Presented by Merrimack Repertory Theatre
Written by Wendy MacLeod
Directed by Sean Daniels
Review by Kate Lew Idlebrook
Presented by Merrimack Repertory Theatre
Written by Wendy MacLeod
Directed by Sean Daniels
Review by Kate Lew Idlebrook
Presented by Apollinaire Theatre Company
Written by Deborah Zoe Laufer
Directed by Dale J. Young
Feb. 17- Mar. 12, 2017
Chelsea Theatre Works
189 Winnisimmet St., Chelsea, MA, 02150
Apollinaire on Facebook
90 minutes, no intermission.
Review by Polly Goss
(Chelsea, MA) Having originally opened to critical acclaim at The Duke on 42nd Street in August 2015, Laufer’s hard hitting play is the most recent production from Chelsea’s Appolinaire Theatre Company. Resident company of Chelsea Theatre Works, Appolinaire endeavours to “offer audiences direct, intimate encounters with works of modern and contemporary theatre.” Informed Consent does exactly that. Deborah Zoe Laufer is an accomplished writer, marrying the universal with the personal, in this heart-wrenching story of one woman’s struggle to beat fate and save her daughter…“whatever the cost”. Continue reading
Presented by Boston Playwrights’ Theatre & Boston University College of Fine Arts School of Theatre
Written by Leo McGann
Directed by Adam Kassim
February 16-26, 2017
949 Commonwealth Avenue
Boston, MA
Boston Playwrights’ Theatre on Facebook
Boston University New Play Initiative
Review by Travis Manni
(Boston, MA) According to the old cliché, you can catch more flies with honey than with vinegar. The truth of this is debatable, but it’s true that, when luring something, or someone, to its doom, it’s much simpler to do it in a soft, sweet way. On multiple levels, this was the crux of how Leo McGann’s The Honey Trap told a story of history, guilt, and revenge. Continue reading
Presented by Fresh Ink Theatre Company
Written by Laura Neill
Directed by Joshua Glenn-Kayden
Dramatugy by Jessica Foster
February 10-25, 2017
Boston Center for the Arts
539 Tremont St., Boston, MA 02116
Fresh Ink on Facebook
Review by Kitty Drexel
(Boston, MA) Fresh Ink Theatre Company serves its community by developing the works of currently living, local-ish playwrights. They do awesome work. Don’t Give Up the Ship is the first show in their 2016/2017 season. Please vote for the arts with your attendance. Continue reading
Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice
Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook
Review by Kitty Drexel
Trigger Warnings: Adult themes, gunshot sound effect, feminism
(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.” The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading
Presented by New Rep Theatre
Prophetic Portraits: Exploring history at the level of the individual
By Bertolt Brecht
Arranged by George Tabori from various translations
Co-Produced with Boston Center for American Performance
Directed by Jim Petosa
Music direction by Matthew Stern
Feb. 4 – March 5, 2017
Mosesian Center for the Arts
321 Arsenal St
Watertown, MA
New Rep on Facebook
90 minutes with no intermission
Review by Kitty Drexel
(Watertown, MA) Bertolt Brecht was a selfish, arrogant, exceedingly charismatic dick. He was also a “genius” thanks to the help of collaborators such as Elisabeth Hauptmann and Kurt Weill. Brecht did not support them. He could turn a phrase, though.
Continue reading
Presented by Company One Theatre
With Matter & Light Fine Art, SoWa
With support from Gallery Kayafas
Written by Jackie Sibblies Drury
Directed by Shawn LaCount
Dramaturgy by Ilana M Brownstein and Francisca De Silviera
January 25 – March 12, 2017
63 Thayer St
Boston, MA 02118
C1 on Facebook
Review by Kitty Drexel
(SoWa,Boston, MA) Subscribers to American Theatre Magazine will recognize Really from its September 2016 issue. I was excited at the chance to see Company One perform a play I’d only read before. C1 did not disappoint. Still, I had more questions after seeing the show than I did after reading it. Continue reading
Presented by Merrimack Repertory Theatre
By Peter Sinn Nachtrieb
Directed by Sean Daniels
January 4 – 29, 2017
50 East Merrimack Street
Lowell, MA
MRT on Facebook
Review by Craig Idlebrook
(Lowell, MA) At any point in the year, there are dozens of small theatrical troupes of two or three actors crisscrossing the country to perform at schools or community centers. They perform plays you have never heard of in places you’ve never heard of, and the only way they do their job is to take the absurd situation they find themselves in seriously. Continue reading
Presented by Boston Arts Academy
Book by William F. Brown
Music and Lyrics by Charlie Smalls
Adapted From “The Wonderful Wizard of Oz” by L. Frank Baum
Directed by Maura Tighe
Musical Direction by Tyrone Sutton
Choreography by William McLaughlin
January 26-28, 2017
The Strand Theatre
543 Columbia Road
Dorchester, MA 02125
Review by Travis Manni
(Dorchester, MA) In a world where the future of the arts is unclear, and many would like to be transported from reality for a while, it is refreshing to see the next generation of artists from Boston Arts Academy not only take pride in their art, but convey a powerful message of pride in one’s roots. In BAA’s production of The Wiz, I was blown away at the maturity and emotional depth that a group of young adults still in high school not only understood, but also was able to convey to the audience. Continue reading
Presented by Wheelock Family Theatre
Book & lyrics by Lee Hall
Music by Elton John
Orchestrations by Martin Koch
Based on the Universal Pictures/Studio Canal film Billy Elliot
Directed by Susan Kosoff
Originally directed by Stephen Daldry
Music direction by Jon Goldberg
Choreographed by Laurel Conrad
Sign Performances by Luke Baer, Alvin Haas, Ali Schmalenberger
Audio descriptions by Cori Couture, Ruth Celia Kahn
Jan. 27 – Feb. 26, 2017
ASL performances on Fri, Feb 24 @ 7:30, & Sun, Feb 26, @ 3
All performances are open captioned
The theatre is wheelchair accessible
Wheelock College
200 Riverway
Boston, MA
Wheelock on Facebook
Recommended for ages 8+ for mild violence, occasional references to sexy times by children who don’t understand what they are saying, and English cursing.
Review by Kitty Drexel
“The arts are essential to any complete national life. The State owes it to itself to sustain and encourage them….Ill fares the race which fails to salute the arts with the reverence and delight which are their due.”
– Winston Churchill (that other quote attributed to Churchill is not something he actually said.)
(Boston, MA) Wheelock does great work with Billy Elliot:The Musical. The 2000 source movie Billy Elliot, is a sweet and rough story about a working class boy who becomes enchanted with dance while his widower father, and brother are caught up in the coal miners’ strike. They are more worried that Billy might be gay, than they are in monitoring Billy’s daytime whereabouts. The musical, based on the movie, incorporates many points of the movie’s plot. The big distinction is the musical’s Disney-fication. Alter expectations accordingly. Continue reading