“If the sea were to shout,
we would all be deaf.”
– Carlos Fuentes, “Destiny and Desire”
“Sotto Voce: A Play” Nilo Cruz TCG Books Theatre Communications Group, New York, 2016 $14.95 Available: http://www.tcg.org/; https://www.amazon.com/; and other purveyors of fine dramatic literature.
Review by Kitty Drexel
(New York, NY) Sotto Voce is a three person (two women, one man) play about the ways we harness our fears to confront the past and understand our consequential future. Playwright Cruz’s prose lilts off the tongue like a lover’s kiss. His character interactions sweep the stage of the imagination like poetry: gentle, unrushed but intense. Yet, his script is not without its thematic and dynamic problems. With the exception of two German characters revealed in flashback, these individuals manipulate each other with little compassion.Continue reading →
(Cambridge, MA) Courtney Love stars as Athena, the idealized, former girlfriend of the titular Kansas City Choir Boy (Todd Almond). The show begins when he sees a news story on TV that she’s been found dead in a New York City park.This touches off either a series of memories or a fantasy in which the two spend the show singing love songs to each other. Continue reading →
Presented by North Shore Music Theatre
Original Stage Adaptation by Robert Stigwood & Bill Oakes
North American Adaptation by Sean Cercone & David Abbinanti
Directed by Richard Stafford
Choreographed by Nick Kenkel
Music direction by Milton Granger
Assistant music direction by Joseph Mohan
An old Rolling Stone profile of the Bee Gees, the band behind the music for Saturday Night Fever, included a heartbreaking moment – the band was on top of the world at the time, but one of the Gibb brothers spent the entire interview nervously scrolling the radio dial to hear if any station was playing his music. Continue reading →
(Roxbury, MA) They say you should never judge a book by its cover, and I’m ashamed to admit I judged a play by its title. But it’s hard when the name is Eyes Shut. Door Open, which has a seemingly pretentious period in the middle, but no ending punctuation—an English major’s worst nightmare. But I had to let go of this trivialness to be swept up in playwright Cassie M. Seinuk’s world, which had its own set of nightmares prepared for me. Continue reading →
Friday, July 17 – Saturday, August 1, 2015 Club Cafe
Hub Theatre Company on Facebook
Review by Travis Manni
(Boston, MA) So you know when you’re in the tuna fish aisle at the grocery store and you end up punching somebody in the head and yelling at a baby to stop crying? Me neither. But this isolated event keeps the plot of Laughing Wild moving forward with enough humor that you start to think it’s actually quite relatable. Continue reading →
Presented by Happy Medium Theatre Company
Part of the Home Grown Theater Project
Written by Christopher Shinn
Directed by Cameron Cronin
June 25 – July 11, 2015
Dates and seats are limited due to the nature of the production. More information can be found here.
Happy Medium on Facebook
Review by Travis Manni
(Boston, MA) If less does is fact mean more, the Happy Medium Theatre’s production of Dying City has a lot of potential to surprise audiences.
Performed in the literal living room of actors Kiki Samko and Michael Underhill, a married couple, Dying City opens on Kelly, a widow in her late twenties living in New York City. As she packs up some of her belongings, her estranged brother-in-law, Peter, who also happens to be her deceased husband’s identical twin, arrives without warning, much to Kelly’s discomfort. Continue reading →
NEW YORK, NY – Broadway, Off-Broadway, and up-and-coming NY talent raise their voices for reproductive rights at the Don’t Speak Cabaret Benefit at the Metropolitan Room on Sunday, October 26 at 9:30pm.
Jessica Phillips (Leap of Faith, Law & Order, SVU), Sarah Drake (New England premieres Next to Normal and Carrie), Sean Harkness (Windham Hill Records [Sony/RCA/BMG]) , Samantha Owen (Forbidden Broadway), Erick Pinnick (A Christmas Carol, The Tin Pan Alley Rag), T. Oliver Reid (After Midnight, Mary Poppins) donate their talent and time to raise awareness and celebrate women’s strength and freedom. Rebecca Elliott, Morgan Frazer, Becca Kidwell, Anna Kirkland, Molly Maynard, Clare Mione, and Parker Scott also lend their voices for the cause.
(NYC) If you have been in the vicinity of a kid under the age of 12 in the past six months, you probably know Idina Menzel, or at least her voice. She’s the star behind the Disney phenomenon Frozen. But if you’re a Broadway aficionado, you already knew her name and have been following her since she came on the scene as Rent’s Maureen Johnson in 1995. Or, perhaps you remember her best as Wicked’s original Elphaba. Continue reading →
January 23 – February 2, 2014
Boston Center for the Arts 529 Tremont St
Bread and Puppet on Facebook
Review by Danielle Rosvally
(Boston) There aren’t many opportunities in your modern New England life to actually be a part of something that has deep, continuous, traditional roots. I don’t count Civil War Reenacting. Experiencing Bread and Puppet is an honest-to-goodness moment of oneness with theatre history, even if you don’t quite understand what’s going on in the performance. Continue reading →