of writing and recording a stellar, best-selling folk rock album, a la Fleetwood Mac’s Rumours.

Stereophonic is just one of many works inspired by the saga of Fleetwood Mac and Rumours. Daisy Jones & the Six, the best-selling novel and the Amazon T.V. show, and an episode of Agatha All Along are others. Stereophonic earned 13 Tony nominations and won five awards in 2024. Its cast album rocks and stands on its own as great entertainment (whether you enjoy Fleetwood Mac or not). The touring production is a solid theatre that represents well the artistic creative process, massive egos, and the heartbreak of losing a family through interpersonal drama.  Continue reading

Mar 11

There Were Always Bad Things Happening in Navestead: “Like Flies”

Photo by Noli French – French’s Fotos

Presented by Portland Stage
By Maggie Kearnan
Directed by Sally Wood
Featuring: Cynthia Barnett, DeAnna S. Wright, Catherine Buxton, Luz Lopez, Carina Higgins, Jordan Hurley, Kelly Chick

March 4 – March 22, 2026
Wed, Mar 04, 7:30pm* 
Sat, Mar 14, 8:00pm*
Thu, Mar 19, 2:00pm*
(*On sale 12pm until show time, day of show, in person only)
Portland Stage theater
25A Forest Ave 
Portland, ME 04101

Article by Kitty Drexel

RUN TIME approximately 2 hours and 10 minutes, including a 15-minute intermission.

PORTLAND, ME — Playwright Maggie Kearnan made a splash at the Boston Playwrights’ Theatre in Nov. 2024 with her political satire, How to Not Save the World with Mr. Bezos. If you enjoyed that as much as we did, you’ll be tickled pink to know her latest creation, Like Flies, is playing at Maine’s quaint Portland Stage through March 22. Even better, it features a cast heavy with local actors. 

In the fictional town of Navestead (a place not dissimilar to historical Portland, ME), a new midwife has moved in down the road from the morgue. Edna (Cynthia Barnett) has come because she’d heard tell of mothers dying in childbirth. Edna’s move has upset the locals, including the resident midwife, Meg (DeAnna S Wright). After she saves a pregnant mother and her unborn baby, Edna and Meg form a courteous tag team. The women now come to them both for healing.  Continue reading

Feb 23

It Starts with An Earthquake, Birds & Snakes, An Aeroplane: “The Bald Soprano” & “The Lesson”

Photo by Ben Rose Photography.

Presented by Hub Theatre Company of Boston 
Written by Eugène Ionesco
Directed by Bryn Boice
Intimacy Choreography by Lauren Cook

February 21 – March 8 2026
BCA Plaza Black Box Theatre
539 Tremont Street
Boston, MA 02116

2 hours with ONE 15-minute intermission
Suitable for 13+

Critique by Kitty Drexel

BOSTON — Theatre of the Absurd plays are why normies make fun of us. These plays are, by definition, intentionally bizarre. If you enjoy works by Beckett, Jean Genet, Pinter, etc., you’ll enjoy Hub Theatre Company’s production of Eugène Ionesco’s The Bald Soprano and The Lesson, currently at the BCA. Even if you don’t but do want to support well-assembled fringe theatre, it’s worth your while to check out Hub’s current offering.  Continue reading

Feb 16

Here There Be Dragonnes: “The Moderate”

Celeste Oliva and Nael Nacer in The Moderate. Photo: Nile Scott Studios.

Presented by Central Square Theater
A Catalyst Collaborative@MIT Production
By Ken Urban
Directed by Jared Mezzocchi

February 5 – March 1, 2026
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139

Strobe and flashing lighting effects are used in this production.

Using the Motion Picture Association rating system, this production lands between R and NC-17 ratings for sexual content, violence, and mature themes including political terrorism and child abuse. 

Article by Kitty Drexel

CAMBRIDGE, Mass. — Let’s begin with the end. In an interview with Playwright Ken Urban and Director and Multimedia Designer Jared Mezzocchi, I asked the duo what they hoped audiences would take away from their production of The Moderate (now playing at Central Square Theater). Urban said the play is a human story about a man struggling with his past. In doing so, he helps someone in the present. This is possible through Frank’s interactions online

Mezzocchi said he hopes audiences consider how their own internet use could be harmful and instead take a moment to reflect and look within themselves to find hope. 

Hold on to Mezzocchi’s message of hope. You’ll need it.  Continue reading

Jan 31

Daddy Only Loves Winners: “The 25th Annual Putnam County Spelling Bee”

Hive’s Cast of “The 25th Annual Putnam County Spelling Bee.”

Presented by Hive Theatre Company 
Book by Rachel Sheinkin
Conceived by Rebecca Feldman
Music and lyrics by William Finn
​Directed & Choreographed by Margaret McFadden
Musical Director John Eldridge

January 22, 2026 – February 1, 2026
Plaza Theatre at the Boston Center for the Arts
539 Tremont Street
Boston, MA 02116

Critique by Kitty Drexel

“Caterjunes,” from UrbanDictionary.com
An old Nantucket whaling term with only one known citation.
“The neap tide draws. The Leviathan nears. Caterjunes.”
Definition by the_roflsauces from January 1, 2009.

BOSTON — Wednesday night’s subway and road traffic was awful. We braved massively crowded red, orange and green line cars to stumble our way to the Boston Center for the Arts. Hive Theatre Company presented The 25th Annual Putnam County Spelling Bee. We’re happy to say the production was worth all of the effort to get to the BCA. 

(A note to BCA employees: The weird smell that lived in the largest bathroom is in the lobby now. It’s heinous. Is it coming from the ceiling, the floors, the walls? Investigate it. Y’all need to do something before patrons stop buying tickets. It’s unfair to everyone to charge money and subject us to whatever is going on in there. Additionally, the paper towel dispensers aren’t loaded, and some of the soap dispensers don’t function. Caring about community includes caring about its spaces. Your hardworking janitorial staff can only do so much when the entire space requires renovation. )   

This is Hive’s second production and follow-up to last Fall’s The Wolves. The company says it engages the work of teens and young adults in its production. Its artists might be young, but they display a maturity beyond their years. From the minor details in its design to the character work of its actors, The 25th Annual Putnam County Spelling Bee is a solid production worth the weary steps across the ice and snow.  

The 25th Annual Putnam County Spelling Bee had a Broadway production directed by James Lapine in 2005. Its revival, directed by Danny Mefford, is currently running in New York at the New World Stages. A production famous for its 4th wall breaking, volunteer embarrassing hijinks and special guests off-Broadway included Daniel Radcliffe and Lin-Manuel Miranda. Hive’s production did not feature anyone terrifically famous on Wednesday. There is still time. 

Rachel Sheinkin and William Finnis’ musical turns the show’s audience into the audience for an elementary school spelling bee (as indicated by the title). Stakes are high for six prepubescent kids (Cameron Nye, Anna Wright, Alex Kennedy, Kaden Mays, Ashley Ha, Maya Gopalswamy) battling for the title of spelling bee champion and the chance to go to the finals in Washington. They spell real and pretend words while offloading intimate details about their personal lives. We experience secondhand embarrassment and, hopefully, mass empathy for these socially awkward, over-stressed kids who lack the experience to know that other opportunities for success will eventually arise if they keep going. 

Amanda Wade tackles the role of zealous adult judge and previous spelling champ, Rona Lisa Peretti. She is matched by Josh Telepman as the second judge and super creep, Vice Principal Panché. Salavatore Guillermo Garcia plays comfort counselor with a heart of gold and hand of juiceboxes, Mitch Mahoney. 

For folks familiar with the musical, characters such as Leaf Coneybear, Marcy Park, and William Barfeé are infamous for their quirky personalities. Hive’s production is notable because it’s clear that the entire cast dug deep to make their characters as eccentric as possible. From a tween political pundit-in-training to an ex-con, our actors made it delightfully weird.    

Margaret McFadden’s staging and choreography take great advantage of the set design by Kevin Deane Parker. Actors are flinging candy into the audience, running across the stage, and even forming a brief kickline. McFadden’s most inspired staging appears in “Magic Foot” and “I Speak Six Languages” thanks to castmembers Mays and Ha. Mays commits to the bit and gives us unusual athleticism for an antisocial speller. Ha is a quadruple threat: high kicks, the splits, and a short moment on the Music Director John Eldridge’s piano all while singing in multiple languages. McFadden’s Act 2 Love Ballet receives special mention for adding unexpected sweetness to a vulnerable moment between Barfeé and Ostrovsky (Gopalswamy). 

Additionally, scenic designer Parker and costume designer Samantha Wolfrum provide subtle depths to the production. Parker put matching functional waterbottles with matching Spelling Bee labels by each contestant’s chair, even the volunteer contestants, which matches the judge’s banner which matched the ceiling banner. An anti-bullying poster looked real. Wolfrum paid special attention to the details of her costuming: Peretti donned a glammy bee brooch. Coneybear, who dressed himself, wore a frog fannypack and a frog finger puppet. 

With all the subtle and unsubtle work going into The 25th Annual Putnam County Spelling Bee, we would be remiss if we didn’t offer some words of caution. A production such as this one invites the cast and its audience into a niche community within a niche community. Hive Theatre had many friends and family in its audience on Wednesday evening. Its actors invited many laughs. There were also laughs from inside jokes and friendships with audience members. 

Generally speaking, inside jokes should be avoided. They alienate an audience who may or may not know what is going on. The joke isn’t funny if everyone isn’t involved. Invite friends and parents to a dress rehearsal to get your giggles out. Paying patrons may not give you a second chance.   

In a poignant moment during The 25th Annual Putnam County Spelling Bee, the character Logainne Schwartzandgrubenniere, played by Anna Wright, goes on a heated tirade about the pointless renaming of the Gulf of Mexico and the Kennedy Center to appease a certain orange-skinned, vulva-throated pedophile protecting president with an ego so fragile that Fox News covers his terrible golf scores instead of national protests. We must consider what kind of world we are leaving our children’s children. Even we thousandaire, childless catladies need to be concerned about the next generations of American citizens, inside and outside of Greenland. Our kids are concerned for us all. That alone deserves our respect and support. 

Fuck Ice. 

Jan 25

First Time with Feeling: “The Great Pistachio”

Production Art.

Presented by Yorick Ensemble
By Nicholas Cummings
Directed by Rachel Hall
Fight choreography by Sydney T Grant
Puppet consultant: Em Sheeran

January 23 – February 1, 2026 
Boston Center for the Arts
Plaza Black Box Theatre
539 Tremont St.
Boston, MA 02116
Online playbill

Critique by Kitty Drexel 

BOSTON — The Great Pistachio is an absurd gem of a play about nothing and everything that starts with the letter B: Brechtian, Beckett, burrow, beg, bunker, banjo, beige, brown, bureau of criminal apprehension, bruise, beets, Bertram, Boris, and Beatrice. To a lesser extent, it’s a play about things that start with the letters A and C: apocalypse and company policy. Yorick Ensemble brings this eccentric but thoughtful one-act play from the New York and Edinburgh Theatre Festivals to the Boston Center for the Arts for two weekends. If you survive Snowmageddon 2026, it’s worth carving a path to the South End to see it before it flits to another city.

Hold on to your butt, we’ve got a weird one. In a bunker at the end of the world, brothers Bertrand Brambles (John Brownlie) and Boris (Tim Lawton) are working on very important projects. Bertrand has written his magnum opus: a five-act, 272-page play free from worldly influence. Boris is determined to finally catch up on his newspaper reading; he won’t budge until he does. But! Boris might watch Bertrand’s play if Bertrand finds it a cast.  Continue reading

Jan 14

A Dream Without a Plan Is Just A Wish: “The Great Privation (How to flip ten cents into a dollar)”

Yetunde Felix-Ukwu and Victoria Omoregie. Photo by Ken Yotsukura Photography.

Presented by Company One, a co-production with Woolly Mammoth Theatre Company
By Nia Akilah Robinson
Directed by Mina Morita
Dramaturgy by Sonia Fernandez

Jan 9 – Jan 31, 2026
The Modern Theatre at Suffolk University
525 Washington Street
Boston, MA 02111

Critique by Kitty Drexel

Approximate run time: 1 hour 30 minutes with no intermission.
Seating is general admission.
This play includes strong language and the use of flashing lights.

BOSTON — For theatre folks, nothing puts current events into perspective like a play. America feels like it’s on fire, but it always has been. The Great Privation (How to flip ten cents into a dollar), now running at Suffolk University’s Modern Theatre through Jan. 31, shows us how to find joy with our loved ones during our darkest moments; times and practices may change, but people do not; and, we may not get the closure we want, we get the closure we get. If you need a short break from the news to redirect your intentions, check out Company One’s Pay-What-You-Want tickets Continue reading

Jan 10

Love with A Bitter Core: The BLO & BSO’s “Vanessa”

Photo credit: Winslow Townson, courtesy of the BSO

Presented by Boston Symphony Orchestra in collaboration with Boston Lyric Opera
Music by Samuel Barber 
Libretto by Gian Carlo Menotti
Conducted by Andris Nelsons
Staging coordination by Alexandra Dietrich
Tanglewood Festival Chorus: Betsy Burleigh, guest choral conductor
Boston Lyric Opera Chorus: Brett Hodgdon, chorus director

Boston Symphony Hall
Thursday, January 8, 2026 
Saturday, January 10, 2026
301 Massachusetts Avenue 
Boston, MA 02115
Online Playbill 

Sung in English with supertitles

Critique by Kitty Drexel

BOSTON — This critique discusses the BLO & BSO concert production of Vanessa currently at Symphony Hall. As you read, please keep in mind several truths: The Corporation for Public Broadcasting Board, the private, nonprofit corporation created by Congress to steward the federal government’s investment in public broadcasting, voted to dissolve on January 5 after 58 years of American public service. 

The President and his Secretary of War (lol) illegally kidnapped the Venezuelan President and his wife for oil, and Instagram hits. 

A trained ICE mercenary murdered unarmed citizen Renee Nicole Good in Minnesota on January 7 when Good began driving her civilian vehicle away from an enforcement operation. 

These things are not normal. Life under these circumstances, whether you agree with the media’s portrayal of them or not, is not normal.

During these unprecedented times under fascism, the BLO and the BSO are commended for their elegant production of Barber and Menotti’s Vanessa, a 1958 Pulitzer Prize-winning opera by two gay men, one an Italian immigrant. It was composed at a time when it was unthinkable (and frequently illegal) to be out, and Italians weren’t entirely white. Vanessa was a necessary distraction from the impending fall of democracy. Continue reading

Dec 24

An Opportunity to Tell the Truth or, Your Silence Will Not Protect You: “Is This A Room”

The cast. Photo via Apollinaire Theatre Company.

Presented by Apollinaire Theatre Company
By Tina Satter
Based on the original FBI Verbatim transcript is HERE.  
Directed by Danielle Fauteux Jacques
Scenic & Sound Design: Joseph Lark-Riley
Lighting Design: Danielle Fauteux Jacques
Stage Manager: Kaleb Perez-Albuerne
Assistant Stage Managers: Miguel Dominguez, Laura Hubbard
Featuring: Parker Jennings, Brooks Reeves, Cristhian Mancinas-Garcia, Bradley Belanger

Dec. 12, 2025-Jan. 11, 2026
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150

Is This A Room on The Culture Show Podcast 

FBI Verbatim transcript is HERE.  

Approximately 75 minutes with no intermission. 

Content warning: Flashes of light, high tension, The Fed

Article by Kitty Drexel

“I sincerely apologize and take full responsibility for my actions. In particular, I want to apologize to my family.”  – Reality Winner to Chief U.S. District Court Judge J. Randal Hall at her federal trial in Augusta, GA in 2017.

CHELSEA, Mass. — On June 3, 2017, Reality Winner, a linguist contractor for the National Security Agency, was questioned by the Federal Bureau of Investigation in Augusta, Georgia, regarding her part in the leak of a classified document to The Intercept. Their conversation was recorded in accordance with FBI protocol. The leaked document was a classified report about Russian interference in the 2016 presidential election. 

On August 23 of that year, Winner was convicted and sentenced to five years and three months in a federal prison under the Espionage Act of 1917. At the time, it was the longest federal prison sentence ever imposed for classified leaks to the news media.  Continue reading

Dec 16

He’s a Bollocks, but He’s Our Bollocks: “An Irish Christmas”

Photos by Nile Scott Studios. This cast & crew photo would make an excellent holiday card.

A New England Premiere!
Presented by Greater Boston Stage Company
By Matthew Keenan
Directed by Weylin Symes
Dialect coaching by Lee Nishri-Howitt 
Featuring Alex Deroo, Alex M. Jacobs, Chris Kandra, Julia Hertzberg, Alex Leondedis, Ross MacDonald, Paul Valley, Richard Snee, and Robert Walsh
With rotating walk-on appearances by Eleanor Colleran, Phoebe Jacobs, Gilda Fitzpatrick, and Anya Flores
Musicians: Lindsay Straw with rotating collaborators: fiddlers Cara Frankowicz and Clare Fraser, and accordionist Dan Accardi.

December 5-21, 2025
GBSC Main Stage
395 Main Street
Stoneham, MA 02180
Online playbill

Critique by Kitty Drexel

Advisory: Colorful language and discussions of death.

STONEHAM, Mass. — ‘Twas the night before Christmas, and all through the pub/ Some regulars (Ross MacDonald and Paul Valley) were drinking despite the grievances of its Scroogey schlub (a stern Robert Walsh who gives the role of David hidden depths). The bar and toilets were stocked by tender Bartek (a stalwart Alex Deroo) with care/While rosy-cheeked Frank (Richard Snee) hoped that sobriety would ne’er be there. Simon (Alex Leondedis) and Anna (Julia Hertzberg) bundled up in their coats/Had sincere glad tidings stuck in their throats. While all dreamed of gifts from ole Saint Nick/David chased them off by being a dick. With the arrival of Michael (Alex M Jacobs), blood brother and friend/David looked up from his accounting book and brought the jolliness to an end.

 “Now, Simon, Now Michael! Now, Frank and Jim! Now, Julia! Now, Bartek! Get away with that din!” The owner chased them out the bar/He chased them all out. 

So David was left to suffer alone for eternity/We’ve no doubt.    Continue reading